Books by Sonia Sanchez
Morning Haiku
Poems of commemoration and loss for readers of all ages, from a leading writer of the Black Arts Movement and the American Poetry Society's 2018 Wallace Stevens Award–winner.
Sonia Sanchez's collection of haiku celebrates the gifts of life and mourns the deaths of revered African American figures in the worlds of music, literature, art, and activism. In her verses, we hear the sounds of Max Roach "exploding in the universe," the "blue hallelujahs" of the Philadelphia Murals, and the voice of Odetta "thundering out of the earth." Sanchez sings the praises of contemporaries whose poetic alchemy turns "words into gems": Maya Angelou, Richard Long, and Toni Morrison. And she pays homage to peace workers and civil rights activists from Rosa Parks and Congresswoman Shirley Chisholm to Brother Damu, founder of the National Black Environmental Justice Network. Often arranged in strings of twelve or more, the haiku flow one into the other in a steady song of commemoration. Sometimes deceptively simple, her lyrics hold a very powerful load of emotion and meaning.
There are intimate verses here for family and friends, verses of profound loss and silence, of courage and resilience. Sanchez is innovative, composing haiku in new forms, including a section of moving two-line poems that reflect on the long wake of 9/11. In a brief and personal opening essay, the poet explains her deep appreciation for haiku as an art form. With its touching portraits and by turns uplifting and heartbreaking lyrics, Morning Haiku contains some of Sanchez's freshest, most poignant work.
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Morning Haiku
This new volume by the much-loved poet Sonia Sanchez, her first in over a decade, is music to the ears: a collection of haiku that celebrates the gifts of life and mourns the deaths of revered African American figures in the worlds of music, literature, art, and activism. In her verses, we hear the sounds of Max Roach "exploding in the universe," the "blue hallelujahs" of the Philadelphia Murals, and the voice of Odetta "thundering out of the earth." Sanchez sings the praises of contemporaries whose poetic alchemy turns "words into gems": Maya Angelou, Richard Long, and Toni Morrison. And she pays homage to peace workers and civil rights activists from Rosa Parks and Congresswoman Shirley Chisholm to Brother Damu, founder of the National Black Environmental Justice Network. Often arranged in strings of twelve or more, the haiku flow one into the other in a steady song of commemoration. Sometimes deceptively simple, her lyrics hold a very powerful load of emotion and meaning.
There are intimate verses here for family and friends, verses of profound loss and silence, of courage and resilience. Sanchez is innovative, composing haiku in new forms, including a section of moving two-line poems that reflect on the long wake of 9/11. In a brief and personal opening essay, the poet explains her deep appreciation for haiku as an art form. With its touching portraits and by turns uplifting and heartbreaking lyrics, Morning Haiku contains some of Sanchez's freshest, most poignant work.
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Shake Loose My Skin: New and Selected Poems (Bluestreak)
An extraordinary retrospective covering over thirty years of work, From a leading writer of the Black Arts Movement and the American Poetry Society's 2018 Wallace Stevens Award–winner.
Shake Loose My Skin is a stunning testament to the literary, sensual, and political powers of the award-winning Sonia Sanchez.
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I've Been a Woman: New and Selected Poems
The author of several books of poetry, Sanchez' I've Been A Woman is the dynamic transcendental female voice of one of the finest poets of our time. Includes ""Black Magic: Blk Rhetoric"" and ""Blues.""
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In Daddy's Arms I Am Tall: African Americans Celebrating Fathers
by Carole Boston Weatherford, Dinah Johnson, Angela Johnson, Javaka Steptoe, David Anderson, Sonia Sanchez, E. Ethelbert Miller, Folami Abiade, Dakari Hru, Michael Burgess, Lenard D. Moore, Davida Adedjouma
Coretta Scott King Illustrator Award - American Library Association (ALA)
In this intergenerational collection of poetry by new and established African American writers, fatherhood is celebrated with honor, humor, and grace.
In this intergenerational collection of poetry by new and established African American writers, fatherhood is celebrated with honor, humor, and grace. Folami Abiade, Dinah Johnson, Carole Boston Weatherford, Dakari Hru, Michael Burgess, E. Ethelbert Miller, Lenard D. Moore, David Anderson, Angela Johnson, Sonia Sanchez, and Davida Adedjouma all contribute. Javaka Steptoe, who also offers a poem, employs an inventive range of media to bring each of the poems to life. In Daddy's Arms I Am Tall testifies to the powerful bond between father and child, recognizing family as our greatest gift, and identifying fathers as being among our most influential heroes.
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Like the Singing Coming off the Drums: Love Poems (Bluestreak)
A dazzling exploration of the intimate and public landscapes of passion from the American Poetry Society's 2018 Wallace Stevens Award–winner.
In haiku, tanka, and sensual blues, Sonia Sanchez writes of the many forms love takes: burning, dreamy, disappointed, vulnerable. With words that revel and reveal, she shares love's painful beauty.
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I'm Black When I'm Singing, I'm Blue When I Ain't and Other Plays
Sonia Sanchez is a prolific, award-winning poet and one of the most prominent writers in the Black Arts movement. This collection brings her plays together in one volume for the first time. Like her poetry, Sanchez’s plays voice her critique of the racism and sexism that she encountered as a young female writer in the black militant community in the late 1960s and early 1970s, her ongoing concern with the well-being of the black community, and her commitment to social justice. In addition to The Bronx Is Next (1968), Sister Son/ji (1969), Dirty Hearts (1971), Malcolm/Man Don’t Live Here No Mo (1972), and Uh, Uh; But How Do It Free Us? (1974), this collection includes the never-before-published dramas I’m Black When I’m Singing, I’m Blue When I Ain’t (1982) and 2 X 2 (2009), as well as three essays in which Sanchez reflects on her art and activism. Jacqueline Wood’s introduction illuminates Sanchez’s stagecraft in relation to her poetry and advocacy for social change, and the feminist dramatic voice in black revolutionary art.
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Homegirls and Handgrenades
“Only a poet with an innocent heart can exorcise so much pain with so much beauty.”—Isabel Allende
A reprint of Sonia Sanchez’s award-winning collection, which contains some of her seminal work. Winner of the American Book Award.
Sonia Sanchez is a poet, activist, and scholar and one of the most important writers of the Black Arts Movement. She is the author of sixteen books and lives in Philadelphia.
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Wounded in the House of a Friend (Bluestreak)
An exploration of the pain, self-doubt, and anger that emerge in women's lives, from a leading writer of the Black Arts Movement and the American Poetry Society's 2018 Wallace Stevens Award–winner.
Renowned African-American poet Sonia Sanchez writes of an unfaithful life partner, a brutal rape, the murder of a woman by her granddaughter, the ravages of drugs. Sanchez transforms the unspoken and sometimes violent betrayals of our lives into a liberating vision of connection in emotional redemption, compassion, and self-fulfillment.
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44 on 44: Forty-Four African American Writers on the Election of Barack Obama, 44th President of the United States
by Sonia Sanchez, Lita Hooper, Michael Simanga
To give voice to the historic election of President Barack Obama as the 44th President of the United States, this anthology of essays, poetry, and creative non-fiction documents the conversation on President Obama's campaign within the African American community, and the dialogue after his election and since he has taken the Oath of Office. Included are perspectives on the historical moments during President Barack Obama's 2008 campaign, the finale of the 2008 general election, and Obama's new plans and policies since he took office in January 20, 2009. Editors Lita Hooper, Michael Simanga, and Sonia Sanchez have assembled an impressive list of forty-four contributors to capture the energy and excitement, the expectation and hope. Featured are works from Lita Hooper, Michael Sigmanga, Sonia Sanchez, Amiri Baraka, Haki Madhubuti, Askia Toure, Quincy Troupe, Chuck D, Pearl Cleage, Natasha Trethewey, Tony Medina, Jessica Care Moore, Nathan McCall, Jasmine Guy, Farai Chideya, Keith Gilyard, Opal Moore, Sharan Strange, and Tina McElroy Ansa.
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Brilliant Flame! Amiri Baraka: Poems, Plays, Politics for the People
by Sonia Sanchez, Haki R. Madhubuti, Michael Simanga, Jr., Jr. King
Brilliant Flame! Amiri Baraka is an intergenerational collection of writing from poets, dramatists, musicians, educators, historians and cultural workers and theorists examining the work and influence of Amiri Baraka. The dramatist, novelist and poet, Amiri Baraka is one of the most respected and widely published African-American writers. With the beginning of Black Civil Rights Movements during the sixties, Baraka explored the anger of African-Americans and used his writings as a weapon against racism. Also, he advocated scientific socialism with his revolutionary inclined poems and aimed at creating aesthetic through them. Amiri Baraka’s writing career spans over nearly fifty years and has mostly focused on the subjects of Black Liberation and White Racism. Often recognized as a key founder of the Black Arts Movement, Amiri Baraka was a prolific writer and world-renowned poet. While this book provides its contributors a forum in which to examine his poetic and artistic aesthetics, Brilliant Flame! will more importantly bring to the forefront Baraka’s reach as political activist, historian and cultural visionary.
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