Books by Stephanie Young
Pet Sounds
A book of unruly love poems about complicated sexuality, precarity, and kinship Working from the sticky interface of property and sex, Stephanie Young takes up the question of passing when narrow definitions of family on offer by the law and capitalist social relations leave out so much. With a cast of characters that includes lovers and exes, Troilus and Cressida, Van Morrison and the Grateful Dead, Steph Curry and Andre Iguodala, Pat Parker and Judy Grahn, the orca Tilikum and his captors, Pet Sounds is at once a book of confessional economics, music criticism disguised as poetry, and a complicated coming out story. These poems pulse with the pleasures and grief of making a home inside structures that don’t fit―on land whose value climbs ever upward in the frenzy of speculation.
2020 LAMBDA LITERARY AWARD WINNER
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A Megaphone: Some Enactments, Some Numbers, and Some Essays about the Continued Usefulness of Crotchless-pants-and-a-machine-gun Feminism
by Juliana Spahr, Stephanie Young
Literary Nonfiction. Feminist Studies. Poetics. A MEGAPHONE collects a number of enactments that Juliana Spahr and Stephanie Young did between the years of 2005-2007. In these enactments, they attempted to think with the playful dogmatism of a feminist tradition that they call "crotchless pants and a machine gun" (obviously referencing Valie Export) in order to locate what might still be useful today about the somewhat beleaguered "second wave" feminist traditions. To that end, Spahr and Young lectured in Oulipian slenderized baby talk about figures such as Carolee Schneemann and Marina Abramovic; they counted the numbers of women and men and tansgendered people in various poetry anthologies; and they invited writers from outside the US to talk about being a writer where they live (over seventy-five writers from Puerto Rico to Morocco to Croatia to South Africa to Syria to Micronesia to Korea responded). Also included in A MEGAPHONE are discussions of that always contested relationship between feminism and "experimental" poetry by Julian T. Brolaski, E. Tracy Grinnell, Paul Foster Johnson, Christian Peet, Barbara Jane Reyes, Dale Smith, and A. E. Stallings. The book ends with a (soma)tic writing exercise from CAConrad, one designed to encourage readers and writers to create open, yet still meaningful, feminist alliances.
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