Books by Terry Eagleton
Holy Terror
In this investigation of the idea of terror, a cultural critic offers a metaphysics of terror with a serious historical perspective that draws upon political, philosophical, literary, and theological sources to trace a genealogy from the ancient world to present day.
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The Meaning of Life: A Very Short Introduction (Very Short Introductions)
The phrase "the meaning of life" for many seems a quaint notion fit for satirical mauling by Monty Python or Douglas Adams. But in this spirited Very Short Introduction, famed critic Terry Eagleton takes a serious if often amusing look at the question and offers his own surprising answer.
Eagleton first examines how centuries of thinkers and writers--from Marx and Schopenhauer to Shakespeare, Sartre, and Beckett--have responded to the ultimate question of meaning. He suggests, however, that it is only in modern times that the question has become problematic. But instead of tackling it head-on, many of us cope with the feelings of meaninglessness in our lives by filling them with everything from football to sex, Kabbala, Scientology, "New Age softheadedness," or fundamentalism. On the other hand, Eagleton notes, many educated people believe that life is an evolutionary accident that has no intrinsic meaning. If our lives have meaning, it is something with which we manage to invest them, not something with which they come ready made. Eagleton probes this view of meaning as a kind of private enterprise, and concludes that it fails to holds up. He argues instead that the meaning of life is not a solution to a problem, but a matter of living in a certain way. It is not metaphysical but ethical. It is not something separate from life, but what makes it worth living--that is, a certain quality, depth, abundance and intensity of life.
Here then is a brilliant discussion of the problem of meaning by a leading thinker, who writes with a light and often irreverent touch, but with a very serious end in mind.
About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.
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How to Read Literature
A literary master’s entertaining guide to reading with deeper insight, better understanding, and greater pleasure
What makes a work of literature good or bad? How freely can the reader interpret it? Could a nursery rhyme like Baa Baa Black Sheep be full of concealed loathing, resentment, and aggression? In this accessible, delightfully entertaining book, Terry Eagleton addresses these intriguing questions and a host of others. How to Read Literature is the book of choice for students new to the study of literature and for all other readers interested in deepening their understanding and enriching their reading experience.
In a series of brilliant analyses, Eagleton shows how to read with due attention to tone, rhythm, texture, syntax, allusion, ambiguity, and other formal aspects of literary works. He also examines broader questions of character, plot, narrative, the creative imagination, the meaning of fictionality, and the tension between what works of literature say and what they show. Unfailingly authoritative and cheerfully opinionated, the author provides useful commentaries on classicism, Romanticism, modernism, and postmodernism along with spellbinding insights into a huge range of authors, from Shakespeare and J. K. Rowling to Jane Austen and Samuel Beckett.
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How to Read Literature
A literary master’s entertaining guide to reading with deeper insight, better understanding, and greater pleasure
What makes a work of literature good or bad? How freely can the reader interpret it? Could a nursery rhyme like Baa Baa Black Sheep be full of concealed loathing, resentment, and aggression? In this accessible, delightfully entertaining book, Terry Eagleton addresses these intriguing questions and a host of others. How to Read Literature is the book of choice for students new to the study of literature and for all other readers interested in deepening their understanding and enriching their reading experience.
In a series of brilliant analyses, Eagleton shows how to read with due attention to tone, rhythm, texture, syntax, allusion, ambiguity, and other formal aspects of literary works. He also examines broader questions of character, plot, narrative, the creative imagination, the meaning of fictionality, and the tension between what works of literature say and what they show. Unfailingly authoritative and cheerfully opinionated, the author provides useful commentaries on classicism, Romanticism, modernism, and postmodernism along with spellbinding insights into a huge range of authors, from Shakespeare and J. K. Rowling to Jane Austen and Samuel Beckett.
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Culture and the Death of God
New observations on the persistence of God in modern times and why “authentic” atheism is so very hard to come by
How to live in a supposedly faithless world threatened by religious fundamentalism? Terry Eagleton, formidable thinker and renowned cultural critic, investigates in this thought-provoking book the contradictions, difficulties, and significance of the modern search for a replacement for God. Engaging with a phenomenally wide range of ideas, issues, and thinkers from the Enlightenment to today, Eagleton discusses the state of religion before and after 9/11, the ironies surrounding Western capitalism’s part in spawning not only secularism but also fundamentalism, and the unsatisfactory surrogates for the Almighty invented in the post-Enlightenment era.
The author reflects on the unique capacities of religion, the possibilities of culture and art as modern paths to salvation, the so-called war on terror’s impact on atheism, and a host of other topics of concern to those who envision a future in which just and compassionate communities thrive. Lucid, stylish, and entertaining in his usual manner, Eagleton presents a brilliant survey of modern thought that also serves as a timely, urgently needed intervention into our perilous political present.
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Culture and the Death of God
New observations on the persistence of God in modern times and why “authentic” atheism is so very hard to come by
How to live in a supposedly faithless world threatened by religious fundamentalism? Terry Eagleton, formidable thinker and renowned cultural critic, investigates in this thought-provoking book the contradictions, difficulties, and significance of the modern search for a replacement for God. Engaging with a phenomenally wide range of ideas, issues, and thinkers from the Enlightenment to today, Eagleton discusses the state of religion before and after 9/11, the ironies surrounding Western capitalism’s part in spawning not only secularism but also fundamentalism, and the unsatisfactory surrogates for the Almighty invented in the post-Enlightenment era.
The author reflects on the unique capacities of religion, the possibilities of culture and art as modern paths to salvation, the so-called war on terror’s impact on atheism, and a host of other topics of concern to those who envision a future in which just and compassionate communities thrive. Lucid, stylish, and entertaining in his usual manner, Eagleton presents a brilliant survey of modern thought that also serves as a timely, urgently needed intervention into our perilous political present.
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Materialism
A brilliant introduction to the philosophical concept of materialism and its relevance to contemporary science and culture
In this eye-opening, intellectually stimulating appreciation of a fascinating school of philosophy, Terry Eagleton makes a powerful argument that materialism is at the center of today’s important scientific and cultural as well as philosophical debates. The author reveals entirely fresh ways of considering the values and beliefs of three very different materialists—Marx, Nietzsche, and Wittgenstein—drawing striking comparisons between their philosophies while reflecting on a wide array of topics, from ideology and history to language, ethics, and the aesthetic. Cogently demonstrating how it is our bodies and corporeal activity that make thought and consciousness possible, Eagleton’s book is a valuable exposition on philosophic thought that strikes to the heart of how we think about ourselves and live in the world.
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Materialism
A brilliant introduction to the philosophical concept of materialism and its relevance to contemporary science and culture
In this eye-opening, intellectually stimulating appreciation of a fascinating school of philosophy, Terry Eagleton makes a powerful argument that materialism is at the center of today’s important scientific and cultural as well as philosophical debates. The author reveals entirely fresh ways of considering the values and beliefs of three very different materialists—Marx, Nietzsche, and Wittgenstein—drawing striking comparisons between their philosophies while reflecting on a wide array of topics, from ideology and history to language, ethics, and the aesthetic. Cogently demonstrating how it is our bodies and corporeal activity that make thought and consciousness possible, Eagleton’s book is a valuable exposition on philosophic thought that strikes to the heart of how we think about ourselves and live in the world.
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Reason, Faith, and Revolution: Reflections on the God Debate (The Terry Lectures Series)
Terry Eagleton’s witty and polemical Reason, Faith, and Revolution is bound to cause a stir among scientists, theologians, people of faith and people of no faith, as well as general readers eager to understand the God Debate. On the one hand, Eagleton demolishes what he calls the “superstitious” view of God held by most atheists and agnostics and offers in its place a revolutionary account of the Christian Gospel. On the other hand, he launches a stinging assault on the betrayal of this revolution by institutional Christianity.
There is little joy here, then, either for the anti-God brigade—Richard Dawkins and Christopher Hitchens in particular—nor for many conventional believers. Instead, Eagleton offers his own vibrant account of religion and politics in a book that ranges from the Holy Spirit to the recent history of the Middle East, from Thomas Aquinas to the Twin Towers.
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Reason, Faith, and Revolution: Reflections on the God Debate (The Terry Lectures Series)
One of our most influential literary critics challenges those who too easily dismiss religion and faith
Terry Eagleton’s witty and polemical Reason, Faith, and Revolution is bound to cause a stir among scientists, theologians, people of faith and people of no faith, as well as general readers eager to understand the God Debate. On the one hand, Eagleton demolishes what he calls the “superstitious” view of God held by most atheists and agnostics and offers in its place a revolutionary account of the Christian Gospel. On the other hand, he launches a stinging assault on the betrayal of this revolution by institutional Christianity.
There is little joy here, then, either for the anti-God brigade—Richard Dawkins and Christopher Hitchens in particular—nor for many conventional believers. Instead, Eagleton offers his own vibrant account of religion and politics in a book that ranges from the Holy Spirit to the recent history of the Middle East, from Thomas Aquinas to the Twin Towers.
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On Evil
An impassioned argument for the existence of evil from one of the most respected and influential critics of our day
In this witty, accessible study, the prominent Marxist thinker Terry Eagleton launches a surprising defense of the reality of evil, drawing on literary, theological, and psychoanalytic sources to suggest that evil, no mere medieval artifact, is a real phenomenon with palpable force in our contemporary world.
In a book that ranges from St. Augustine to alcoholism, Thomas Aquinas to Thomas Mann, Shakespeare to the Holocaust, Eagleton investigates the frightful plight of those doomed souls who apparently destroy for no reason. In the process, he poses a set of intriguing questions. Is evil really a kind of nothingness? Why should it appear so glamorous and seductive? Why does goodness seem so boring? Is it really possible for human beings to delight in destruction for no reason at all?
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On Evil
An impassioned argument for the existence of evil from one of the most respected and influential critics of our day
In this witty, accessible study, the prominent Marxist thinker Terry Eagleton launches a surprising defense of the reality of evil, drawing on literary, theological, and psychoanalytic sources to suggest that evil, no mere medieval artifact, is a real phenomenon with palpable force in our contemporary world.
In a book that ranges from St. Augustine to alcoholism, Thomas Aquinas to Thomas Mann, Shakespeare to the Holocaust, Eagleton investigates the frightful plight of those doomed souls who apparently destroy for no reason. In the process, he poses a set of intriguing questions. Is evil really a kind of nothingness? Why should it appear so glamorous and seductive? Why does goodness seem so boring? Is it really possible for human beings to delight in destruction for no reason at all?
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Why Marx Was Right
One of the foremost Marxist critics of his generation forcefully argues against Marx's irrelevancy
"[Eagleton is] a witty, insightful thinker with a penchant for glib asides and wry dashes of humor. It’s probably the only book that makes references to Tiger Woods and Mel Gibson along with Charles Fourier and Michel Foucault."—Michael Patrick Brady, PopMatters
"Reading a book by Terry Eagleton is like watching fireworks."—Dennis O'Brien, Christian Century
In this combative, controversial book, Terry Eagleton takes issue with the prejudice that Marxism is dead and done with. Taking ten of the most common objections to Marxism—that it leads to political tyranny, that it reduces everything to the economic, that it is a form of historical determinism, and so on—he demonstrates in each case what a woeful travesty of Marx's own thought these assumptions are. In a world in which capitalism has been shaken to its roots by some major crises, Why Marx Was Right is as urgent and timely as it is brave and candid. Written with Eagleton's familiar wit, humor, and clarity, it will attract an audience far beyond the confines of academia.
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Why Marx Was Right
In this combative, controversial book, Terry Eagleton takes issue with the prejudice that Marxism is dead and done with. Taking ten of the most common objections to Marxism—that it leads to political tyranny, that it reduces everything to the economic, that it is a form of historical determinism, and so on—he demonstrates in each case what a woeful travesty of Marx's own thought these assumptions are. In a world in which capitalism has been shaken to its roots by some major crises, Why Marx Was Right is as urgent and timely as it is brave and candid. Written with Eagleton's familiar wit, humor, and clarity, it will attract an audience far beyond the confines of academia.
Copies
No copies available.
Why Marx Was Right
One of the foremost Marxist critics of his generation forcefully argues against Marx's irrelevancy
In this combative, controversial book, Terry Eagleton takes issue with the prejudice that Marxism is dead and done with. Taking ten of the most common objections to Marxism—that it leads to political tyranny, that it reduces everything to the economic, that it is a form of historical determinism, and so on—he demonstrates in each case what a woeful travesty of Marx's own thought these assumptions are. In a world in which capitalism has been shaken to its roots by some major crises, Why Marx Was Right is as urgent and timely as it is brave and candid. Written with Eagleton's familiar wit, humor, and clarity, it will attract an audience far beyond the confines of academia.
Copies
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Radical Sacrifice
A trenchant analysis of sacrifice as the foundation of the modern, as well as the ancient, social order
The modern conception of sacrifice is at once cast as a victory of self-discipline over desire and condescended to as destructive and archaic abnegation. But even in the Old Testament, the dual natures of sacrifice, embodying both ritual slaughter and moral rectitude, were at odds. In this analysis, Terry Eagleton makes a compelling argument that the idea of sacrifice has long been misunderstood.
Pursuing the complex lineage of sacrifice in a lyrical discourse, Eagleton focuses on the Old and New Testaments, offering a virtuosic analysis of the crucifixion, while drawing together a host of philosophers, theologians, and texts—from Hegel, Nietzsche, and Derrida to the Aeneid and The Wings of the Dove. Brilliant meditations on death and eros, Shakespeare and St. Paul, irony and hybridity explore the meaning of sacrifice in modernity, casting off misperceptions of barbarity to reconnect the radical idea to politics and revolution.
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Radical Sacrifice
A trenchant analysis of sacrifice as the foundation of the modern, as well as the ancient, social order
The modern conception of sacrifice is at once cast as a victory of self-discipline over desire and condescended to as destructive and archaic abnegation. But even in the Old Testament, the dual natures of sacrifice, embodying both ritual slaughter and moral rectitude, were at odds. In this analysis, Terry Eagleton makes a compelling argument that the idea of sacrifice has long been misunderstood.
Pursuing the complex lineage of sacrifice in a lyrical discourse, Eagleton focuses on the Old and New Testaments, offering a virtuosic analysis of the crucifixion, while drawing together a host of philosophers, theologians, and texts—from Hegel, Nietzsche, and Derrida to the Aeneid and The Wings of the Dove. Brilliant meditations on death and eros, Shakespeare and St. Paul, irony and hybridity explore the meaning of sacrifice in modernity, casting off misperceptions of barbarity to reconnect the radical idea to politics and revolution.
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Culture
One of our most brilliant minds offers a sweeping intellectual history that argues for the reclamation of culture’s value
Culture is a defining aspect of what it means to be human. Defining culture and pinpointing its role in our lives is not, however, so straightforward. Terry Eagleton, one of our foremost literary and cultural critics, is uniquely poised to take on the challenge. In this keenly analytical and acerbically funny book, he explores how culture and our conceptualizations of it have evolved over the last two centuries—from rarified sphere to humble practices, and from a bulwark against industrialism’s encroaches to present-day capitalism’s most profitable export. Ranging over art and literature as well as philosophy and anthropology, and major but somewhat "unfashionable" thinkers like Johann Gottfried Herder and Edmund Burke as well as T. S. Eliot, Matthew Arnold, Raymond Williams, and Oscar Wilde, Eagleton provides a cogent overview of culture set firmly in its historical and theoretical contexts, illuminating its collusion with colonialism, nationalism, the decline of religion, and the rise of and rule over the "uncultured" masses. Eagleton also examines culture today, lambasting the commodification and co-option of a force that, properly understood, is a vital means for us to cultivate and enrich our social lives, and can even provide the impetus to transform civil society.
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$18.00
Culture
One of our most brilliant minds offers a sweeping intellectual history that argues for the reclamation of culture’s value
Culture is a defining aspect of what it means to be human. Defining culture and pinpointing its role in our lives is not, however, so straightforward. Terry Eagleton, one of our foremost literary and cultural critics, is uniquely poised to take on the challenge. In this keenly analytical and acerbically funny book, he explores how culture and our conceptualizations of it have evolved over the last two centuries—from rarified sphere to humble practices, and from a bulwark against industrialism’s encroaches to present-day capitalism’s most profitable export. Ranging over art and literature as well as philosophy and anthropology, and major but somewhat "unfashionable" thinkers like Johann Gottfried Herder and Edmund Burke as well as T. S. Eliot, Matthew Arnold, Raymond Williams, and Oscar Wilde, Eagleton provides a cogent overview of culture set firmly in its historical and theoretical contexts, illuminating its collusion with colonialism, nationalism, the decline of religion, and the rise of and rule over the "uncultured" masses. Eagleton also examines culture today, lambasting the commodification and co-option of a force that, properly understood, is a vital means for us to cultivate and enrich our social lives, and can even provide the impetus to transform civil society.
Copies
No copies available.
Culture
One of our most brilliant minds offers a sweeping intellectual history that argues for the reclamation of culture’s value
Culture is a defining aspect of what it means to be human. Defining culture and pinpointing its role in our lives is not, however, so straightforward. Terry Eagleton, one of our foremost literary and cultural critics, is uniquely poised to take on the challenge. In this keenly analytical and acerbically funny book, he explores how culture and our conceptualizations of it have evolved over the last two centuries—from rarified sphere to humble practices, and from a bulwark against industrialism’s encroaches to present-day capitalism’s most profitable export. Ranging over art and literature as well as philosophy and anthropology, and major but somewhat "unfashionable" thinkers like Johann Gottfried Herder and Edmund Burke as well as T. S. Eliot, Matthew Arnold, Raymond Williams, and Oscar Wilde, Eagleton provides a cogent overview of culture set firmly in its historical and theoretical contexts, illuminating its collusion with colonialism, nationalism, the decline of religion, and the rise of and rule over the "uncultured" masses. Eagleton also examines culture today, lambasting the commodification and co-option of a force that, properly understood, is a vital means for us to cultivate and enrich our social lives, and can even provide the impetus to transform civil society.
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The Event of Literature
In this characteristically concise, witty, and lucid book, Terry Eagleton turns his attention to the questions we should ask about literature, but rarely do. What is literature? Can we even speak of "literature" at all? What do different literary theories tell us about what texts mean and do? In throwing new light on these and other questions he has raised in previous best-sellers, Eagleton offers a new theory of what we mean by literature. He also shows what it is that a great many different literary theories have in common.
In a highly unusual combination of critical theory and analytic philosophy, the author sees all literary work, from novels to poems, as a strategy to contain a reality that seeks to thwart that containment, and in doing so throws up new problems that the work tries to resolve. The "event" of literature, Eagleton argues, consists in this continual transformative encounter, unique and endlessly repeatable. Freewheeling through centuries of critical ideas, he sheds light on the place of literature in our culture, and in doing so reaffirms the value and validity of literary thought today.
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The Event of Literature
A renowned literary theorist reconsiders previous stances and offers his latest thinking on the nature of literature and literary study
In this characteristically concise, witty, and lucid book, Terry Eagleton turns his attention to the questions we should ask about literature, but rarely do. What is literature? Can we even speak of "literature" at all? What do different literary theories tell us about what texts mean and do? In throwing new light on these and other questions he has raised in previous best-sellers, Eagleton offers a new theory of what we mean by literature. He also shows what it is that a great many different literary theories have in common.
In a highly unusual combination of critical theory and analytic philosophy, the author sees all literary work, from novels to poems, as a strategy to contain a reality that seeks to thwart that containment, and in doing so throws up new problems that the work tries to resolve. The "event" of literature, Eagleton argues, consists in this continual transformative encounter, unique and endlessly repeatable. Freewheeling through centuries of critical ideas, he sheds light on the place of literature in our culture, and in doing so reaffirms the value and validity of literary thought today.
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Humour
A compelling guide to the fundamental place of humour and comedy within Western culture—by one of its greatest exponents
Written by an acknowledged master of comedy, this study reflects on the nature of humour and the functions it serves. Why do we laugh? What are we to make of the sheer variety of laughter, from braying and cackling to sniggering and chortling? Is humour subversive, or can it defuse dissent? Can we define wit?
Packed with illuminating ideas and a good many excellent jokes, the book critically examines various well-known theories of humour, including the idea that it springs from incongruity and the view that it reflects a mildly sadistic form of superiority to others. Drawing on a wide range of literary and philosophical sources, Terry Eagleton moves from Aristotle and Aquinas to Hobbes, Freud, and Bakhtin, looking in particular at the psychoanalytical mechanisms underlying humour and its social and political evolution over the centuries.
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Humour
A compelling guide to the fundamental place of humour and comedy within Western culture—by one of its greatest exponents
Written by an acknowledged master of comedy, this study reflects on the nature of humour and the functions it serves. Why do we laugh? What are we to make of the sheer variety of laughter, from braying and cackling to sniggering and chortling? Is humour subversive, or can it defuse dissent? Can we define wit?
Packed with illuminating ideas and a good many excellent jokes, the book critically examines various well-known theories of humour, including the idea that it springs from incongruity and the view that it reflects a mildly sadistic form of superiority to others. Drawing on a wide range of literary and philosophical sources, Terry Eagleton moves from Aristotle and Aquinas to Hobbes, Freud, and Bakhtin, looking in particular at the psychoanalytical mechanisms underlying humour and its social and political evolution over the centuries.
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Tragedy
An exploration of tragedy and its fundamental position in Western culture
In this compelling account, eminent literary critic Terry Eagleton explores the nuances of tragedy in Western culture—from literature and politics to philosophy and theater. Eagleton covers a vast array of thinkers and practitioners, including Nietzsche, Walter Benjamin, and Slavoj Žižek, as well as key figures in theater, from Sophocles and Aeschylus to Shakespeare and Ibsen.
Eagleton examines the political nature of tragedy, looking closely at its connection with periods of historical transition. The dramatic form originated not as a meditation on the human condition, but at moments of political engagement, when civilizations struggled with the conflicts that beset them. Tragedy, Eagleton demonstrates, is fundamental to human experience and culture.
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$26.00
The Meaning of Life: A Very Short Introduction
The phrase "the meaning of life" for many seems a quaint notion fit for satirical mauling by Monty Python or Douglas Adams. But in this spirited Very Short Introduction, famed critic Terry Eagleton takes a serious if often amusing look at the question and offers his own surprising answer.
Eagleton first examines how centuries of thinkers and writers--from Marx and Schopenhauer to Shakespeare, Sartre, and Beckett--have responded to the ultimate question of meaning. He suggests, however, that it is only in modern times that the question has become problematic. But instead of tackling it head-on, many of us cope with the feelings of meaninglessness in our lives by filling them with everything from football to sex, Kabbala, Scientology, "New Age softheadedness," or fundamentalism. On the other hand, Eagleton notes, many educated people believe that life is an evolutionary accident that has no intrinsic meaning. If our lives have meaning, it is something with which we manage to invest them, not something with which they come ready made. Eagleton probes this view of meaning as a kind of private enterprise, and concludes that it fails to holds up. He argues instead that the meaning of life is not a solution to a problem, but a matter of living in a certain way. It is not metaphysical but ethical. It is not something separate from life, but what makes it worth living--that is, a certain quality, depth, abundance and intensity of life.
Here then is a brilliant discussion of the problem of meaning by a leading thinker, who writes with a light and often irreverent touch, but with a very serious end in mind.
About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.
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After Theory
For anyone forced to wrestle with the likes of Derrida and Foucault during their college days, Terry Eagleton needs no introduction. His clear and accessible primer on literary theory was (and is) an indispensable guide to the post-modern era in the humanities. Now Eagleton argues that the golden age of cultural theory has ended, and with characteristic wit and verve, he traces its rise and fall from structuralism to post-colonial studies and beyond. In a new era of globalization and terrorism, Eagleton warns, the bundle of ideas known as post-modernism is essentially toothless. In this eloquent synthesis of a lifetime of learning, Eagleton challenges contemporary intellectuals to engage with a range of vital topics-love, evil, death, morality, religion, and revolution-that they've ignored over the past thirty years. Lively and provocative, Eagleton's latest will engage readers inside and outside the academy who are eager for a more holistic and humane way of "reading" the world. "A rare opportunity to enjoy the art of cultural and social diagnosis at its purest! Eagleton offers a unique combination of theoretical stringency and acerbic common-sense witticism, of critical historical reflection and the ability to ask the 'big' metaphysical questions." -- Slavoj Zizek
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Literary Theory: An Introduction Second Edition
This classic work is designed to cover all of the major movements in literary studies in this century. Noted for its clear, engaging style and unpretentious treatment, Literary Theory has become the introduction of choice for anyone interested in learning about the world of contemporary literary thought. The second edition contains a major new survey chapter that addresses developments in cultural theory since the book's original publication in 1983, including feminist theory, postmodernism, and poststructuralism.
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Walter Benjamin: Or, Towards a Revolutionary Criticism
From our finest radical literary analyst, a classic study of the great philosopher and cultural theorist.
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$24.95
The Gospels: Jesus Christ (Revolutions)
by Terry Eagleton, Giles Fraser
In this new presentation of the Gospels, Terry Eagleton makes a powerful and provocative argument for Jesus Christ as a social, political and moral radical, a friend of anti-imperialists, outcasts and marginals, a champion of the poor, the sick and immigrants, and as an opponent of the rich, religious hierarchs, and hypocrites everywhere—in other words, as a figure akin to revolutionaries like Robespierre, Marx, and Che Guevara.
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Walter Benjamin: Or, Towards a Revolutionary Criticism (Radical Thinkers)
From our finest radical literary analyst, a classic study of the great philosopher and cultural theorist.
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The Idea of Culture
Terry Eagleton's book, in this vital new series from Blackwell, focuses on discriminating different meanings of culture, as a way of introducing to the general reader the contemporary debates around it.
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Marxist Literary Theory: A Reader
Marxist Literary Theory: A Reader is designed to give both students and lecturers a sense of the historical formation of a Marxist literary tradition. A unique compilation of principal texts in that tradition, it offers the reader new ways of reading Marxism, literature, theory, and the social possibilities of writing.
Represented in this reader are: Theodor W. Adorno, Louis Althusser, Aijaz Ahmad, Chida Amuta, Etienne Balibar and Pierre Macherey, Roland Barthes, Walter Benjamin, Ernest Bloch, Bertolt Brecht, Alex Callinicos, Christopher Caudwell, Terry Eagleton, Friedrich Engels, Lucien Goldmann, Fredric Jameson, V. I. Lenin, George Lukacs, Karl Marx, The Marxist-Feminist Collective, Jean-Paul Sartre, Gayatri Chakravorty Spivak, Leon Trotsky, V. N. Volosinov, Galvano Della Volpe, Alick West, and Raymond Williams.
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The Function of Criticism (Radical Thinkers)
This wide-ranging book argues that criticism emerged in early bourgeois society as a central feature of a “public sphere” in which political, ethical, and literary judgements could mingle under the benign rule of reason. The disintegration of this fragile culture brought on a crisis in criticism, whose history since the 18th century has been fraught with ambivalence and anxiety.
Eagleton’s account embraces Addison and Steele, Johnson and the 19-century reviewers, such critics as Arnold and Stephen, the heyday of Scrutiny and New Criticism, and finally the proliferation of avant-garde literary theories such as deconstructionism.
The Function of Criticism is nothing less than a history and critique of the “critical institution” itself. Eagleton’s judgements on individual critics are sharp and illuminating, which his general argument raises crucial questions about the relations between language, literature and politics.
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Ghostly Demarcations: A Symposium on Jacques Derrida's Specters of Marx (Radical Thinkers)
by Antonio Negri, Jacques Derrida, Terry Eagleton, Frederic Jameson
With the publication of Specters of Marx in 1993, Jacques Derrida redeemed a longstanding pledge to confront Marx’s texts directly and in detail. His characteristically bravura presentation provided a provocative re-reading of the classics in the Western tradition and posed a series of challenges to Marxism.
In a timely intervention in one of today’s most vital theoretical debates, the contributors to Ghostly Demarcations respond to the distinctive program projected by Specters of Marx. The volume features sympathetic meditations on the relationship between Marxism and deconstruction by Fredric Jameson, Werner Hamacher, Antonio Negri, Warren Montag, and Rastko Möcnik, brief polemical reviews by Terry Eagleton and Pierre Macherey, and sustained political critiques by Tom Lewis and Aijaz Ahmad. The volume concludes with Derrida’s reply to his critics in which he sharpens his views about the vexed relationship between Marxism and deconstruction.
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Sweet Violence: The Idea of the Tragic
Terry Eagleton's Tragedy provides a major critical and analytical account of the concept of 'tragedy' from its origins in the Ancient world right down to the twenty-first century.
A major new intellectual endeavour from one of the world's finest, and most controversial, cultural theorists.
Provides an analytical account of the concept of 'tragedy' from its origins in the ancient world to the present day.
Explores the idea of the 'tragic' across all genres of writing, as well as in philosophy, politics, religion and psychology, and throughout western culture.
Considers the psychological, religious and socio-political implications and consequences of our fascination with the tragic.
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Rape Of Clarissa: Writing, Sexuality, and Class Struggle in Samuel Richardson
Terry Eagleton. Includes Bibliographical References And Index.
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Crazy John and the Bishop and Other Essays on Irish Culture
This innovative collection of essays views Irish culture from the eighteenth century to the present day, covering a wide range of topics and authors. Among the writers are Bishop Berkeley, Thomas Moore, Oliver Goldsmith, Francis Hutcheson, Laurence Sterne, Richard Steele, Edmund Burke, Maria Edgeworth, W. B. Yeats, Samuel Beckett, James Stephens, Charles Lever, Austin Clarke, Kate O'Brien and Francis Stuart. Also included are a number of neglected Irish writers such as William Dunkin, John Toland, Frederick Ryan, "Father Prout," William McGinn, Shan Bullock, Canon Sheehan and George Birmingham.
The topics range from eighteenth-century satire and sentimentalism to the modern Irish novel, the carnivalesque in early nineteenth-century Cork to the philosophy of Tolan and Berkeley. In moving from celebrated reputations to lesser known writers, the book also breaches the boundaries between literary criticism, intellectual and political history. It concludes with a vigorous intervention into the ongoing debate surrounding revisionism in Irish Studies.
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Scholars and Rebels: In Nineteenth-Century Ireland
Scholars and Rebels must be essential reading for all those concerned to understand not just the complexities of nineteenth-century Irish intellectual culture and the emergent Irish Revival, but the formation also of Irish culture in the twentieth century.
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How to Read a Poem
Lucid, entertaining and full of insight, How To Read A Poem is designed to banish the intimidation that too often attends the subject of poetry, and in doing so to bring it into the personal possession of the students and the general reader. Offers a detailed examination of poetic form and its relation to content. Takes a wide range of poems from the Renaissance to the present day and submits them to brilliantly illuminating closes analysis. Discusses the work of major poets, including John Milton, Alexander Pope, John Keats, Christina Rossetti, Emily Dickinson, W.B. Yeats, Robert Frost, W.H.Auden, Seamus Heaney, Derek Mahon, and many more. Includes a helpful glossary of poetic terms.
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Marxism and Literary Criticism
Marxist literary criticism is becoming increasingly important in Europe as a whole, and interest in the subject is rapidly growing in this country. In this book, Dr. Eagleton analyses the major issues that the subject presents, discussing the writing of Marx and Engels themselves and the work of such critics as Plekhanov, Trotsky, Lenin, Lukacs, Goldmann, Caudwell, Benjamin and Brecht. They are seen from four viewpoints central to Marxist thought: the relation of literature to history, the problem of 'form' and 'content' in literature, the question of literature and political commitment, and the importance of production and technology in art. Dr. Eagleton's exploration of these critical stances throws useful light on the connection between the Marxist approach and structuralism. The author stresses, however, that Marxist criticism cannot be seen simply in academic terms. In his preface he rejects the illusion of 'neutrality' in such a field, and writes: 'Marxist criticism is part of a larger body of theoretical analysis which aims to understand ideologies--the ideas, values and feelings by which men experience their societies at various times. And certain of those ideas, values and feelings are available to us only in literature. To understand ideologies is to understand both the past and the present more deeply, and such understanding contributes to our liberation.' Dr. Eagleton shows the part that Marxist criticism has to play in defining the crucial link between literature and historical conditions, and in so doing has produced a book that is both constructive and committed.
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Across the Pond: An Englishman's View of America
An irreverent trip through American culture by a critic who “cracks jokes as easily as one would crack walnut shells” (Washington Post). Americans have long been fascinated with the oddness of the British, but the English, says literary critic Terry Eagleton, find their transatlantic neighbors just as strange. Only an alien race would admiringly refer to a colleague as “aggressive,” use superlatives to describe everything from one’s pet dog to one’s rock collection, or speak frequently of being “empowered.” Why, asks Eagleton, must we broadcast our children’s school grades with bumper stickers announcing “My Child Made the Honor Roll”? Why don’t we appreciate the indispensability of the teapot? And why must we remain so irritatingly optimistic, even when all signs point to failure?
On his quirky journey through the language, geography, and national character of the United States, Eagleton proves to be at once an informal and utterly idiosyncratic guide to our peculiar race. He answers the questions his compatriots have always had but (being British) dare not ask, like why Americans willingly rise at the crack of dawn, even on Sundays, or why we publicly chastise cigarette smokers as if we’re all spokespeople for the surgeon general.
In this pithy, warmhearted, and very funny book, Eagleton melds a good old-fashioned roast with genuine admiration for his neighbors “across the pond.”
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Across the Pond: An Englishman's View of America
In this pithy, warmhearted, and very funny book, Eagleton melds a good old-fashioned roast with genuine admiration for his neighbors "across the pond." Americans have long been fascinated with the oddness of the British, but the English, says literary critic Terry Eagleton, find their transatlantic neighbors just as strange. Only an alien race would admiringly refer to a colleague as “aggressive,” use superlatives to describe everything from one’s pet dog to one’s rock collection, or speak frequently of being “empowered.” Why, asks Eagleton, must we broadcast our children’s school grades with bumper stickers announcing “My Child Made the Honor Roll”? Why don’t we appreciate the indispensability of the teapot? And why must we remain so irritatingly optimistic, even when all signs point to failure?
On his quirky journey through the language, geography, and national character of the United States, Eagleton proves to be at once an informal and utterly idiosyncratic guide to our peculiar race. He answers the questions his compatriots have always had but (being British) dare not ask, like why Americans willingly rise at the crack of dawn, even on Sundays, or why we publicly chastise cigarette smokers as if we’re all spokespeople for the surgeon general.
In this pithy, warmhearted, and very funny book, Eagleton melds a good old-fashioned roast with genuine admiration for his neighbors “across the pond.”
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Hope without Optimism (Page-Barbour Lectures)
In his latest book, Terry Eagleton, one of the most celebrated intellects of our time, considers the least regarded of the virtues. His compelling meditation on hope begins with a firm rejection of the role of optimism in life?s course. Like its close relative, pessimism, it is more a system of rationalization than a reliable lens on reality, reflecting the cast of one?s temperament in place of true discernment. Eagleton turns then to hope, probing the meaning of this familiar but elusive word: Is it an emotion? How does it differ from desire? Does it fetishize the future? Finally, Eagleton broaches a new concept of tragic hope, in which this old virtue represents a strength that remains even after devastating loss has been confronted.
In a wide-ranging discussion that encompasses Shakespeare?s Lear, Kierkegaard on despair, Aquinas, Wittgenstein, St. Augustine, Kant, Walter Benjamin?s theory of history, and a long consideration of the prominent philosopher of hope, Ernst Bloch, Eagleton displays his masterful and highly creative fluency in literature, philosophy, theology, and political theory. Hope without Optimism is full of the customary wit and lucidity of this writer whose reputation rests not only on his pathbreaking ideas but on his ability to engage the reader in the urgent issues of life.
Page-Barbour Lectures
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Nationalism, Colonialism, and Literature
The three essays constituting this volume were originally published as individual pamphlets by the Field Day Theatre Company, in Derry, Northern Ireland. Each deals with the question of nationalism and the role of cultural production as a force in understanding and analyzing the aftermath of colonization. The authors’ diverse perspectives are demonstrated by the essays’ respective titles: Eagleton, Nationalism: Irony and Commitment; Jameson, Modernism and Imperialism; and Said, Yeats and Decolonization. The essays have implication beyond their immediate topics, bearing upon questions of feminism, decolonization, and modernism to illuminate problems that belong to other groups and regions.
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Literary Theory: An Introduction
“This concise and lucid volume offers a satisfying survey of all the major theories, from structuralism in the 1960s to deconstruction today, that have made academic criticism both intriguing and off-putting to the outsider.” —New York Times Book Review
“Literary Theory has the kind of racy readability that one associates more often with English critics who have set their faces resolutely against theory. It’s not just a brilliant polemical essay; it’s also a remarkable feat of condensation, explication, and synthesis.” —Sunday Times (London)
“A concise guide to the most interesting and mystifying trends in the study of literature over the last fifty years.” —The Nation
This classic work covers all of the major movements in literary studies in this century. Noted for its clear, engaging style and unpretentious treatment, Literary Theory has become the introduction of choice for anyone interested in learning about the world of contemporary literary thought.
On the twenty-fifth anniversary of Literary Theory’s debut, Terry Eagleton reflects on the state of theory in academia today, the growth of antitheory (itself an interesting theoretical subject), its common-if problematic-place among survey coursework, and theory’s continued relevance to scholarly pursuits. In this contemporary, retrospective moment, as scholars critically analyze the incredibly broad impact of the theoretical movement, Literary Theory remains an essential initiation to the intellectually stimulating world of theoretical analysis.
Terry Eagleton is John Edward Taylor professor of English literature at the University of Manchester. His numerous books include The Meaning of Life, How to Read a Poem, and After Theory.
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Figures of Dissent: Reviewing Fish, Spivak, Zizek and Others
Playwright, literary theorist, fine analyst of the works of Shakespeare, the Brontës, Swift and Joyce, scourge of postmodernism, autobiographer — Terry Eagleton’s achievements are many and his combative intelligence widely admired and respected. His skill as a reviewer is particularly notable: never content merely to assess the ideas of a writer and the theses of a book, Eagleton, in his inimitable and often wickedly funny style, always paints a vivid theoretical and political fresco as the background to his engagement with the texts. In this collection of more than a decade of such bracing criticism, Eagleton comes face to face with Stanley Fish, Gayatri Spivak, Slavoj Žižek, Edward Said, and even David Beckham. All are subjected to his pugnacious wit, scathing critical pen, and brilliant literary investigations.
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Ideology: An Introduction
Ideology has never before been so much in evidence as a fact and so little understood as a concept as it is today. In this now classic work, originally written for both newcomers to the topic and for those already familiar with the debate, Terry Eagleton unravels the many different definitions of ideology, and explores the concept’s torturous history from the Enlightenment to postmodernism.
The book provides lucid accounts of the thought of key Marxist thinkers, as well as of Schopenhauer, Nietzsche, Freud and the various post-structuralists. Now updated in the light of current theoretical debates, this essential text by one of our most important contemporary critics clarifies a notoriously confused subject.
Ideology is core reading for students and teachers of literature and politics.
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Criticism and Ideology: A Study in Marxist Literary Theory
Terry Eagleton is one of the most important—and most radical—theorists writing today. His witty and acerbic attacks on contemporary culture and society are read and enjoyed by many, and his studies of literature are regarded as classics of contemporary criticism.
In this new edition of his groundbreaking treatise on literary theory, Eagleton seeks to develop a sophisticated relationship between Marxism and literary criticism.
Ranging across the key works of Raymond Williams, Lenin, Trotsky, Brecht, Adorno, Benjamin, Lukacs and Sartre, he develops a nuanced critique of traditional literary criticism while producing a compelling theoretical account of ideology.
Eagleton uses this perspective to offer fascinating analyses of canonical writers, including George Eliot, Charles Dickens, Joseph Conrad, Henry James, T.S. Eliot, W.B. Yeats, James Joyce and D.H. Lawrence.
The new introduction sets this classic book in the context of its first appearance and Eagleton provides illuminating reflections on the progress of literary study over the years.
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The Task of the Critic: Terry Eagleton in Dialogue
Terry Eagleton occupies a unique position in the English-speaking world today. He is not only a productive literary theorist, but also a novelist and playwright. He remains a committed socialist deeply hostile to the zeitgeist. Over the last forty years his public interventions have enlivened an otherwise bland and conformist culture. His pen, as many colleagues in the academy—including Harold Bloom, Gayatri Spivak and Homi Bhabha—have learned, is merciless and unsparing. As a critic Eagleton has not shied away from confronting the high priests of native conformity as highlighted by his coruscating polemic against Martin Amis on the issue of civil liberties and religion. This comprehensive volume of interviews covers both his life and the development of his thought and politics. Lively and insightful, they will appeal not only to those with an interest in Eagleton himself, but to all those interested in the evolution of radical politics, modernism, cultural theory, the history of ideas, sociology, semantic inquiry and the state of Marxist theory.
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Ideology An Introduction
Ideology has never before been so much in evidence as a fact, and so little understood as a concept, as it is today. In this now classic work, originally written for both students and for those already familiar with the debates around the concept, the celebrated literary theorist Terry Eagleton unravels its many definitions, exploring its tortuous history from the Enlightenment to the present.
A limpid account of the thought of key Marxist thinkers, as well as that of philosophers from Schopenhauer and Nietzsche to Freud and the post-structuralists, and a political reformulation of a vital set of ideas, Ideology: An Introduction is an essential text by one of our most important contemporary critics.
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Modernism A Literature in Crisis
An engaging, approachable introduction to literary modernism
Modernism represented an astonishing outbreak of cultural innovation, spanning artforms and nations. It was centred around feelings of growing alienation in an industrial world, and a desire to change how people live together in society. Art, architecture, literature, and music all underwent a radical revolution.
Although it was confined to small coteries of artists and lasted no more than thirty years, its techniques were appropriated by mass culture and became familiar to millions of citizens who have never heard of Paul Klee or Gertrude Stein. It represents one of the most productive moments in art since the Renaissance, which in its scope, originality, and imaginative audacity has never been equalled.
Terry Eagleton presents a compelling and entertaining guide to modernism. From Ezra Pound to Virginia Woolf, James Joyce to H.D., Eagleton explores the literature and ideas of prominent modernists, emphasising the profound impact they had on subsequent generations.
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