Books by Thomas Keymer
Robinson Crusoe (Oxford World's Classics)
by Daniel Defoe, Thomas Keymer
Daniel Defoe's enthralling story-telling and imaginatively detailed descriptions have ensured that his fiction masquerading as fact remains one of the most famous stories in English literature. On one level a simple adventure story, the novel also raises profound questions about moral and spiritual values, society, and man's abiding acquisitiveness. This new edition includes a scintillating Introduction and notes that illuminate the historical context.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
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Vathek (Oxford World's Classics)
by Thomas Keymer, William Beckford
"Woe to the rash mortal who seeks to know that of which he should remain ignorant; and to undertake that which surpasseth his power!"
One of the strangest and most unforgettable eighteenth-century novels, Vathek is a wild Gothic fantasy whose sensuous imagination and grotesque comedy have inspired writers from Byron to Lovecraft. The Caliph Vathek is dissolute and debauched, and hungry for knowledge. When the mysterious Giaour offers him boundless treasure and unrivalled power he is willing to sacrifice his god, the lives of innocent children, and his own soul to satisfy his obsession. Vathek's extraordinary journey to the subterranean palace of Eblis, and the terrifying fate that there awaits him, is a captivating tale of magic and oriental fantasy, sudden violence and corrupted love, whose mix of moral fable, grotesque comedy, and evocative beauty defies classification.
This new edition reprints Beckford's authorized English text of 1816 with its elaborate and entertaining notes. In his new Introduction, Thomas Keymer pays special attention to the novel's literary qualities, its hybrid nature and its connections with oriental fiction and the Gothic as well as to its origins and Beckford's scandalous public persona. Completely reset, the second edition includes new, fuller notes, an up-to-date bibliography, and a new chronology of the author.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
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Vathek (Oxford World's Classics)
by Thomas Keymer, William Beckford
Vathek (1786), originally written in French, remains one of the strangest eighteenth-century novels and one of the most difficult to classify. Perverse and grotesque comedy alternates with scenes of 'oriental' magnificence and evocative beauty in the story of the ruthless Caliph Vathek's journey to superb damnation among the subterranean treasures of Eblis. Underlying the elegant prose is a strong element of self-indulgent personal fantasy on the part of Beckford, youthful millionaire, dreamer, and eventually social outcast. Byron, Poe, Mallarmé, and Swinburne are some of the literary figures who have admired Vathek's imaginative power. The text follows that of the 'Third Edition' of 1816, in which Beckford extensively revised and corrected Samuel Henley's original English translations from the French. The elaborate notes retained by Beckford in 1816 are also included.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
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The Cambridge Companion to English Literature, 1740–1830 (Cambridge Companions to Literature)
by Thomas Keymer, Jon Mee
Offering an introduction to British literature challenging traditional eighteenth-century and Romantic studies, this Companion explores the development of literary genres and modes in a period of rapid change. Its contributors demonstrate how literature was influenced by such historical factors as the development of the book trade, the rise of literary criticism and the expansion of commercial society and empire. Linking established authors with those gaining new attention from scholars, the collection's broad scope makes it essential reading for students of eighteenth-century literature and Romanticism.
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Jane Austen A Very Short Introduction
Jane Austen wrote six of the best-loved novels in the English language, as well as a smaller corpus of works unpublished in her day, including three volumes of witty, non-realist juvenilia and the innovative, unfinished Sanditon. She pioneered new techniques for representing voices, minds, and hearts in narrative prose, and was a penetrating satirist of social tensions and trends in an era dominated by the French Revolution, the Napoleonic Wars, and the socio-economic disruptions entailed by them. Yet Austen struggled for many years to break into print, and even as she became a published author in the last years of her relatively short life, reading tastes and book-trade expectations constrained as much as they enabled her literary career.
This Very Short introduction explores the major themes of Austen criticism through close analysis of her major and minor works, with particular emphasis on the literary, social, and political backgrounds from which the novels emerge, and with which they engage. Thomas Keymer combines critical introductions to each of Austen's six major novels with an exploration of the key themes in her works, from national identity to narrative technique. The Austen who emerges is a writer shaped by the literary experiments and socio-political debates of the revolution decade, drawn in her maturity to a fundamentally conservative vision of social harmony, yet forever complicating this vision through the disruptive ironies and satirical energies of her prose.
ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
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