Books by Victoria Sung
Pacita Abad
A comprehensive survey of Abad's visually dazzling and politically prescient works blending fabric and painting
This volume surveys three decades of Pacita Abad's multifaceted practice. Published on the occasion of her first-ever retrospective, it includes new research and writing by Julia Bryan-Wilson, Ruba Katrib, Nancy Lim, Matthew Villar Miranda, Victoria Sung and Xiaoyu Weng, an edited oral history about the artist's life and work by Pio Abad and Victoria Sung, and never-before-seen artworks and archival materials.
Over the course of her career, Abad made an exuberant, wide-ranging body of work that was ahead of its time in promoting a transcultural worldview. Moving between the Philippines, Indonesia, Singapore and the US--while also spending extended periods in dozens of countries on six continents--she interacted with the many artist communities she encountered on her travels. Drawing on her knowledge of global fiber traditions, Abad innovated a hybrid art form that she called "trapunto" painting (from the Italian word trapungere, "to embroider"). Made by stitching and stuffing her painted canvases as opposed to stretching them over a wood frame, the resulting works' portability speaks to her peripatetic existence, while their association with textiles evokes female, non-Western forms of labor that have historically been marginalized as craft.
Pacita Abad (1946-2004) was born in Batanes, Philippines. Because of her activism against the Marcos regime, she was forced to leave for the US in 1970, where she studied Asian history at the University of San Francisco and painting at the Corcoran School of Art in Washington, DC, and the Art Students League in New York City. Abad created more than 5,000 artworks and had over 60 solo exhibitions in the US, Asia, Europe, Africa and Latin America.
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Shahzia Sikander Collective Behavior
by Fred Moten, Bhanu Kapil, Aruna Dsouza, Victoria Sung, Rosalind Morris
The definitive publication on internationally acclaimed artist Shahzia Sikander, one of the most influential feminist artists working today
Born in Pakistan and active in New York since the 1990s, Shahzia Sikander navigates the interplay of multiple identities, encompassing a range of artistic disciplines in her work and critically reinterpreting South Asian material history. Sikander's distinctly feminist iconography focuses on the narratives of immigrant women to challenge Eurocentric art histories and counter Orientalist scholarship. This volume, published to coincide with a major mid-career retrospective that premiered during the Biennale Art in Venice and will be held concurrently at the Cincinnati Art Museum and the Cleveland Museum of Art, is the first comprehensive exploration of Sikander's ideas and art. With hundreds of images, many presented as a full page or an entire spread, the richly illustrated book immerses readers in Sikander's vibrant and subversive art.
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