Books by Vladimir Nabokov

Lolita

by Vladimir Nabokov

The most famous and controversial novel from one of the greatest writers of the twentieth century tells the story of Humbert Humbert’s obsessive, devouring, and doomed passion for the nymphet Dolores Haze.

“The conjunction of a sense of humor with a sense of horror [results in] satire of a very special kind.”—The New Yorker

One of The Atlantic’s Great American Novels of the Past 100 Years

Awe and exhilaration—along with heartbreak and mordant wit—abound in Lolita, which tells the story of the aging Humbert Humbert's obsession for the nymphet Dolores Haze. Lolita is also the story of a hypercivilized European colliding with the cheerful barbarism of postwar America.

Most of all, it is a meditation on love—love as outrage and hallucination, madness and transformation.

Lolita

by Vladimir Nabokov

Vladimir Nabakov's shocking masterpiece, now in a beautifully designed clothbound edition

'Lolita is comedy, subversive yet divine' Martin Amis

Poet and pervert, Humbert Humbert becomes obsessed by twelve-year-old Lolita and seeks to possess her, first carnally and then artistically, out of love, 'to fix once for all the perilous magic of nymphets'. Is he in love or insane? A tortured soul or a monster? Humbert Humbert's seduction is one of many dimensions in Nabokov's dizzying masterpiece, which is suffused with a savage humour and rich, elaborate verbal textures. Filmed by Stanley Kubrick in 1962 starring James Mason and Peter Sellers, and again in 1997 by Adrian Lyne starring Jeremy Irons and Melanie Griffith, Lolita has lost none of its power to shock and awe.

Lectures on Literature By Nabokov Vladimir Vladimirovich Bowers Fredson EDT Updike John INT

by Vladimir Nabokov

The acclaimed author of Lolita offers unique insight into works by James Joyce, Franz Kafka, Jane Austen, and others—with an introduction by John Updike.

In the 1940s, when Vladimir Nabokov first embarked on his academic career in the United States, he brought with him hundreds of original lectures on the authors he most admired. For two decades those lectures served as the basis for Nabokov’s teaching, first at Wellesley and then at Cornell, as he introduced undergraduates to the delights of great fiction.

This volume collects Nabokov’s famous lectures on Western European literature, with analysis and commentary on Charles Dickens’s Bleak House, Gustav Flaubert’s Madame Bovary, Marcel Proust’s The Walk by Swann’s Place, Robert Louis Stevenson’s “The Strange Case of Dr. Jekyll and Mr. Hyde,” and other works.

Edited and with a Foreword by Fredson Bowers.

The Original of Laura

by Vladimir Nabokov

When Vladimir Nabokov died in 1977, he left instructions for his heirs to burn the 138 handwritten index cards that made up the rough draft of his final and unfinished novel, "The Original of Laura." But Nabokov's wife, Vera, could not bear to destroy her husband's last work, and when she died, the fate of the manuscript fell to her son. Dmitri Nabokov, now seventy-five the Russian novelist's only surviving heir, and translator of many of his books has wrestled for three decades with the decision of whether to honor his father's wish or preserve for posterity the last piece of writing of one of the greatest writers of the twentieth century. His decision finally to allow publication of the fragmented narrative dark yet playful, preoccupied with mortality affords us one last experience of Nabokov's magnificent creativity, the quintessence of his unparalleled body of work.
"Photos of the handwritten index cards accompany the text. They are perforated and can be removed and rearranged, as the author likely did when he was writing the novel. ""

The Original of Laura

by Vladimir Nabokov

"Nabokov's last metafictive parable. . . . One of the most interesting short stories Nabokov never wrote." —San Francisco Chronicle

When Vladimir Nabokov died in 1977, he left instructions for his heirs to burn the 138 hand-written index cards that made up the rough draft of his final and unfinished novel, The Original of Laura. But Nabokov's wife, Vera, could not bear to destroy her husband's last work, and when she died, the fate of the manuscript fell to her son. Dmitri Nabokov’s decision finally to allow publication of the fragmented narrative—dark yet playful, preoccupied with mortality—affords us one last experience of Nabokov's magnificent creativity, the quintessence of his unparalleled body of work.

“Bits and pieces of Laura will beckon and beguile Nabokov fans, who will find many of the author’s perennial themes and obsessions percolating through the story of Philip.... In these pages readers will find bright flashes of Nabokovian wordplay and surreal, Magritte-like descriptions." —The New York Times

"A unique chance to see the master out of control. . . . It's like seeing an unfinished Michelangelo sculpture--one of those rough, half-formed giants straining to step out of its marble block. It's even more powerful, to a different part of the brain, than the polish of a David or a Lolita." —New York magazine

Selected Poems of Vladimir Nabokov

by Vladimir Nabokov

Though we know Vladimir Nabokov as a brilliant novelist, his first love was poetry. This landmark collection brings together the best of his verse, including many pieces that have never before appeared in English.

These poems span the whole of Nabokov’s career, from the newly discovered “Music,” written in 1914, to the short, playful “To Véra,” composed in 1974. Many are newly translated by Dmitri Nabokov, including The University Poem, a sparkling novel in verse modeled on Pushkin’s Eugene Onegin that constitutes a significant new addition to Nabokov’s oeuvre. Included too are such poems as “Lilith”, an early work which broaches the taboo theme revisited nearly forty years later in Lolita, and “An Evening of Russian Poetry”, a masterpiece in which Nabokov movingly mourns his lost language in the guise of a versified lecture on Russian delivered to college girls.

The subjects range from the Russian Revolution to the American refrigerator, taking in on the way motel rooms, butterflies, ice-skating, love, desire, exile, loneliness, language, and poetry itself; and the poet whirls swiftly between the brilliantly painted facets of his genius, wearing masks that are, by turns, tender, demonic, sincere, self-parodying, shamanic, visionary, and ingeniously domestic.

Letters to Véra

by Vladimir Nabokov

The letters of the great writer to his wife—gathered here for the first time—chronicle a decades-long love story and document anew the creative energies of an artist who was always at work.

No marriage of a major twentieth-century writer is quite as beguiling as that of Vladimir Nabokov’s to Véra Slonim. She shared his delight in life’s trifles and literature’s treasures, and he rated her as having the best and quickest sense of humor of any woman he had met. From their first encounter in 1923, Vladimir’s letters to Véra form a narrative arc that tells a half-century-long love story, one that is playful, romantic, pithy and memorable. At the same time, the letters tell us much about the man and the writer. We see the infectious fascination with which Vladimir observed everything—animals, people, speech, the landscapes and cityscapes he encountered—and learn of the poems, plays, stories, novels, memoirs, screenplays and translations on which he worked ceaselessly. This delicious volume contains twenty-one photographs, as well as facsimiles of the letters themselves and the puzzles and doodles Vladimir often sent to Véra.

The Tragedy of Mister Morn (Vintage International)

by Vladimir Nabokov

Vladimir Nabokov’s earliest major work, written when he was twenty-four, is a full-length play in verse of Shakespearean beauty and richness.

The story of an incognito king whose love for the wife of a banished revolutionary brings on the chaos the king has fought to prevent, this five-act play was never published in Nabokov’s lifetime and lay in manuscript until it appeared in a Russian literary journal in 1997. It is an astonishingly precocious work, in exquisite verse, touching for the first time on what would become this great writer’s major themes: intense sexual desire and jealousy, the elusiveness of happiness, the power of the imagination, and the eternal battle between truth and fantasy. The Tragedy of Mister Morn is Nabokov’s major response to the Russian Revolution, which he had lived through, but it approaches the events of 1917 through the prism of Shakespearean tragedy.

Translated by Anastasia Tolstoy and Thomas Karshan

Insomniac Dreams: Experiments with Time by Vladimir Nabokov

by Vladimir Nabokov

Nabokov's dream diary―published for the first time

On October 14, 1964, Vladimir Nabokov, a lifelong insomniac, began a curious experiment. Over the next eighty days, immediately upon waking, he wrote down his dreams, following the instructions in An Experiment with Time by British philosopher John Dunne. The purpose was to test the theory that time may go in reverse, so that a later event may generate an earlier dream. The result―published here for the first time―is a fascinating diary in which Nabokov recorded sixty-four dreams (and subsequent daytime episodes) on 118 index cards, providing a rare glimpse of the artist at his most private. Insomniac Dreams presents the text of Nabokov's dream experiment, illustrated with a selection of his original index cards, and provides rich annotations and analysis that put them in the context of his life and writings.

Insomniac Dreams: Experiments with Time by Vladimir Nabokov

by Vladimir Nabokov

Nabokov's dream diary, published for the first time―and placed in biographical and literary context

On October 14, 1964, Vladimir Nabokov, a lifelong insomniac, began a curious experiment. Over the next eighty days, immediately upon waking, he wrote down his dreams, following the instructions he found in An Experiment with Time by the British philosopher John Dunne. The purpose was to test the theory that time may go in reverse, so that, paradoxically, a later event may generate an earlier dream. The result―published here for the first time―is a fascinating diary in which Nabokov recorded sixty-four dreams (and subsequent daytime episodes) on 118 index cards, which afford a rare glimpse of the artist at his most private. More than an odd biographical footnote, the experiment grew out of Nabokov’s passionate interest in the mystery of time, which influenced many of his novels, including the late masterpiece Ada.

Insomniac Dreams, edited by leading Nabokov authority Gennady Barabtarlo, presents the text of Nabokov’s dream experiment, illustrated with a selection of his original index cards, and provides rich annotations and analysis that put them in the context of his life and writings. The book also includes previously unpublished records of Nabokov’s dreams from his letters and notebooks and shows important connections between his fiction and private writings on dreams and time.

Invitation to a Beheading

by Vladimir Nabokov

Like Kafka's The Castle, Invitation to a Beheading embodies a vision of a bizarre and irrational world.

In an unnamed dream country, the young man Cincinnatus C. is condemned to death by beheading for "gnostical turpitude," an imaginary crime that defies definition. Cincinnatus spends his last days in an absurd jail, where he is visited by chimerical jailers, an executioner who masquerades as a fellow prisoner, and by his in-laws, who lug their furniture with them into his cell. When Cincinnatus is led out to be executed, he simply wills his executioners out of existence: they disappear, along with the whole world they inhabit.

The Real Life of Sebastian Knight

by Vladimir Nabokov

"Nabokov writes prose the only way it should be written, that is, ecstatically." -- John Updike

The Real Life of Sebastian Knight is a perversely magical literary detective story -- subtle, intricate, leading to a tantalizing climax -- about the mysterious life of a famous writer. Many people knew things about Sebastian Knight as a distinguished novelist, but probably fewer than a dozen knew of the two love affairs that so profoundly influenced his career, the second one in such a disastrous way. After Knight's death, his half brother sets out to penetrate the enigma of his life, starting with a few scanty clues in the novelist's private papers. His search proves to be a story as intriguing as any of his subject's own novels, as baffling, and, in the end, as uniquely rewarding.

Speak, Memory: An Autobiography Revisited

by Vladimir Nabokov

From one of the 20th century's great writers comes one of the finest autobiographies of our time. • "Scintillating … One finds here amazing glimpses into the life of a world that has vanished forever." —The New York Times

Speak, Memory was first published by Vladimir Nabokov in 1951 as Conclusive Evidence and then assiduously revised and republished in 1966. Nabokov's memoir is a moving account of a loving, civilized family, of adolescent awakenings, flight from Bolshevik terror, education in England, and émigré life in Paris and Berlin. The Nabokovs were eccentric, liberal aristocrats, who lived a life immersed in politics and literature on splendid country estates until their world was swept away by the Russian revolution when the author was eighteen years old. Speak, Memory vividly evokes a vanished past in the inimitable prose of Nabokov at his best.

Pnin

by Vladimir Nabokov

One of the best-loved of Nabokov’s novels, Pnin features his funniest and most heart-rending character. Serialized in The New Yorker and published in book form in 1957, Pnin brought Nabokov both his first National Book Award nomination and hitherto unprecedented popularity.

“Fun and satire are just the beginning of the rewards of this novel. Generous, bewildered Pnin, that most kindly and impractical of men, wins our affection and respect.” —Chicago Tribune

Professor Timofey Pnin is a haplessly disoriented Russian émigré precariously employed on an American college campus in the 1950s. Pnin struggles to maintain his dignity through a series of comic and sad misunder-standings, all the while falling victim both to subtle academic conspiracies and to the manipulations of a deliberately unreliable narrator.

Initially an almost grotesquely comic figure, Pnin gradually grows in stature by contrast with those who laugh at him. Whether taking the wrong train to deliver a lecture in a language he has not mastered or throwing a faculty party during which he learns he is losing his job, the gently preposterous hero of this enchanting novel evokes the reader’s deepest protective instinct.

Pale Fire

by Vladimir Nabokov

A darkly comic novel of suspense, literary idolatry and one-upmanship, and political intrigue from one of the leading writers of the twentieth century, the acclaimed author of Lolita.

"Half-poem, half-prose...a creation of perfect beauty, symmetry, strangeness, originality and moral truth. One of the great works of art of this century." —Mary McCarthy, New York Times bestselling author of The Group

An ingeniously constructed parody of detective fiction and learned commentary, Pale Fire offers a cornucopia of deceptive pleasures, at the center of which is a 999-line poem written by the literary genius John Shade just before his death. Surrounding the poem is a foreword and commentary by the demented scholar Charles Kinbote, who interweaves adoring literary analysis with the fantastical tale of an assassin from the land of Zembla in pursuit of a deposed king. Brilliantly constructed and wildly inventive, Vladimir Nabokov's witty novel achieves that rarest of things in literature—perfect tragicomic balance.

The Stories of Vladimir Nabokov

by Vladimir Nabokov

From the writer who shocked and delighted the world with his novels Lolita, Pale Fire, and Ada, or Ardor, and so many others, comes a magnificent collection of stories.

Written between the 1920s and 1950s, these sixty-five tales--eleven of which have been translated into English for the first time--display all the shades of Nabokov's imagination. They range from sprightly fables to bittersweet tales of loss, from claustrophobic exercises in horror to a connoisseur's samplings of the table of human folly. Read as a whole, The Stories of Vladimir Nabokov offers and intoxicating draft of the master's genius, his devious wit, and his ability to turn language into an instrument of ecstasy.

Ada, or Ardor: A Family Chronicle

by Vladimir Nabokov

Published two weeks after his seventieth birthday, Ada, or Ardor is one of Nabokov's greatest masterpieces, the glorious culmination of his career as a novelist. It tells a love story troubled by incest.

It is also at once a fairy tale, epic, philosophical treatise on the nature of time, parody of the history of the novel, and erotic catalogue. Ada, or Ardor is no less than the supreme work of an imagination at white heat.

This is the first American edition to include the extensive and ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom.

The Gift

by Hafiz, Carol Ann Duffy, Vladimir Nabokov, Cecelia Ahern, Kristine Franklin, Marcia S. Freeman, Sandra Magsamen, Kathy Chase Young

Celebrated artist tells story of a mysterious gift that travels around the world, spreading a message of love that inspires its recipients.

The Gift

by Hafiz, Carol Ann Duffy, Vladimir Nabokov, Cecelia Ahern, Kristine Franklin, Marcia S. Freeman, Sandra Magsamen, Kathy Chase Young

Jimmy Joe can hardly believe it. Fish Woman has invited him to go fishing. And not just regular fishing, but salmon fishing. Some say that Fish Woman might be a witch, but salmon fishing...well, that's an invitation you just can't turn down. So he puts on his hat, his sweater and his yellow slicker, and Jimmy Joe and Fish Woman head out to sea for an adventure more magical than he ever could have imagined.
Vibrant watercolors in glowing hues of blue, green, and red bring alive the beauty of the sea, the magnificence of the mighty whales that live within it, and the warmth of the characters, making this a special story about friendship and the true meaning of giving.

The Gift

by Hafiz, Carol Ann Duffy, Vladimir Nabokov, Cecelia Ahern, Kristine Franklin, Marcia S. Freeman, Sandra Magsamen, Kathy Chase Young

Throughout their journey to America and their first summers on the prairie, music eases the way for an immigrant family, but when loneliness, worry, and hard winters cause her mother to stop singing, a young girl finds a way to bring music back into their lives.Throughout their journey to America, music eases the way for an immigrant family, but when loneliness, worry, and hard winters cause her mother to stop singing, a young girl finds a way to bring music back into their lives.

The Gift

by Hafiz, Carol Ann Duffy, Vladimir Nabokov, Cecelia Ahern, Kristine Franklin, Marcia S. Freeman, Sandra Magsamen, Kathy Chase Young

The Gift is a magical, fable-like Christmas story from Cecelia Ahern, the celebrated New York Times bestselling author of P.S. I Love You and Thanks for the Memories. The story of Lou Suffern, a successful executive frustrated by the fact that he spends more time in the office than with his doting wife and two young children, The Gift is “a tantalizing tale wrapped in a tale....[the] perfect treat for the holidays.” (Sara Gruen)

The Gift

by Hafiz, Carol Ann Duffy, Vladimir Nabokov, Cecelia Ahern, Kristine Franklin, Marcia S. Freeman, Sandra Magsamen, Kathy Chase Young

Chosen by author Elizabeth Gilbert as one of her ten favorite books, Daniel Ladinsky’s extraordinary renderings of 250 unforgettable lyrical poems by Hafiz, one of the greatest Sufi poets of all time

More than any other Persian poet—even Rumi—Hafiz expanded the mystical, healing dimensions of poetry. Because his poems were often ecstatic love songs from God to his beloved world, many have called Hafiz the “Invisible Tongue.” Indeed, Daniel Ladinsky has said that his work with Hafiz is an attempt to do the impossible: to render Light into words—to make the Luminous Resonance of God tangible to our finite senses.

I am
a hole in a flute
that the Christ's breath moves
through—
listen to this
music!

With this stunning collection of Hafiz’s most intimate poems, Ladinsky has succeeded brilliantly in presenting the essence of one of Islam’s greatest poetic and religious voices. Each line of The Gift imparts the wonderful qualities of this master Sufi poet and spiritual teacher: encouragement, an audacious love that touches lives, profound knowledge, generosity, and a sweet, playful genius unparalleled in world literature.

The Gift

by Hafiz, Carol Ann Duffy, Vladimir Nabokov, Cecelia Ahern, Kristine Franklin, Marcia S. Freeman, Sandra Magsamen, Kathy Chase Young

Considered by many to be the greatest Russian novel of the twentieth century. • An interweaving of the effects of life and memory, tradition and heritage, upon art, the book tells of Fyodor Godunov-Cherdyntsev, an impoverished poet seeking fame in the phantasmic world of Berlin in the 1920s.

"A fascinating lesson in the truly staggering number of possible ways of writing and seeing." -Kirkus Reviews

The Gift is the story of Fyodor Godunov-Cherdynstev, a writer living in the closed world of Russian intellectuals in Berlin shortly after the First World War. This gorgeous tapestry of literature follows the pursuits of an impoverished émigré poet living in Berlin, who dreams of the book he will someday write.

The Gift is the last of the novels Nabokov wrote in his native Russian and the crowning achievement of the initial period of his literary career. It is also his ode to Russian literature, evoking the works of Pushkin, Gogol, and others.

The Gift

by Hafiz, Carol Ann Duffy, Vladimir Nabokov, Cecelia Ahern, Kristine Franklin, Marcia S. Freeman, Sandra Magsamen, Kathy Chase Young

Book by Young, Kathy Chase

The Gift

by Hafiz, Carol Ann Duffy, Vladimir Nabokov, Cecelia Ahern, Kristine Franklin, Marcia S. Freeman, Sandra Magsamen, Kathy Chase Young

After meeting a magical old woman in a clearing in the woods and trading her daisy chain for the granting of a wish, a little girl grows into a young woman and the clearing begins to fill with the loveliest flowers, the most fragrant herbs, and the most perfect stones.

Transparent Things

by Vladimir Nabokov

The darkly comic Transparent Things, one of Nabokov's final books, traces the bleak life of Hugh Person through murder, madness, prison and trips to Switzerland. One of these was the last journey his father ever took; on another, having been sent to ingratiate himself with a distinguished novelist, he met his future wife.

"As casual, as unpredictable, as eccentric and as daunting as Mr. Nabokov's genius." -Mavis Gallant, The New York Times Book Review

Nabokov's brilliant short novel sinks into the transparent things of the world that surround this one person, to the silent histories they carry. Remarkable even in Nabokov's work for its depth and lyricism, Transparent Things is a small, experimental marvel of memories and dreams, both sentimental and malign.

“The final effect is both chill and comic, the transparencies both beautiful and terrifying.” —The Times (London)

Lolita: Introduction by Martin Amis (Everyman's Library Contemporary Classics Series)

by Vladimir Nabokov

Nabokov's wise, ironic, elegant masterpiece owes its stature as a classic not to the controversy its subject matter aroused but to its author's use of that material to tell a love story almost shocking in its beauty and tenderness. With an introduction by Martin Amis.

When it was published in 1955, Lolita immediately became a cause célèbre because of the freedom and sophistication with which it handled the unusual erotic predilections of its protagonist. Awe and exhilaration–along with heartbreak and mordant wit–abound in this account of the aging Humbert Humbert's obsessive, devouring, and doomed passion for the nymphet Dolores Haze.
Lolita is also the story of a hypercivilized European colliding with the cheerful barbarism of postwar America, but most of all, it is a meditation on love–love as outrage and hallucination, madness and transformation.

Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

Laughter in the Dark

by Vladimir Nabokov

The classic novel from the author of Lolita, brilliantly portraying one man's ruin through love and betrayal. "Once upon a time there lived in Berlin, Germany, a man called Albinus. He was rich, respectable, happy; one day he abandoned his wife for the sake of a youthful mistress; he loved; was not loved; and his life ended in disaster." Thus begins Vladimir Nabokov's Laughter in the Dark; this, the author tells us, is the whole story―except that he starts from here, with his characteristic dazzling skill and irony, and brilliantly turns a fable into a chilling, original novel of folly and destruction. Amidst a Weimar-era milieu of silent film stars, artists, and aspirants, Nabokov creates a merciless masterpiece as Albinus, an aging critic, falls prey to his own desires, to his teenage mistress, and to Axel Rex, the scheming rival for her affections who finds his greatest joy in the downfall of others.

Published first in Russian as Kamera Obskura in 1932, this book appeared in Nabokov's own English translation six years later. This New Directions edition, based on the text as Nabokov revised it in 1960, features a new introduction by Booker Prize-winner John Banville.

Laughter in the Dark

by Vladimir Nabokov

Amidst a Weimar-era milieu of silent film stars, artists, and aspirants, Nabokov creates a merciless masterpiece as Albinus, an aging critic, falls prey to his own desires, to his teenage mistress, and to Axel Rex, the scheming rival for her affections who finds his greatest joy in the downfall of others.

"Both hilarious and deliciously cruel." -The Guardian

Albinus, a respectable, middle-aged man and aspiring filmmaker, abandons his wife for a lover half his age: Margot, who wants to become a movie star herself. When Albinus introduces her to Rex, an American movie producer, disaster ensues. What emerges is an elegantly sardonic and irresistibly ironic novel of desire, deceit, and deception, a curious romance set in the film world of Berlin in the 1930s.

The Real Life of Sebastian Knight (New Directions Paperbook)

by Vladimir Nabokov

Nabokov's first novel in English, one of his greatest and most overlooked, with a new Introduction by Michael Dirda.
The Real Life of Sebastian Knight, Nabokov's first novel in English, was completed in Paris in 1938, first published by New Directions in 1941, reissued in 1959 to wide critical acclaim and now relaunched again, with an appreciative introduction by Pulitzer-Prize winning critic Michael Dirda.
This, the narrator tells us, is the real life of famous author Sebastian Knight, the inside story. After Knight's death, his half-brother sets out to penetrate the mystery of the famous English novelist's life, but he is impeded by the false, the distorted, the irrelevant. Yet the search proves to be a story quite as intriguing as any of Sebastian Knight's own books, as baffling, and, in the end, as uniquely rewarding. On one level, this literary detective story has pungent points to make about the role of the artist in a society basically hostile to the creative spirit. On another, The Real Life of Sebastian Knight probes the essential problem of the ambiguity of human identity: Just who was Sebastian Knight?

Think, Write, Speak: Uncollected Essays, Reviews, Interviews, and Letters to the Editor

by Vladimir Nabokov

A rich compilation of the previously uncollected Russian and English prose and interviews of one of the twentieth century's greatest writers, edited by Nabokov experts Brian Boyd and Anastasia Tolstoy.

“I think like a genius, I write like a distinguished author, and I speak like a child": so Vladimir Nabokov famously wrote in the introduction to his volume of selected prose, Strong Opinions. Think, Write, Speak follows up where that volume left off, with a rich compilation of his uncollected prose and interviews, from a 1921 essay about Cambridge to two final interviews in 1977. The chronological order allows us to watch the Cambridge student and the fledgling Berlin reviewer and poet turn into the acclaimed Paris émigré novelist whose stature brought him to teach in America, where his international success exploded with Lolita and propelled him back to Europe. Whether his subject is Proust or Pushkin, the sport of boxing or the privileges of democracy, Nabokov’s supreme individuality, his keen wit, and his alertness to the details of life illuminate the page.

Pnin: Introduction by David Lodge (Everyman's Library Contemporary Classics Series)

by Vladimir Nabokov

One of the best-loved of Nabokov’s novels, Pnin features his funniest and most heart-rending character. Serialized in The New Yorker and published in book form in 1957, Pnin brought Nabokov both his first National Book Award nomination and hitherto unprecedented popularity.

“Fun and satire are just the beginning of the rewards of this novel. Generous, bewildered Pnin, that most kindly and impractical of men, wins our affection and respect.” —Chicago Tribune

Professor Timofey Pnin is a haplessly disoriented Russian émigré precariously employed on an American college campus in the 1950s. Pnin struggles to maintain his dignity through a series of comic and sad misunder-standings, all the while falling victim both to subtle academic conspiracies and to the manipulations of a deliberately unreliable narrator.

Initially an almost grotesquely comic figure, Pnin gradually grows in stature by contrast with those who laugh at him. Whether taking the wrong train to deliver a lecture in a language he has not mastered or throwing a faculty party during which he learns he is losing his job, the gently preposterous hero of this enchanting novel evokes the reader’s deepest protective instinct.

Vintage Nabokov

by Vladimir Nabokov

Novelist, poet, critic, translator, and, above all, a peerless imaginer, Vladimir Nabokov was arguably the most dazzling prose stylist of the twentieth century. In novels like Lolita, Pale Fire, and Ada, or Ardor, he turned language into an instrument of ecstasy.

Vintage Nabokovincludes sections 1-10 of his most famous and controversial novel, Lolita; the stories “The Return of Chorb,” “The Aurelian,” “A Forgotten Poet,” “Time and Ebb,” “Signs and Symbols,” “The Vane Sisters,” and “Lance”;and chapter 12 from his memoir Speak, Memory. Vintage Readers are a perfect introduction to some of the greatest modern writers.

"It was Nabokov’s gift to bring paradise wherever he alighted.” —John Updike, The New York Review of Books

Eugene Onegin: A Novel in Verse, Vol. 2

by Vladimir Nabokov, Aleksandr Sergeevich Pushkin

Vladimir Nabokov's famous and brilliant commentary on Pushkin's Eugene Onegin

When Vladimir Nabokov first published his controversial translation of Pushkin’s Eugene Onegin in 1964, the great majority of the edition was taken up by Nabokov’s witty and exhaustive commentary. Presented here in its own volume, the commentary is a unique scholarly masterwork by one of the twentieth century’s greatest writers―a work that Nabokov biographer Brian Boyd calls “the most detailed commentary ever made on” Onegin and “indispensable to all serious students of Pushkin’s masterpiece.”

In his commentary, Nabokov seeks to illuminate every possible nuance of this nineteenth-century classic. He explains obscurities, traces literary influences, relates Onegin to Pushkin’s other work, and in a characteristically entertaining manner dwells on a host of interesting details relevant to the poem and the Russia it depicts. Nabokov also provides translations of lines and stanzas deleted by the censor or by Pushkin himself, variants from Pushkin’s notebooks, fragments of a continuation called “Onegin’s Journey,” the unfinished and unpublished “Chapter Ten,” other continuations, and an index.

A work of astonishing erudition and passion, Nabokov’s commentary is a landmark in the history of literary scholarship and in the understanding and appreciation of the greatest work of Russia’s national poet.

Lectures on Russian Literature

by Vladimir Nabokov

The acclaimed author presents his unique insights into the works of great Russian authors including Tolstoy, Dostoevsky, Gogol, Gorky, and Chekhov.

In the 1940s, when Vladimir Nabokov first embarked on his academic career in the United States, he brought with him hundreds of original lectures on the authors he most admired. For two decades those lectures served as the basis for Nabokov’s teaching, first at Wellesley and then at Cornell, as he introduced undergraduates to the delights of great fiction.

This volume collects Nabokov’s famous lectures on nineteenth-century Russian literature, with analysis and commentary on Nikolay Gogol’s Dead Souls and “The Overcoat”; Ivan Turgenev’s Fathers and Sons; Maxim Gorky’s “On the Rafts”; Leo Tolstoy’s Anna Karenina and The Death of Ivan Ilych; two short stories and a play by Anton Chekhov; and several works by Fyodor Dostoevsky, including Crime and Punishment, The Idiot, and The Possessed.

This volume also includes Nabokov’s lectures on the art of translation, the nature of Russian censorship, and other topics. Featured throughout the volume are photographic reproductions of Nabokov’s original notes.

“This volume . . . never once fails to instruct and stimulate. This is a great Russian talking of great Russians.”—Anthony Burgess

Introduction by Fredson Bowers

Glory

by Vladimir Nabokov

Glory is the wryly ironic story of Martin Edelweiss, a twenty-two-year-old Russian émigré of no account, who is in love with a girl who refuses to marry him.  

"The themes we associate with Nabokov — the romance of emigres, sexual frustration, the nostalgia of youth — shine again, sorrowfully or blithely, but always adding an illuminating dimension to what went before or what comes after." -Kirkus Reviews

Convinced that his life is about to be wasted and hoping to impress his love, Martin embarks on a "perilous, daredevil project"--an illegal attempt to re-enter the Soviet Union, from which he and his mother had fled in 1919. He succeeds--but at a terrible cost.

Nabokov: Novels 1955-1962: Lolita / Pnin / Pale Fire (Library of America)

by Vladimir Nabokov

This Library of America volume is the second of three volumes presenting the most authoritative versions of the English works of the brilliant Russian émigré, Vladimir Nabokov.

Lolita (1955), Nabokov’s single most famous work, is one of the most controversial and widely read books of its time. Funny, satiric, poignant, filled with allusions to earlier American writers, it is the “confession” of a middle-aged, sophisticated European émigré’s passionate obsession with a twelve-year-old American “nymphet,” and the story of their wanderings across a late 1940s America of highways and motels. (Nabokov’s film adaptation of Lolita, as originally written for director Stanley Kubrick, is also included.)

Pnin (1957) is a comic masterpiece about a gentle, bald Russian émigré professor in an American college town who is never quite able to master its language, its politics, or its train schedule. Nabokov’s years as a teacher provided rich background for this satirical picture of academic life, with an unforgettable figure at its center: “It was the world that was absent-minded and it was Pnin whose business it was to set it straight. His life was a constant war with insensate objects that fell apart, or attacked him, or refused to function, or viciously got themselves lost as soon as they entered the sphere of his existence.”

Pale Fire (1962) is a tour de force in the form of an ostensibly autobiographical poem by a recently deceased American poet and a critical commentary by an academic who is something other than what he seems. Its unique structure, pitting artist against seemingly worshipful critic, sets the stage for some of Nabokov’s most intricate games of deception and concealment.

The texts of this volume incorporate Nabokov’s penciled corrections in his own copies of his works which correct long-standing errors, and have been prepared with the assistance of Dmitri Nabokov, the novelist’s son.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Ada, or Ardor: A Family Chronicle (Everyman's Library Contemporary Classics Series)

by Vladimir Nabokov

A beautiful hardcover edition of one of Nabokov’s greatest masterpieces, the fantastical love story that was the glorious culmination of his career as a novelist.

This story of a man’s lifelong entanglement with his sister is not only a love story; it manages also to be a fairy tale, an epic, a philosophical treatise on the nature of time, a parody of the history of the novel, and an erotic catalogue. It concludes with an ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom. Ada, or Ardor, published just after Nabokov’s seventieth birthday, is the supreme work of a virtuosic imagination at white heat.

Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

King, Queen, Knave

by Vladimir Nabokov

The novel is the story of Dreyer, a wealthy and boisterous proprietor of a men's clothing emporium store. Ruddy, self-satisfied, and thoroughly masculine, he is perfectly repugnant to his exquisite but cold middle-class wife Martha. Attracted to his money but repelled by his oblivious passion, she longs for their nephew instead, the myopic Franz. Newly arrived in Berlin, Franz soon repays his uncle's condescension in his aunt's bed.

The Annotated Lolita By Nabokov Vladimir Vladimirovich

by Vladimir Nabokov, Alfred Appel Jr.

Nabokov's wise, ironic, and elegant masterpiece. • A controversial love story almost shocking in its beauty and tenderness. • This annotated edition assiduously illuminates the extravagant wordplay and the frequent literary allusions, parodies, and cross-references. • Edited with a preface, introduction, and notes by Alfred Appel, Jr.

"Fascinatingly detailed." -Edmund Morris, The New York Times Book Review

When it was published in 1955, Lolita immediately became a cause célèbre because of the freedom and sophistication with which it handled the unusual erotic predilections of its protagonist. Awe and exhilaration–along with heartbreak and mordant wit–abound in this account of the aging Humbert Humbert's obsessive, devouring, and doomed passion for the nymphet Dolores Haze.

Lolita is also the story of a hypercivilized European colliding with the cheerful barbarism of postwar America, but most of all, it is a meditation on love–love as outrage and hallucination, madness and transformation.

The Luzhin Defense

by Vladimir Nabokov

Nabokov's third novel, The Luzhin Defense, is a chilling story of obsession and madness.

As a young boy, Luzhin was unattractive, distracted, withdrawn, sullen--an enigma to his parents and an object of ridicule to his classmates. He takes up chess as a refuge from the anxiety of his everyday life. His talent is prodigious and he rises to the rank of grandmaster--but at a cost: in Luzhin' s obsessive mind, the game of chess gradually supplants the world of reality. His own world falls apart during a crucial championship match, when the intricate defense he has devised withers under his opponent's unexpected and unpredictabke lines of assault.

Pale Fire: Introduction by Richard Rorty (Everyman's Library Contemporary Classics Series)

by Vladimir Nabokov

One of The Atlantic’s Great American Novels of the Past 100 Years

The urbane authority that Vladimir Nabokov brought to every word he ever wrote, and the ironic amusement he cultivated in response to being uprooted and politically exiled twice in his life, never found fuller expression than in Pale Fire published in 1962 after the critical and popular success of Lolita had made him an international literary figure.

An ingeniously constructed parody of detective fiction and learned commentary, Pale Fire offers a cornucopia of deceptive pleasures, at the center of which is a 999-line poem written by the literary genius John Shade just before his death. Surrounding the poem is a foreword and commentary by the demented scholar Charles Kinbote, who interweaves adoring literary analysis with the fantastical tale of an assassin from the land of Zembla in pursuit of a deposed king. Brilliantly constructed and wildly inventive, this darkly witty novel of suspense, literary one-upmanship, and political intrigue achieves that rarest of things in literature–perfect tragicomic balance. With an introduction by Richard Rorty.

Bend Sinister

by Vladimir Nabokov

The first novel Nabokov wrote while living in America and the most overtly political novel he ever wrote, Bend Sinister is a modern classic. While it is filled with veiled puns and characteristically delightful wordplay, it is, first and foremost, a haunting and compelling narrative about a civilized man caught in the tyranny of a police state. It is first and foremost a compelling narrative about a civilized man and his child caught up in the tyranny of a police state. Professor Adam Krug, the country's foremost philosopher, offers the only hope of resistance to Paduk, dictator and leader of the Party of the Average Man. In a folly of bureaucratic bungling and ineptitude, the government attempts to co-opt Krug's support in order to validate the new regime.

Despair

by Vladimir Nabokov

The wickedly inventive and richly derisive story of Hermann, a man who undertakes the perfect crime--his own murder. • “A beautiful mystery plot, not to be revealed.” – Newsweek

“Nabokov writes prose the only way it should be written, that is, ecstatically.” – John Updike

“One of Mr. Nabokov’s finest, most challenging and provocative novels.” – The New York Times

Despair’s protagonist, Hermann, is another masterly portrait in the fascinating gallery of living characters Vladmir Nabokov has given to world literature. In his pseudo wordliness, his odd genius, Hermann is one with such other heteroclitic neurotic Nabokovian creations as Humbert Humbert and Charles Kimbote. Rapt in his own reality, incapable of escaping or explicating it, he is as solitary in his abyss as Luzhin or Charlotte Haze of Lolita.

Despair is illuminated throughout by the virtuosity and cunning wit that are Vladimir Nabokov’s hallmarks.

Look at the Harlequins!

by Vladimir Nabokov

A dying man cautiously unravels the mysteries of memory and creation. Vadim is a Russian émigré who, like Nabokov, is a novelist, poet and critic. There are threads linking the fictional hero with his creator as he reconstructs the images of his past from young love to his serious illness.  • "Good farce throbbing with his well-known obsessions." -V.S. Pritchett, The New York Review

'Look at the harlequins ... Play! Invent the world! Invent reality'.

This is the childhood advice given by an aunt to Russian born writer Vadim Vadimovich, who emigrates to England, then Paris, then Germany and then the US. Now dying, he reconstructs his past. He remembers Iris his first wife, Annette his long-necked typist, and Bel his daughter, as well as his own bizarre illness, 'numerical nimbus syndrome'.

The Enchanter

by Vladimir Nabokov

The precursor to Nabokov's classic novel, Lolita. • A middle-aged man weds an unattractive widow in order to indulge his obsession with her daughter. • "A gem to be appreciated by any admirer of the most graceful and provocative literary craftsman." —Chicago Tribune

The unnamed protagonist of the story is, outwardly, a respectable and comfortable man; inside, he churns at the pubescent femininity of certain girls. Rare girls – one in a thousand – whose coltish grace and subconscious flirtatiousness betray, to his obsessed mind, a very special bud on the moist verge of its bloom.

Sitting on a park bench one day, he is tantalized by the fleeting form of just such a girl roller-skating on a gravel path. His desire to be near this beauty burns in him and drives him to begin a courtship of the child’s pitiful mother – a course that can end only in the disintegration of his life.

Over the years, the idea of The Enchanter grew; it changed; it developed “claws and wings.” By 1953 it was ready to furnish the basic theme of Lolita.

"The Enchanter is entertaining independent of its Lolita connection. It is arch, delicious and beautifully written." —Publishers Weekly

The Eye

by Vladimir Nabokov

A farcical detective story and a profoundly refractive tale about a Russian émigré living in prewar Berlin who commits suicide after being humiliated by a jealous husband, only to suffer even greater indiginities in the afterlife. • A wonderfully layered exploration of the vicissitudes of identity, appearance, and the loss of self.

Smurov, a lovelorn and excruciatingly self-conscious Russian tutor, shoots himself after a beating by his mistress' husband. Unsure whether his suicide has been successful or not, Smurov drifts around Berlin, observing his acquaintances, but finds he can discover very little about his own life from the opinions of his distracted, confused fellow-émigrés.

The Tragedy of Mister Morn

by Vladimir Nabokov

For the first time in English, Vladimir Nabokov’s earliest major work, written when he was only twenty-four: his only full-length play, introduced by Thomas Karshan and beautifully translated by Karshan and Anastasia Tolstoy.

The Tragedy of Mister Morn was written in the winter of 1923–1924, when Nabokov was completely unknown. The five-act play—the story of an incognito king whose love for the wife of a banished revolutionary brings on the chaos the king has fought to prevent—was never published in Nabokov’s lifetime and lay in manuscript until it appeared in a Russian literary journal in 1997. It is an astonishingly precocious work, in exquisite verse, touching for the first time on what would become this great writer’s major themes: intense sexual desire and jealousy, the elusiveness of happiness, the power of the imagination, and the eternal battle between truth and fantasy. The play is Nabokov’s major response to the Russian Revolution, which he had lived through, but it approaches the events of 1917 above all through the prism of Shakespearean tragedy.

Speak, Memory Introduction by Brian Boyd

by Vladimir Nabokov

From one of the 20th century's great writers comes one of the finest autobiographies of our time. Speak, Memory was first published by Vladimir Nabokov in 1951 as Conclusive Evidence and then assiduously revised and republished in 1966. The Everyman's Library edition includes, for the first time, the previously unpublished "Chapter 16"–the most significant unpublished piece of writing by the master, newly released by the Nabokov estate–which provided an extraordinary insight into Speak, Memory.

Nabokov's memoir is a moving account of a loving, civilized family, of adolescent awakenings, flight from Bolshevik terror, education in England, and émigré life in Paris and Berlin. The Nabokovs were eccentric, liberal aristocrats, who lived a life immersed in politics and literature on splendid country estates until their world was swept away by the Russian revolution when the author was eighteen years old. Speak, Memory vividly evokes a vanished past in the inimitable prose of Nabokov at his best.

The Song of Igor's Campaign, An Epic of the Twelfth Century

by Vladimir Nabokov

A chivalric expedition is undertaken in the late 12th century by a minor prince in the land of Rus’ to defeat, against overwhelming odds, a powerful alliance in a neighboring territory. The anonymous poet who chronicled this adventure packed unprecedented metaphorical agility, keenness of observation, and fascinating imagery into the lean and powerful tale of the doomed campaign. Discovered in the late 18th century and only narrowly distributed, the original manuscript was destroyed in a fire, leading to endless debate about the provenance and authenticity of the extant versions. It also served as the basis of Borodin’s opera Prince Igor. Translated by Vladimir Nabokov, the verses that constitute The Song of Igor’s Campaign are presented in their original rhyme and meter, and Nabokov’s extensive annotations provide illuminations on all the aspects of the text.

Mary

by Vladimir Nabokov

A gripping tale of youth, first love, and nostalgia. • Written in 1925, Mary is Nabokov’s first novel. Like his other early masterpieces, it bears witness to Nabokov’s sensual mastery of language.

“In MARY we see him evoking the first of what became an increasingly brilliant series of worlds.” – Newsweek

In a Berlin rooming house filled with an assortment of seriocomic Russian émigrés, Lev Ganin, a vigorous young officer poised between his past and his future, relives his first love affair. His memories of Mary are suffused with the freshness of youth and the idyllic ambience of pre-revolutionary Russia. In stark contrast is the decidedly unappealing boarder living in the room next to Ganin's, who, he discovers, is Mary's husband, temporarily separated from her by the Revolution but expecting her imminent arrival from Russia.

Lolita: A Screenplay (Vintage International)

by Vladimir Nabokov

The screenplay for Kubrick’s 1962 film tells the story of an older man’s obsession with a young girl. • This is the purely Nabokov version of the screenplay and not the same version which was produced as the motion picture Lolita, distributed by Metro-Goldwyn-Mayer, Inc.

“A few days before, at a private screening, I had discovered that Kubrick was a great director, that his Lolita was a first-rate film with magnificent actors, and that only ragged odds and ends of my script had been used. The modifications, the garbling of my best little finds, the omission of entire scenes, the addition of new ones, and all sorts of other changes may not have been sufficient to erase my name from the credit titles but they certainly made the picture as unfaithful to the original script as an American poet’s translation from Rimbaud or Pasternak.

I hasten to add that my present comments should definitely not be construed as reflecting any belated grudge, any high-pitched deprecation of Kubrick’s creative approach. When adapting Lolita to the speaking screen he saw my novel in one way, I saw it in another – that’s all, nor can one deny that infinite fidelity may be an author’s ideal but can prove a producer’s ruin.”

--- From the foreword

Pale Fire: A Poem in Four Cantos by John Shade

by Vladimir Nabokov, R. S. Gwynn

Many think Pale Fire Vladimir Nabokov's greatest novel. At its heart beats the 999-line poem, "Pale Fire," penned by the distinguished American poet John Shade. This first-ever facsimile edition of the poem shows it to be not just a fictional device but a masterpiece of American poetry, albeit by an invented persona -- "the greatest of invented poets," according to Nabokov's own accurate evaluation.
This attractive box contains two booklets, the poem "Pale Fire" in a handsome pocket edition and the book of essays by renowned Nabokov authority Brian Boyd and poet R.S. Gwynn, as well as facsimiles of the index cards that John Shade (like his maker, Nabokov) used for composing his poem, printed exactly as Vladimir Nabokov described them. Artist Jean Holabird, who conceived the project, illustrates key details of the poem's pattern and pathos.
40 Pages in Book 1 "Pale Fire," 48 Pages in Book 2 "Pale Fire" Reflections, 80 Index Cards
2 Paperback Books in a deluxe box

Letters to Véra (Vintage International)

by Vladimir Nabokov

No marriage of a major twentieth-century writer is quite as beguiling as that of Vladimir Nabokov’s to Véra Slonim. She shared his delight at the enchantment of life’s trifles and literature’s treasures, and he rated her as having the best and quickest sense of humor of any woman he had met. From their first encounter in 1923, Vladimir’s letters to Véra chronicle a half-century-long love story, one that is playful, romantic, and memorable.

At the same time, the letters reveal much about their author. We see the infectious fascination with which Vladimir observed everything—animals, people, speech, landscapes and cityscapes—and glimpse his ceaseless work on his poems, plays, stories, novels, memoirs, screenplays, and translations. This delightful volume is enhanced by twenty-one photographs, as well as facsimiles of the letters and the puzzles and drawings Vladimir often sent to Véra.

With 8 pages of photographs and 47 illustrations in text

Lolita (Spanish Edition)

by Vladimir Nabokov

Lolita, la más famosa y controversial novela de Vladimir Nabokov, cuenta la historia de la obsesión devoradora del cuarentón Humbert Humbert por la nínfula Dolores Haze. Ternura y fascinación —además de tristeza y un humor mordaz— llenan sus páginas pero es, por encima de todo, una meditación sobre el amor—el amor como abuso y alucinación, locura y transformación.

Revenge

by Vladimir Nabokov

'And this is fantasy, the flutter, the rapture of fantasy!'

A bashful dragon, a lost wood-sprite, the prophet Elijah and the Devil disguised as a middle-aged woman appear in these playful, exuberant stories by Vladimir Nabokov. So do a vengeful husband, a barber confronting his torturer and the author himself, as he recalls his first love. Each of the thirteen tales here enchants and enraptures us, only to gleefully confound our expectations.