Books by Walt Whitman

The Complete Poems (Penguin Classics)

by Walt Whitman, Ben Jonson, Samuel Taylor Coleridge, Andrew Marvell

His adoption of classical ideals was combined with a vigorous interest in contemporary life and a strong faith in native idiom. Within the urbane elegance of his verse forms he contrived a directness and energy of statement clearly related to colloquial speech, and this characteristic fusion of restraint and vitality gave to the seventeenth-century lyric its most distinctive quality. As well as the entire body of Jonson's non-dramatic verse, extensively annotated, this edition contains many of the songs from his plays and masques and his translation of 'Horace, of the Art of Poetry'. His 'Conversations with Drummond', which adds much to our sense of the man, appears as an Appendix, as does 'Discoveries'; together they shed valuable light on Jonson's poetic theory and practice.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The Complete Poems (Penguin Classics)

by Walt Whitman, Ben Jonson, Samuel Taylor Coleridge, Andrew Marvell

"O pure of heart! thou need’st not ask of me What this strong music in the soul may be!"

One of the major figures of English Romanticism, Samuel Taylor Coleridge created works of remarkable diversity and imaginative genius. The period of his creative friendship with William Wordsworth inspired some of Coleridge’s best-known poems, from the nightmarish vision of the "Rime of the Ancient Mariner" and the opium-inspired "Kubla Khan" to the sombre passion of "Dejection: An Ode" and the medieval ballad "Christabel." His meditative ‘conversation’ poems, such as "Frost at Midnight" and "This Lime-Tree Bower Mr Prison," reflect on remembrance and solitude, while late works, such as "Youth and Age" and "Constancy to an Ideal Object," are haunting meditations on mortality and lost love.

This volume contains the final texts of all the poems published during Coleridge’s lifetime and a substantial selection from those still in manuscript at his death, arranged in chronological order of composition to show his development as a poet. Also included are an introduction, table of dates, further reading, extensive notes, and indexes of titles and first lines.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The Complete Poems (Penguin Classics)

by Walt Whitman, Ben Jonson, Samuel Taylor Coleridge, Andrew Marvell

Member of Parliament, tutor to Oliver Cromwell’s ward, satirist, and friend of John Milton, Andrew Marvell was one of the most significant poets of the seventeenth century. The Complete Poems demonstrates his unique skill and immense diversity, and includes lyrical love poetry, religious works, and biting satire. From the passionately erotic “To His Coy Mistress” to the astutely political Cromwellian poems and the profoundly spiritual “On a Drop of Dew,” in which he considers the nature of the soul, these works are masterpieces of clarity and metaphysical imagery.

This Penguin Classics edition includes authoritative texts of these poems, based on a detailed study of the extant mansucripts, and a new introduction by leading scholar Jonathan Bate. Also included are a chronology, further reading selections, appendices, notes, and indexes.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The Complete Poems (Penguin Classics)

by Walt Whitman, Ben Jonson, Samuel Taylor Coleridge, Andrew Marvell

From Leaves of Grass to "Song of Myself," all of Whitman's poetry in one volume

In 1855 Walt Whitman published Leaves of Grass, the work that defined him as one of America’s most influential voices and that he added to throughout his life. A collection of astonishing originality and intensity, it spoke of politics, sexual emancipation, and what it meant to be an American. From the joyful “Song of Myself” and “I Sing the Body Electric” to the elegiac “When Lilacs Last in the Dooryard Bloom’d,” Whitman’s art fuses oratory, journalism, and song in a vivid celebration of humanity. Containing all Whitman’s known poetic work, this edition reprints the final, or “deathbed,” edition of Leaves of Grass (1891–92). Earlier versions of many poems are also given, including the 1855 “Song of Myself.” • Features a completely new—and fuller—introduction discussing the development of Whitman's poetic career, his influence on later American poets, and his impact on the American cultural sensibility
• Includes chronology, updated suggestions for further reading, and extensive notes

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Leaves of Grass

by Walt Whitman

An unabridged collection of classic verse speaking profoundly into the lives of readers today.
Leaves of Grass, featuring beloved poems such as “Oh Captain! My Captain!” and “Song of Myself,” was met with both scathing criticism and glowing praise when it was originally published in 1855. Arguably the best historical commentator of the nineteenth century, Walt Whitman continues to inspire readers today.
The most inclusive writer one might ever come across, Whitman wrote of laborers, mechanics, soldiers, mothers, carpenters, and prostitutes; this inclusivity stirred up controversy and earned bans, but also gained the attention of other literary greats like Ralph Waldo Emerson and Henry David Thoreau.
At a time when conversations concerning politics, race, class, and sexuality are at an all time high, Leaves of Grass which addresses the experience of multitudes, will resonate with readers today perhaps even more profoundly than in Whitman’s own time.

Leaves of Grass

by Walt Whitman

A deluxe edition of Whitman's crowning achievement, with an introductory essay by Harold Bloom

I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.

When Walt Whitman self-published his Leaves of Grass in July 1855, he altered the course of literary history. One of the greatest masterpieces of American literature, it redefined the rules of poetry while describing the soul of the American character. Throughout his great career, Whitman continuously revised, expanded, and republished Leaves of Grass, but as Harold Bloom reminds us, the book that matters most is the 1855 original. In celebration of the poem’s 150th anniversary, Penguin Classics proudly presents the 1855 text in its original and complete form, with a specially commissioned introductory essay by Harold Bloom.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Leaves of Grass

by Walt Whitman

'I spring from the pages into your arms'Walt Whitman's Leaves of Grass stands as one of the most influential and innovative literary works of the last two hundred years. Widely credited as the originator of free verse in English, Whitman abandoned the rules of traditional poetry--breaking the standard metred line, discarding the obligatory rhyming scheme, and using the emerging American vernacular with the formal precedents of the past while adopting the vernacular rhythms of his emergent American democracy. Most currently available texts reproduce the poetry from the "Deathbed" edition of Leaves, first published in 1892. Often obscured by the near-ubiquitous reprinting of this final edition, however, is the elaborate fluidity and daring of the various previous editions of Leaves. After the book's initial publication in June 1855, Whitman revised and expanded the project a further seven times, with subsequent editions appearing in 1856, 1860, 1867, 1870-71, 1876, 1881-82, and at intervals until 1891-92. His revisions to particular poems were often substantial, and the addition of new poems to each successive edition so extensive, that the book's dimensions altered dramatically. This edition introduces Whitman's ongoing labour of revision and renewal--his successive responses to the shattering years that encompassed the American Civil War and its aftermath. Beginning with the first edition of 1855, it moves chronologically, selecting and including the most substantial poems and "clusters" as Whitman first included them. In most cases, the present edition reprints the often more politically and sexually daring beginning, rather than the revised "end" of a particular poem's journey. It thereby provides a portrait of a poet who feverishly attempted to reshape his project in tandem with some of the most tumultuous decades in American history, and who in the process radically revised the parameters and possibilities of poetry itself.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Song of Myself (Dover Thrift Editions: Poetry)

by Walt Whitman

Considered by many to be the quintessential American poet, Walt Whitman (1819–92) exerted a profound influence on all the American poets who came after him. And it was with this inspired, oceanic medley, "Song of Myself" (which in the first editions of Leaves of Grass was still nameless), that this great poet first made himself known to the world.
Readers familiar with the later, more widely published versions of Leaves of Grass will find this first version of "Song of Myself" new, surprising, and often superior to the later versions — and exhilarating in the freshness of its vision. In this inexpensive edition, this enormously influential work will especially delight students, teachers, and any devotee of Walt Whitman.

Selected Poems (Dover Thrift Editions: Poetry)

by Walt Whitman, Byron

In his unconventional verse, Walt Whitman spoke in a powerful, sensual, oratorical, and inspiring voice. His most famous work, Leaves of Grass, was a long-term project that the poet compared to the building of a cathedral or the slow growth of a tree. During his lifetime, from 1819 to 1892, it went through nine editions. Today it is regarded as a landmark of American literature.
This volume contains 24 poems from Leaves of Grass, offering a generous sampling of Whitman's best and most representative verses. Featured works include "I Hear America Singing," "I Sing the Body Electric," "Song of the Open Road," "Out of Cradle Endlessly Rocking," "When Lilacs Last in the Dooryard Bloom'd," and "O Captain! My Captain!" — all reprinted from an authoritative text.

Selected Poems (Dover Thrift Editions: Poetry)

by Walt Whitman, Byron

Byron's free-spirited lifestyle combined with his rare poetic gift to make him one of the foremost figures of the Romantic Era. This collection of his poems, richly varied in mood and content, captures the essence of his great achievement. Among the thirty-one poems included are convivial song-like poems, love poems, travel poems, humorous and satiric poems.
Shorter works such as the famous "She Walks in Beauty," "Stanzas to Augusta" and "So We'll Go No More a Roving" are well represented. Also here are important longer works — "The Prisoner of Chillon," "Beppo," "The Vision of Judgment," all unabridged — and lyrics excerpted from Don Juan, Childe Harold's Pilgrimage, and the play Manfred. Taken together, these are poems that draw readers quickly into the passions, humors, and convictions of a poet whose life and work truly embodied the Romantic spirit.

Leaves of Grass (Bantam Classics)

by Walt Whitman

One of the great innovative figures in American letters, Walt Whitman created a daringly new kind of poetry that became a major force in world literature. Leaves Of Grass is his one book. First published in 1855 with only twelve poems, it was greeted by Ralph Waldo Emerson as "the wonderful gift . . . the most extraordinary piece of wit and wisdom that America has yet contributed." Over the course of Whitman's life, the book reappeared in many versions, expanded and transformed as the author's experiences and the nation's history changed and grew. Whitman's ambition was to creates something uniquely American. In that he succeeded. His poems have been woven into the very fabric of the American character. From his solemn masterpieces "When Lilacs Last in the Dooryard Bloom'd" and "Out of the Cradle Endlessly Rocking" to the joyous freedom of "Song of Myself," "I Sing the Body Electric," and "Song of the Open Road," Whitman's work lives on, an inspiration to the poets of later generations.

Essential Whitman (Essential Poets)

by Walt Whitman

From the introduction by Galway Kinnell:
The poems of Walt Whitman meant little to me when I read them in high school and college. Luckily, when I was teaching at the University of Grenoble in my late twenties, I was required to give a course on Whitman. My experience of Leaves of Grass then was intense. . . . Soon I understood that poetry could be transcendent, hymn-like, a cosmic song, and yet remain idolatrously attached to the creatures and things of our world. . . . Once again, as when I first began writing, it seemed it might be possible to say everything in poetry.

Leaves of Grass: The First (1855) Edition (Penguin Classics)

by Walt Whitman

“I am large, I contain multitudes”

A Penguin Classic

When Walt Whitman self-published his Leaves of Grass in July 1855, he altered the course of literary history. One of the greatest masterpieces of American literature, it redefined the rules of poetry while describing the soul of the American character. Throughout his great career, Whitman continuously revised, expanded, and republished Leaves of Grass, but many critics believe that the book that matters most is the 1855 original. Penguin Classics proudly presents that text in its original and complete form, with an introductory essay by the writer and poet Malcolm Cowley.

“I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.”

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The Portable Walt Whitman (Penguin Classics)

by Walt Whitman

A comprehensive collection of Whitman's most beloved works of poetry, prose, and short stories

When Walt Whitman self-published Leaves of Grass in 1855 it was a slim volume of twelve poems and he was a journalist and poet from Long Island, little-known but full of ambition and poetic fire. To give a new voice to the new nation shaken by civil war, he spent his entire life revising and adding to the work, but his initial act of bravado in answering Ralph Waldo Emerson's call for a national poet has made Whitman the quintessential American writer. This rich cross-section of his work includes poems from throughout Whitman's lifetime as published on his deathbed edition of 1891, short stories, his prefaces to the many editions of Leaves of Grass, and a variety of prose selections, including Democratic Vistas, Specimen Days, and Slang in America.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Walt Whitman's Leaves of Grass (150th Anniversary Edition)

by Walt Whitman

As featured in AMC's Breaking Bad, given by Gale Boetticher to Walter White and discovered by Hank Schrader.

"I celebrate myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.

I loafe and invite my soul,
I lean and loafe at my ease....observing a spear of summer grass."

So begins Leaves of Grass, the first great American poem and indeed, to this day, the greatest and most essentially American poem in all our national literature.

The publication of Leaves of Grass in July 1855 was a landmark event in literary history. Ralph Waldo Emerson judged the book "the most extraordinary piece of wit and wisdom America has yet contributed." Nothing like the volume had ever appeared before. Everything about it--the unusual jacket and title page, the exuberant preface, the twelve free-flowing, untitled poems embracing every realm of experience--was new. The 1855 edition broke new ground in its relaxed style, which prefigured free verse; in its sexual candor; in its images of racial bonding and democratic togetherness; and in the intensity of its affirmation of the sanctity of the physical world.

This Anniversary Edition captures the typeface, design and layout of the original edition supervised by Whitman himself. Today's readers get a sense of the "ur-text" of Leaves of Grass, the first version of this historic volume, before Whitman made many revisions of both format and style. The volume also boasts an afterword by Whitman authority David Reynolds, in which he discusses the 1855 edition in its social and cultural contexts: its background, its reception, and its contributions to literary history. There is also an appendix containing the early responses to the volume, including Emerson's letter, Whitman's three self-reviews, and the twenty other known reviews published in various newspapers and magazines.

This special volume will be a must-have keepsake for fans of Whitman and lovers of American poetry.

Leaves of Grass and Selected Poems and Prose (Penguin Drop Caps)

by Walt Whitman

From A to Z, the Penguin Drop Caps series collects 26 unique hardcovers—featuring cover art by Jessica Hische

It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet. In a design collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series features unique cover art by Hische, a superstar in the world of type design and illustration, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's recent film Moonrise Kingdom to Penguin's own bestsellers Committed and Rules of Civility. With exclusive designs that have never before appeared on Hische's hugely popular Daily Drop Cap blog, the Penguin Drop Caps series debuted with an 'A' for Jane Austen's Pride and Prejudice, a 'B' for Charlotte Brönte's Jane Eyre, and a 'C' for Willa Cather's My Ántonia. It continues with more perennial classics, perfect to give as elegant gifts or to showcase on your own shelves.

W is for Whitman. When Walt Whitman self-published his Leaves of Grass in July 1855, he altered the course of literary history. One of the greatest masterpieces of American literature, it redefined the rules of poetry while describing the soul of the American character. Throughout his life, Whitman continuously revised, expanded, and republished Leaves of Grass, but the 1855 original marked Whitman’s fresh and bold arrival, greeted by Ralph Waldo Emerson as “the beginning of a great career.” This volume specially compiled for Penguin Drop Caps will also include a range of additional popular poems including selections from "Calamus," "Crossing Brooklyn Ferry," and "Drum-Taps," as well as Whitman’s 1855, 1856 and 1976 prefaces and “Democratic Vistas.”

Walt Whitman: Selected Poems 1855-1892

by Walt Whitman

A century after his death, Whitman is still celebrated as America's greatest poet. In this startling new edition of his work, Whitman biographer Gary Schmidgall presents over two hundred poems in their original pristine form, in the chronological order in which they were written, with Whitman's original line breaks and punctuation. Included in this volume are facsimilies of Whitman's original manuscripts, contemporary-- and generally blistering-- reviews of Whitman's poetry (not surprisingly Henry James hated it), and early pre-Leaves of Grass poems that return us to the physical Whitman, rejoicing-- sometimes graphically-- in homoerotic love.

Unlike the many other available editions, all drawn from the final authorized or "deathbed" Leaves of Grass, this collection focuses on the exuberant poems Whitman wrote during the creative and sexual prime of his life, roughly between 1853 and 1860. These poems are faithfully presented as Whitman first gave them to the world-- fearless, explicit, and uncompromised-- before he transformed himself into America's respectable, mainstream Good Gray Poet through thirty years of revision, self-censorship, and suppression.

Whitman admitted that his later poetry lacked the "ecstasy of statement" of his early verse. Revealing that ecstasy for the first time, this edition makes possible a major reappraisal of our nation's first great poet.

Laws for Creations

by Walt Whitman

In Walt Whitman, Michael Cunningham sees a poet whose vision of humanity is ecstatic, democratic, and sensuous. Just over a hundred years ago, Whitman celebrated America as it survived the Civil War, as it endured great poverty, and as it entered the Industrial Revolution, which would make it the most powerful nation on Earth. In Specimen Days Michael Cunningham makes Whitman's verse sing across time, and in Laws for Creations he celebrates what Whitman means to him, and how he appeared at the heart of his new novel.
Just as the Pulitzer Prize-winning The Hours drew on the life and work of English novelist Viriginia Woolf, Specimen Days lovingly features the work of American poet Walt Whitman. Bringing together extracts from Whitman's prodigious writings, including Leaves of Grass and his journal, Specimen Days, Michael Cunningham's Laws for Creations provides an introduction to one of America's greatest visionary poets from one of our greatest contemporary novelists.

Leaves of Grass (Signet Classics)

by Walt Whitman

Ralph Waldo Emerson issued a call for a great poet to capture and immortalize the unique American experience. In 1855, an answer came with Walt Whitman’s Leaves of Grass.

Today, this masterful collection remains not only a seminal event in American literature but also the incomparable achievement of one of America’s greatest poets—an exuberant, passionate man who loved his country and wrote of it as no other has ever done. Walt Whitman was a singer, thinker, visionary, and citizen extraordinaire. Thoreau called Whitman “probably the greatest democrat that ever lived,” and Emerson judged Leaves of Grass as “the most extraordinary piece of wit and wisdom America has yet contributed.”

The text presented here is that of the “Deathbed” or ninth edition of Leaves of Grass, published in 1892. The content and grouping of poems is the version authorized by Whitman himself for the final and complete edition of his masterpiece.

Specimen Days & Collect

by Walt Whitman

Published in 1882, Whitman's uniquely revealing impressions of the people, places, and events of his time, principally the Civil War era and its aftermath, offer a rare excursion into the mind and heart of one of America's greatest poets. His intimate observations and reflections have profoundly deepened understanding of 19th-century American life.

Leaves of Grass: The Original 1855 Edition (Dover Thrift Editions: Poetry)

by Walt Whitman

In 1855, Walt Whitman published — at his own expense — the first edition of Leaves of Grass, a visionary volume of twelve poems. Showing the influence of a uniquely American form of mysticism known as Transcendentalism, which eschewed the general society and culture of the time, the writing is distinguished by an explosively innovative free verse style and previously unmentionable subject matter. Exalting nature, celebrating the human body, and praising the senses and sexual love, the monumental work was condemned as "immoral." Whitman continued evolving Leaves of Grass despite the controversy, growing his influential work decades after its first appearance by adding new poems with each new printing.
This edition presents the original twelve poems from Whitman's premier 1855 publication of Leaves of Grass. Included are some of the greatest poems of modern times: "Song of Myself," "I Sing the Body Electric," and "There Was a Child Went Forth" (which in the first editions of Leaves of Grass were still nameless), works that continue to upset conventional notions of beauty and originality even today.

Whitman: Poems (Everyman's Library Pocket Poets Series)

by Walt Whitman

The Everyman's Library Pocket Poets hardcover series is popular for its compact size and reasonable price which does not compromise content. Poems: Whitman contains forty-two of the American master's poems, including "Crossing Brooklyn Ferry," "Song of Myself," "I Hear America Singing," "Halcyon Days," and an index of first lines.

When I Heard the Learn'd Astronomer

by Walt Whitman, Loren Long

Leave time for wonder.
Walt Whitman's "When I Heard the Learn'd Astronomer" is an enduring celebration of the imagination. Here, Whitman's wise words are beautifully recast by New York Times #1 best-selling illustrator Loren Long to tell the story of a boy's fascination with the heavens. Toy rocket in hand, the boy finds himself in a crowded, stuffy lecture hall. At first he is amazed by the charts and the figures. But when he finds himself overwhelmed by the pontifications of an academic, he retreats to the great outdoors and does something as universal as the stars themselves...
he dreams.

Nothing But Miracles

by Walt Whitman

The author finds miracles everywhere--in nature, on city streets, and at home.

Walt Whitman: Poetry and Prose (Library of America)

by Walt Whitman

This Library of America edition is the biggest and best edition of Walt Whitman's writings ever published. It includes all of his poetry and what he considered his complete prose. It is also the only collection that includes, in exactly the form in which it appeared in 1855, the first edition of Leaves of Grass. This was the book, a commercial failure, which prompted Emerson’s famous message to Whitman: “I greet you at the beginning of a great career.” These twelve poems, including what were later to be entitled “Song of Myself” and “I Sing the Body Electric,” and a preface announcing the author’s poetic theories were the first stage of a massive, lifelong work. Six editions and some thirty-seven years later, Leaves of Grass became one of the central volumes in the history of world poetry.

Each edition involved revisions of earlier poems and the incorporation of new ones. As it progressed, it was hailed by Emerson, Thoreau, Rosetti and others, but was also, as with the sixth edition in 1881–82, beset by charges of obscenity for such poems as “A Woman Waits for Me.” Printed here is the final, great culminating edition of 1891–92, the last supervised by Whitman himself just before his death.

Whitman’s prose is no less extraordinary. Specimen Days and Collect (1882) includes reminiscences of nineteenth-century New York City that will fascinate readers in the twenty-first, notes on the Civil War, especially his service in Washington hospitals, and trenchant comments on books and authors. Democratic Vistas (1871), in its attacks on the misuses of national wealth after the Civil War, is relevant to conditions in our own time, and November Boughs (1888) brings together retrospective prefaces, opinions, and random autobiographical bits that are in effect an extended epilogue on Whitman’s life, works, and times.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Live Oak, with Moss

by Walt Whitman

As he was turning forty, Walt Whitman wrote twelve poems in a small handmade book he entitled “Live Oak, With Moss.” The poems were intensely private reflections on his attraction to and affection for other men.
They were also Whitman's most adventurous explorations of the theme of same-sex love, composed decades before the word “homosexual” came into use. This revolutionary, extraordinarily beautiful and passionate cluster of poems was never published by Whitman and has remained unknown to the general public―until now.
New York Times-bestselling and Caldecott Award-winning illustrator Brian Selznick offers a provocative visual narrative of “Live Oak, With Moss,” and Whitman scholar Karen Karbiener reconstructs the story of the poetic cluster's creation and destruction. Walt Whitman's reassembled, reinterpreted Live Oak, With Moss serves as a source of inspiration and a cause for celebration.

Song of the Open Road (American Roots)

by Walt Whitman

Walt Whitman's "Song of the Open Road," from his seminal work Leaves of Grass , is a celebration of freedom and the joy of journeying. In Whitman's classic poem, the road becomes a metaphor for life's journey, full of possibilities, adventures, and the promise of personal discovery. " Song of the Open Road" encapsulates the essence of American transcendentalism, advocating for self-reliance and a profound connection with nature. Whitman's language and verse mirrors the free spirit of the open road, where societal constraints dissolve and the individual becomes one with the world.
“To know the universe itself as a road, as many roads, as roads for traveling souls.”—Walt Whitman

Leaves of Grass (Deluxe, Hardcover edition with gold gilding)

by Walt Whitman

Delight in the work that forever changed the course of American poetry! Walt Whitman's modern and ecstatic free-verse poems shocked, enraged, and delighted critics of the time for their celebration of physical pleasures and the human body. Throughout his life, Whitman continuously revised and republished Leaves of Grass, but the 1855 original, reproduced in this elegant gift edition, showcases his dramatic entrance into the world of poetry. Hardcover gift edition with dust jacket. Gold-gilded page edges. Premium acid-free archival-quality paper. Compact volume is designed for both portability and longevity. A classic for the home or office library. Book measures 4-1/2'' wide x 7-1/2'' high. 176 pages.

Song of Myself (Shambhala Centaur Editions)

by Walt Whitman

Song of Myself may be the greatest poem ever written by an American. First published in 1855 as part of Leaves of Grass, it was revised and expanded by Whitman in subsequent editions in ways that sometimes undermined to its original freshness and vitality. Stephen Mitchell has gone back to the first edition and painstakingly compared it with the later versions, substituting only those revisions by Whitman that improved the poem. Here is Whitman at his most wild and raw, as large and lusty as life, fulfilling his promise to all future generations: I stand on this spot with my soul.

Song of Myself: And Other Poems by Walt Whitman

by Walt Whitman

Walt Whitman was deeply interested in the American language as it was emerging in his time. He was fascinated by the vocabularies of the sciences and the streets, and was a regular visitor to the New York Public Library, where he loved to peer into the provenience of the words he overheard and read. In this beautiful book, Robert Hass and Paul Ebencamp walk us through Whitman's "Song of Myself"—one of the greatest poems in American literature. Much is revealed about the words Whitman chose in 1855—their inflections, meanings, and native usages we wouldn't otherwise know. In doing so, we understand perhaps for the first time, Whitman's query in Song of Myself: "Have you felt so proud to get at the meaning of poems?" In the first part of the collection, Hass an introduction to the poem and, with Paul Ebenkamp, a rich annotation of "Song of Myself"—both the first version from the 1855 edition of Leaves of Grass, and the final, revised text that appeared in the so-called "Deathbed" edition of 1892. The second part of this book includes a selection of poems from across the span of Whitman's career that gives us a fresh look at Whitman's work.

Whitman Illuminated: Song of Myself

by Walt Whitman

Whitman's most beloved poem, "Song of Myself," illustrated, illuminated, and presented like never before. Walt Whitman’s iconic collection of poems, Leaves of Grass, has earned a reputation as a sacred American text. Whitman himself made such comparisons, going so far as to use biblical verse as a model for his own. So it’s only appropriate that artist and illustrator Allen Crawford has chosen to illuminate―like medieval monks with their own holy scriptures―Whitman’s masterpiece and the core of his poetic vision, “Song of Myself.” Crawford has turned the original sixty-page poem from Whitman’s 1855 edition into a sprawling 234-page work of art. The handwritten text and illustrations intermingle in a way that’s both surprising and wholly in tune with the spirit of the poem―they’re exuberant, rough, and wild. Whitman Illuminated: Song of Myself is a sensational reading experience, an artifact in its own right, and a masterful tribute to the Good Gray Poet.

Walt Whitman Speaks: His Final Thoughts on Life, Writing, Spirituality, and the Promise of America: A Library of America Special Publication

by Walt Whitman

For the Whitman bicentennial, a delightful keepsake edition of the incomparable wisdom of America's greatest poet, distilled from his fascinating late-in-life conversations with Horace Traubel.

Toward the end of his life, Walt Whitman was visited almost daily at his home in Camden, New Jersey, by the young poet and social reformer Horace Traubel. After each visit, Traubel meticulously recorded their conversation, transcribing with such sensitivity that Whitman’s friend John Burroughs remarked that he felt he could almost hear the poet breathing. In Walt Whitman Speaks, acclaimed author Brenda Wineapple draws from Traubel’s extensive interviews an extraordinary gathering of Whitman’s observations that conveys the core of his ethos and vision. Here is Whitman the sage, champion of expansiveness and human freedom. Here, too, is the poet’s more personal side—his vivid memories of Thoreau, Emerson, and Lincoln, his literary judgments on writers such as Shakespeare, Goethe, and Tolstoy, and his expressions of hope in the democratic promise of the nation he loved. The result is a keepsake edition to touch the soul, capturing the distilled wisdom of America’s greatest poet.

Drum-Taps: The Complete 1865 Edition (NYRB Poets)

by Walt Whitman

Walt Whitman worked as a nurse in an army hospital during the Civil War and published Drum-Taps, his war poems, as the war was coming to an end. Later, the book came out in an expanded form, including “When Lilacs Last in the Dooryard Bloom'd,” Whitman's passionate elegy for Lincoln. The most moving and enduring poetry to emerge from America’s most tragic conflict, Drum-Taps also helped to create a new, modern poetry of war, a poetry not just of patriotic exhortation but of somber witness. Drum-Taps is thus a central work not only of the Civil War but of our war-torn times.

But Drum-Taps as readers know it from Leaves of Grass is different from the work of 1865. Whitman cut and reorganized the book, reducing its breadth of feeling and raw immediacy. This edition, the first to present the book in its original form since its initial publication 150 years ago, is a revelation, allowing one of Whitman’s greatest achievements to appear again in all its troubling glory.

Drum Taps: The Complete Civil War Poems

by Walt Whitman

A stunning and elegant 150th Anniversary Edition of Whitman's celebrated Civil War poems, accompanied by moving photographs and artwork shedding new light on this tragic but significant chapter in American history.

Drum Taps is the complete Civil War poem collection by Walt Whitman, including the celebrated Oh, Captain, My Captain!, and augmented with Whitman's essays from the period on subjects such as Secession, Abraham Lincoln, working in the Civil War hospitals, and the assassination of the president.

For the first time ever, each poem is set on a single page, and augmented with stunning artwork from the period: bright, rich, full-color engravings from Currier & Ives; the brooding and detailed photography of Alexander Gardner and Matthew Brady; watercolors from the battfield by Winslow Homer and other famous artists; and classic photographs and art from America’s richest collections, including the Library of Congress, the National Gallery, the George Eastman House, and many other collections.

With gorgeous, old-fashioned hot type, beautifully restored period artwork, and an authoritative introduction by Civil War historian and Pulitzer Prize-winner James McPherson, this is the richest edition of these moving and thoughtful poems by America’s greatest poet ever published.

Song of Myself (Shambhala Pocket Library)

by Walt Whitman

One of the best-known and most stirring American poems, brilliantly edited by Stephen Mitchell, now available in the Shambhala Pocket Library series.

An undeniable and beloved classic of American poetry, “Song of Myself” was originally published as part of Leaves of Grass, with Whitman expanding, revising, and editing it in subsequent editions for much of his life. Here, Stephen Mitchell has gone back to the first edition, only substituting revisions from later editions that express the original vision and clarity of the piece.

Tangling with themes of the self, nature, and one’s place in the universe, Whitman’s labor of language comes again and again to a simple yet astonishing conclusion—“I contain multitudes”—that everything, even the smallest, most seemingly insignificant blade of grass and tiny ant have inside them the infinite universe.

This is Whitman at his most wild and raw, as large and lusty as life, fulfilling his promise to all future generations:

I too am not a bit tamed . . . . I too am untranslatable,
I sound my barbaric yawp over the roofs of the world.

This book is part of the Shambhala Pocket Library series.

The Shambhala Pocket Library is a collection of short, portable teachings from notable figures across religious traditions and classic texts. The covers in this series are rendered by Colorado artist Robert Spellman. The books in this collection distill the wisdom and heart of the work Shambhala Publications has published over 50 years into a compact format that is collectible, reader-friendly, and applicable to everyday life.

Specimen Days and Collect (Neversink)

by Walt Whitman

Whitman’s uniquely revealing impressions of the people, places, and events of his time—with a brilliant new introduction by Leslie Jamison, author of the bestselling The Empathy Exams.

One of the most creative and individual poets America has produced, Walt Whitman was also a prolific diarist, note-taker, and essayist whose intimate observations and reflections have profoundly deepened understanding of nineteenth-century American life. Specimen Days and Collect, first published in 1882, is a choice collection of Whitman’s uniquely revealing impressions of the people, places, and events of his time, principally the era of the Civil War and its aftermath.

On page after page, a vast panorama of American life unfolds, and with it rare glimpse of Whitman as poet, empathetic observer, and romantic wanderer. From his years as a wartime nurse in Washington, D.C., come touching glimpses of the dead and dying in military hospitals, memories of Abraham Lincoln, and vivid impressions of the nation’s capital in a time of great crisis.

Whitman’s travel yields memorable recollections of Boston, the Hudson Valley, a walk through Central Park, Niagara Falls, the City of Denver, and more. Along with the famed essay “Democratic Vistas,” there are scenes from the poet’s childhood, touching tributes to songbirds, wildflowers, friendship and freedom; impressions of the music of Beethoven, reflections on a last visit to Emerson, the deaths of Lincoln and Longfellow and the painful process of aging.

Deeply felt and vividly expressed, Specimen Days and Collect is a richly rewarding experience, a rare excursion into the mind and heard of one of America’s greatest poets—and the America his poetry so richly commemorated.

Poetry for Kids: Walt Whitman

by Walt Whitman

A 2018 Notable Poetry Book for Children (National Council of Teachers of English)

Introduce your children to the beautiful words of classic American poet, Walt Whitman. Poetry for Kids: Walt Whitman makes the work engaging and easy to understand.

Walt Whitman is considered by many to be one of the most prolific poets in American history. What better time to introduce your children to the written word than now?

This collection of thirty-five of Walt's best works has been carefully curated for kids. Each piece of work is lovingly illustrated, and are both presented and explained by New York University professor Karen Karbenier, PhD, a primary authority Whitman's poetry.

Walt Whitman includes enlightening commentary for each poem, definitions of key words, and a foreword by the expert so that kids, or even parents new to poems, will understand.
Starting off with "I Hear America Singing," the collection includes excerpts from "Song of Myself," "O Captain! My Captain!", poems from Leaves of Grass, and many more thought-provoking, descriptive, and kid-friendly selections.

Leaves of Grass (Deluxe Hardcover Edition)

by Walt Whitman

Leaves of Grass (Deluxe Hardcover Edition) by Walt Whitman is a timeless celebration of life, nature, and the human spirit. This beautifully crafted edition features a debossed cover with elegant three-color foil embellishments, making it a stunning collector’s item for lovers of poetry and classic literature. First published in 1855, Leaves of Grass is a groundbreaking work that redefined American poetry. With its themes of democracy, individuality, and interconnectedness, Whitman’s verse captures the essence of the American experience and the universal joys of existence. This deluxe edition includes Whitman’s most famous poems, including “Song of Myself” and “I Sing the Body Electric,” making it a cherished addition to any library.

Song of Myself

by Walt Whitman

None

Leaves of Grass (Leather-bound Classics)

by Walt Whitman

A timeless collection of hundreds of poems that resonate to the American spirit.

Leaves of Grass is a timeless collection of poems and essays penned by influential nineteenth-century writer Walt Whitman. This profound compilation explores topics such as nature, mysticism, mortality, transcendentalism, and democracy. Inspired by personal experiences and observations, Whitman spent almost four decades piecing together the complete work, sharing societal ideals and epiphanies about life that still resonate with readers today. This sturdy leather-bound edition of the complete Leaves of Grass also includes Whitman’s preface to the original 1855 edition, in which he expounds on his personal philosophy of writing poetry.

Leaves of Grass (Vintage Classics)

by Walt Whitman

In 1855, an unknown but wildly ambitious young poet self-published the first edition of Leaves of Grass, consisting of twelve untitled poems and an explanatory preface. Walt Whitman spent the rest of his life engaged in expanding and revising this work, through six editions and nearly four decades, establishing Leaves of Grass as one of the central works in the history of world poetry. This edition reproduces the magnificent "death-bed edition," published in 1892 a mere two months before Whitman's death at the age of seventy-two.

Leaves of Grass: Two Volume Deluxe Collectable Edition Featuring 300 Pages of Writing, Notes, and Ephemera

by Walt Whitman

McSweeney's presents a gorgeous cloth-bound, hardcover, multi-book edition of Leaves of Grass, Walt Whitman's masterpiece. In addition to the original, full-length work, we've compiled a dazzling array of archival materials, including handwritten drafts and other ephemera, to accompany this edition.

Somewhere Waiting Song of Myself

by Walt Whitman

Walt Whitman's visionary manifesto, visually reimagined



Carefully culled to about one third of its original length, this version provides the perfect introduction to Whitman's most expansive and audacious poem. Combined with 27 illustrations, the book explores Whitman's own exuberant, witty, playful, transcendent theory of everything, beginning with "a spear of summer grass."



Only moderately well-recognized in his time, Whitman is now regarded as the first and possibly greatest of American poets. As Harold Bloom said, "Walt Whitman is your imaginative father and mother, even if, like myself, you have never composed a line of verse."



Printed on beautiful matte paper, this petite gift book is perfect for poetry and art lovers alike.The Obvious State Classics Collection is an evolving series of visually reimagined beloved works that speaks to contemporary readers. The pocket-sized, collectable editions feature the selected works of celebrated authors such as T. S. Eliot, Edgar Allan Poe, Walt Whitman, Sara Teasdale, and Henry David Thoreau.

Leaves of Grass, A Textual Variorum of the Printed Poems: Volume II: Poems: 1860-1867 (The Collected Writings of Walt Whitman, 16)

by Walt Whitman

Throughout his life, Walt Whitman continually revised and re-released Leaves of Grass. He added and deleted words, emended lines, divided poems, dropped and created titles, and shifted the order of poems. Leaves of Grass: A Textual Variorum of the Printed Poems includes all the variants that Whitman ever published, from the collection’s first appearance in 1855 through the posthumous “Old Age Echoes” annex printed in 1897. Each edition was unique, with its own character and emphasis, and the Textual Variorum enables scholars to follow the development of both the individual poems and the work as a whole.
Volume I contains introductory material, including a chronology of the poems and a summary of all the editions and annexes, along with the poems from 1855 and 1856. Volume II includes the poems from 1860 through 1867, including the first appearance of “When Lilacs Last in the Door-Yard Bloom’d” and “O Captain! my Captain!” Volume III features the poems 1870–1891, plus the “Old Ages Annex” and an index to the three-volume set.

Leaves of Grass, A Textual Variorum of the Printed Poems: Volume III: Poems: 1870-1891 (The Collected Writings of Walt Whitman, 21)

by Walt Whitman

Throughout his life, Walt Whitman continually revised and re-released Leaves of Grass. He added and deleted words, emended lines, divided poems, dropped and created titles, and shifted the order of poems. Leaves of Grass: A Textual Variorum of the Printed Poems includes all the variants that Whitman ever published, from the collection’s first appearance in 1855 through the posthumous “Old Age Echoes” annex printed in 1897. Each edition was unique, with its own character and emphasis, and the Textual Variorum enables scholars to follow the development of both the individual poems and the work as a whole.
Volume I contains introductory material, including a chronology of the poems and a summary of all the editions and annexes, along with the poems from 1855 and 1856. Volume II includes the poems from 1860 through 1867, including the first appearance of “When Lilacs Last in the Door-Yard Bloom’d” and “O Captain! my Captain!” Volume III features the poems 1870–1891, plus the “Old Ages Annex” and an index to the three-volume set.

Leaves of Grass, A Textual Variorum of the Printed Poems: Volume I: Poems: 1855-1856 (The Collected Writings of Walt Whitman, 8)

by Walt Whitman

Throughout his life, Walt Whitman continually revised and re-released Leaves of Grass. He added and deleted words, emended lines, divided poems, dropped and created titles, and shifted the order of poems. Leaves of Grass: A Textual Variorum of the Printed Poems includes all the variants that Whitman ever published, from the collection’s first appearance in 1855 through the posthumous “Old Age Echoes” annex printed in 1897. Each edition was unique, with its own character and emphasis, and the Textual Variorum enables scholars to follow the development of both the individual poems and the work as a whole.
Volume I contains introductory material, including a chronology of the poems and a summary of all the editions and annexes, along with the poems from 1855 and 1856. Volume II includes the poems from 1860 through 1867, including the first appearance of “When Lilacs Last in the Door-Yard Bloom’d” and “O Captain! my Captain!” Volume III features the poems 1870–1891, plus the “Old Ages Annex” and an index to the three-volume set.

Brooklyn

by Walt Whitman

In honor of the great American bard's bicentennial, a collection of his writing on his beloved Brooklyn.

Walt Whitman lived and worked and matured as an artist and thinker in Brooklyn, NY. The bustling port, full of life and diversity, expanded his mind and excited his senses. Whitman whole-heartedly embraced the life of Brooklyn in his poetry and prose -- most notably culminating Leaves of Grass, the definitive great American poem.

Walt Whitman's Guide to Manly Health and Training

by Walt Whitman

A giftable, illustrated collection of quotes and pithy advice--equal parts self-help and grooming guide--by quintessential American poet and writer Walt Whitman.

In 1858, famed American author Walt Whitman penned a series of newspaper columns under a pseudonym on the subject of “manly health and training,” shortly before his landmark third edition of Leaves of Grass was published. Recently discovered for the first time in 150 years, the fascinating manifesto contains the renowned poet’s advice and musings on topics such as diet, exercise, grooming, alcohol, dancing, sports, and more. This short collection presents more than 75 of his best quips, quotes, and extracts on healthy living, all in Whitman’s signature lyrical prose style.

Whitman: Poetry and Prose (Library of America College Editions)

by Walt Whitman

Gathers the original 1855 edition of "Leaves of Grass," the 1891-92 edition--the last published in Whitman's lifetime--his writings on New York history and the Civil War, and other works, with a chronology and information on his work.

Leaves of Grass (Legend Classics)

by Walt Whitman

Product Description



The poems of
Leaves of Grass are loosely connected, with each representing Whitman's celebration of his philosophy of life and humanity. This book is notable for its discussion of delight in sensual pleasures during a time when such candid displays were considered immoral.



About the Author



Walter "Walt" Whitman (1819—1892) was an American poet, essayist, and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works.

Walt Whitman's Selected Journalism

by Walt Whitman

Long before he was a celebrated poet, Walt Whitman was a working journalist. By the time he published the first edition of Leaves of Grass in 1855, Whitman had edited three newspapers and published thousands of reviews, editorials, and human-interest stories in newspapers in and around New York City. Yet for decades, much of his journalism has been difficult to access or even find. For the first time, Walt Whitman’s Selected Journalism thematically and chronologically organizes a compelling selection of Whitman’s journalism from the late 1830s to the Civil War. It includes writings from the poet’s first immersion into the burgeoning democratic culture of antebellum America to the war that transformed both the poet and the nation.

Walt Whitman’s Selected Journalism covers Whitman’s early years as a part-time editorialist and ambivalent schoolteacher between 1838 and 1841. After 1841, it follows his work as a dedicated full-time newspaperman and editor, most prominently at the New York Aurora and the Brooklyn Daily Eagle between 1842 and 1848. After 1848 and up to the Civil War, Whitman’s journalism shows his slow transformation from daily newspaper editor to poet. This volume gathers journalism from throughout these early years in his career, focusing on reporting, reviews, and editorials on politics and democratic culture, the arts, and the social debates of his day. It also includes some of Whitman’s best early reportage, in the form of the short, personal pieces he wrote that aimed to give his readers a sense of immediacy of experience as he guided them through various aspects of daily life in America’s largest metropolis.

Over time, journalism’s limitations pushed Whitman to seek another medium to capture and describe the world and the experience of America with words. In this light, today’s readers of Whitman are doubly indebted to his career in journalism. In presenting Whitman-the-journalist in his own words here, and with useful context and annotations by renowned scholars, Walt Whitman’s Selected Journalism illuminates for readers the future poet’s earliest attempts to speak on behalf of and to the entire American republic.

Walt Whitman: Selected Poems: (American Poets Project #4)

by Walt Whitman

American literature and culture are inconceivable without the towering presence of Walt Whitman. Expansive, ecstatic, original in ways that continue to startle and to elicit new discoveries, Whitman’s poetry is a testament to the surging energies of 19th-century America and a monument to the transforming power of literary genius. His incantatory rhythms, revolutionary sense of Eros, and generous, all-embracing vision invite renewed wonder at each reading. Although he has been a defining influence for many poets—Garcia Lorca, Fernando Pessoa, Robinson Jeffers, and Allen Ginsberg—his style is ultimately inimitable, and his achievement unsurpassed in American poetry.

“One always wants to start out fresh with Whitman,” writes Harold Bloom in his introduction, “and read him as though he never has been read before.” In a selection that ranges from early notebook fragments and the complete “Song of Myself” to the valedictory “Good-bye My Fancy!,” Bloom has chosen 47 works to represent “the principal writer that America—North, Central, or South—has brought to us.”

About the American Poets Project
Elegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today’s most discerning poets and critics.

Life and Adventures of Jack Engle: an Auto-biography A Story of New York at the Present Time in which the Reader Will Find Some Familiar Characters

by Walt Whitman

In 1852, young Walt Whitman--a down-on-his-luck housebuilder in Brooklyn--was hard at work writing two books. One would become one of the most famous volumes of poetry in American history, a free-verse revelation beloved the world over, Leaves of Grass. The other, a novel, would be published under a pseudonym and serialized in a newspaper. A short, rollicking story of orphanhood, avarice, and adventure in New York City, Life and Adventures of Jack Engle appeared to little fanfare. Then it disappeared. No one laid eyes on it until 2016, when literary scholar Zachary Turpin, University of Houston, followed a paper trail deep into the Library of Congress. -- Provided by publisher.

Leaves of Grass (Word Cloud Classics)

by Walt Whitman

“Whatever satisfies the soul is truth.” — Walt Whitman, Leaves of Grass

Leaves of Grass is a timeless collection of poems and essays penned by influential nineteenth-century writer Walt Whitman. This profound compilation explores topics such as nature, mysticism, mortality, transcendentalism, and democracy. Inspired by personal experiences and observations, Whitman spent almost four decades piecing together the complete work, sharing societal ideals and epiphanies about life that still resonate with readers today.

Walt Whitman's Song of Myself: A Sourcebook and Critical Edition (Routledge Guides to Literature)

by Walt Whitman

This sourcebook includes the full text of Song of Myself.
Since 1855, Walt Whitman's Song of Myself has been enjoyed, debated, parodied and imitated by readers, critics and artists crossing national and linguistic boundaries. Many argue that it is the most influential poem ever written by an American.
This sourcebook and critical edition provides easy access to:
*information on the contexts of Whitman's work, including biographical details and a chronology
*an overview of the critical reception of the poem and extracts from important criticism, reprinted with clear introductory headnotes
*key passages from the original 1855 edition, with commentary and annotation
*the full 'final' 1881 edition of the poem.
Cross-references link the critical, contextual and textual sections of the volume, encouraging an integrated understanding of this creative and controversial text. Complementing a wealth of material with suggestions for further reading, this volume is ideal for readers with no knowledge of the poem, or for those returning anew to a favourite text.

Leaves of Grass, 1860: The 150th Anniversary Facsimile Edition (Iowa Whitman Series)

by Walt Whitman

In May 1860, Walt Whitman published a third edition of "Leaves of Grass." His timing was compelling. Printed during a period of regional, ideological, and political divisions, written by a poet intimately concerned with the idea of a United States as "essentially the greatest poem," this new edition was Whitman's last best hope for national salvation. Now available in a facsimile edition, "Leaves of Grass, 1860" faithfully reproduces Whitman's attempt to create a "Great construction of the New Bible" to save the nation on the eve of civil war and, for the first time, frames the book in historical rather than literary terms.
In his third edition, Whitman added 146 new poems to the 32 that comprised the second edition, reorganized the book into a bible of American civic religion that could be cited chapter and verse, and included erotic poetry intended to bind the nation in organic harmony. This 150th anniversary edition includes a facsimile reproduction of the original 1860 volume, a thought-provoking introduction by antebellum historian and Whitman scholar Jason Stacy that situates Whitman in nineteenth-century America, and annotations that provide detailed historical context for Whitman's poems.
A profoundly rich product of a period when America faced its greatest peril, this third edition finds the poet transforming himself into a prophet of spiritual democracy and the Whitman we celebrate today--boisterous, barbaric, and benevolent. Reprinting it now continues the poet's goal of proclaiming for "the whole of America for each / individual, without exception . . . uncompromising liberty and equality."

Life and Adventures of Jack Engle: An Auto-Biography; A Story of New York at the Present Time in which the Reader Will Find Some Familiar Characters (Iowa Whitman Series)

by Walt Whitman

In 1852, young Walt Whitman—a down-on-his-luck housebuilder in Brooklyn—was hard at work writing two books. One would become one of the most famous volumes of poetry in American history, a free-verse revelation beloved the world over, Leaves of Grass. The other, a novel, would be published under a pseudonym and serialized in a newspaper. A short, rollicking story of orphanhood, avarice, and adventure in New York City, Life and Adventures of Jack Engle appeared to little fanfare.

Then it disappeared.

No one laid eyes on it until 2016, when literary scholar Zachary Turpin, University of Houston, followed a paper trail deep into the Library of Congress, where the sole surviving copy of Jack Engle has lain waiting for generations. Now, after more than 160 years, the University of Iowa Press is honored to reprint this lost work, restoring a missing piece of American literature by one of the world’s greatest authors, written as he verged on immortality.

Song of Myself: With a Complete Commentary (Iowa Whitman Series)

by Walt Whitman

This book offers the most comprehensive and detailed reading to date of Song of Myself. One of the most distinguished critics in Whitman Studies, Ed Folsom, and one of the nation’s most prominent writers and literary figures, Christopher Merrill, carry on a dialog with Whitman, and with each other, section by section, as they invite readers to enter into the conversation about how the poem develops, moves, improvises, and surprises. Instead of picking and choosing particular passages to support a reading of the poem, Folsom and Merrill take Whitman at his word and interact with “every atom” of his work. The book presents Whitman’s final version of the poem, arranged in fifty-two sections; each section is followed by Folsom’s detailed critical examination of the passage, and then Merrill offers a poet’s perspective, suggesting broader contexts for thinking about both the passage in question and the entire poem.

Leaves of Grass: The "Death-Bed" Edition (Modern Library Classics)

by Walt Whitman

Abraham Lincoln read it with approval, but Emily Dickinson described its bold language and themes as "disgraceful." Ralph Waldo Emerson found it "the most extraordinary piece of wit and wisdom that America has yet produced." Published at the author's expense on July 4, 1855, Leaves of Grass inaugurated a new voice and style into American letters and gave expression to an optimistic, bombastic vision that took the nation as its subject. Unlike many other editions of Leaves of Grass, which reproduce various short, early versions, this Modern Library Paperback Classics "Death-bed" edition presents everything Whitman wrote in its final form, and includes newly commissioned notes.

Leaves of Grass (Volume 53) (Knickerbocker Classics, 53)

by Walt Whitman

First published in 1855 with Whitman’s own money, Leaves of Grass is a highly sensual collection of verses that became a monument to American poetry.

The journalist, philosopher, clerk, and Civil War nurse spent the following four decades revising and expanding the work from twelve poems to a massive four-hundred-poem compilation. Celebrating nature and human sexuality with explicit imagery, his poetry was controversial but also drew high praise from the likes of Alfred Tennyson and D. H. Lawrence, who called him the “greatest modern poet.”

With its sensuous and highly imaginative free-form verses, Walt Whitman’s greatest masterpiece is now available in an elegantly designed clothbound edition with an elastic closure and a new introduction.

The Knickerbocker Classics bring together the works of classic authors from around the world in stunning gift editions to be collected and enjoyed. Complete and unabridged, these elegantly designed cloth-bound hardcovers feature a slipcase and ribbon marker, as well as a comprehensive introduction providing the reader with enlightening information on the author's life and works.

Leaves of Grass: Selected Poems

by Walt Whitman

Leaves of Grass is Walt Whitman’s glorious poetry collection, first published in 1855, which he revised and expanded throughout his lifetime. It was ground-breaking in its subject matter and in its direct, unembellished style.

Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is edited and introduced by Professor Bridget Bennett.

Whitman wrote about the United States and its people, its revolutionary spirit and about democracy. He wrote openly about the body and about desire in a way that completely broke with convention and which paved the way for a completely new kind of poetry. This new collection is taken from the final version, the Deathbed edition, and it includes his most famous poems such as ‘Song of Myself’ and ‘I Sing the Body Electric’.

Democratic Vistas: The Original Edition in Facsimile (Iowa Whitman Series)

by Walt Whitman

Written in the aftermath of the American Civil War during the ferment of national Reconstruction, Walt Whitman’s Democratic Vistas remains one of the most penetrating analyses of democracy ever written. Diagnosing democracy’s failures as well as laying out its vast possibilities, Whitman offers an unflinching assessment of the ongoing social experiment known as the United States. Now available for the first time in a facsimile of the original 1870–1871 edition, with an introduction and annotations by noted Whitman scholar Ed Folsom that illuminate the essay’s historical and cultural contexts, this searing analysis of American culture offers readers today the opportunity to argue with Whitman over the nature of democracy and the future of the nation.
Living in Washington, D.C., where Congress granted male African Americans the right to vote nearly five years before the fifteenth amendment extended that right across the nation, and working for the office charged with enforcing the new civil rights amendments to the Constitution, Whitman was at the volatile center of his nation’s massive attempt to reconstruct and redefine itself after the tumultuous years of civil war. In the enduring cultural document that Democratic Vistas has become, the great poet of democracy analyzes the role that literature plays in the development of a culture, the inevitable tensions between the “democratic individual” and the “democratic nationality,” and the corrosive effects of materialism on the democratic spirit.
His own conflicting racial biases notwithstanding, Whitman in Democratic Vistas offers his most eloquent and extended articulation of the beckoning American democratic future. At a time when the nation has elected a president whom Whitman could never have imagined, his controversial and provocativebook is a timely reminder of those occasions when we experience the expansion of America’s democratic dream.

Franklin Evans, or The Inebriate: A Tale of the Times

by Walt Whitman

Not many people know that Walt Whitman—arguably the preeminent American poet of the nineteenth century—began his literary career as a novelist. Franklin Evans, or The Inebriate: A Tale of the Times was his first and only novel. Published in 1842, during a period of widespread temperance activity, it became Whitman’s most popular work during his lifetime, selling some twenty thousand copies.
The novel tells the rags-to-riches story of Franklin Evans, an innocent young man from the Long Island countryside who seeks his fortune in New York City. Corrupted by music halls, theaters, and above all taverns, he gradually becomes a drunkard. Until the very end of the tale, Evans’s efforts to abstain fail, and each time he resumes drinking, another series of misadventures ensues. Along the way, Evans encounters a world of mores and conventions rapidly changing in response to the vicissitudes of slavery, investment capital, urban mass culture, and fervent reform. Although Evans finally signs a temperance pledge, his sobriety remains haunted by the often contradictory and unsettling changes in antebellum American culture.
The editors’ substantial introduction situates Franklin Evans in relation to Whitman’s life and career, mid-nineteenth-century American print culture, and many of the developments and institutions the novel depicts, including urbanization, immigration, slavery, the temperance movement, and new understandings of class, race, gender, and sexuality. This edition includes a short temperance story Whitman published at about the same time as he did Franklin Evans, the surviving fragment of what appears to be another unfinished temperance novel by Whitman, and a temperance speech Abraham Lincoln gave the same year that Franklin Evans was published.

Leaves of Grass: The Complete 1855 and 1891-92 Editions: A Library of America Paperback Classic

by Walt Whitman

In 1855, a small volume appeared, self-published by a failed Brooklyn journalist and carpenter: twelve untitled poems and a preface announcing the author's aims. A commercial failure, this book was the first stage of a massive, lifelong enterprise. Six editions and thirty-seven years later, Leaves of Grass had been recognized as one of the central masterworks of world poetry. This Library of America Paperback Classic includes two complete texts: the 1855 first edition and the magnificent culminating edition of 1891-1892.

For almost thirty years, The Library of America has presented America's best and most significant writing in acclaimed hardcover editions. Now, a new series, Library of America Paperback Classics, offers attractive and affordable books that bring The Library of America's authoritative texts within easy reach of every reader. Each book features an introductory essay by one of a leading writer, as well as a detailed chronology of the author's life and career, an essay on the choice and history of the text, and notes.

The contents of this Paperback Classic are drawn from Walt Whitman: Poetry and Prose, edited by Justin Kaplan, volume #3 in the Library of America series.

The Sea Is a Continual Miracle: Sea Poems and Other Writings by Walt Whitman (Seafaring America)

by Walt Whitman

From his earliest days on Long Island and in New York City to his last years in Camden, New Jersey, Walt Whitman lived close to the sea he knew and loved. The “liquid-flowing syllables” of Whitman’s poetry and prose tell specific stories of particular voyages and known shores, as well as vivid flights of imagination and keening paeans to wild winds, dark water, stormy and quiet airs. The land, for Whitman, is both immutable and still, while the sea is a realm of dynamic change, mercurial temper, and the ebb and flow of cosmic uncertainty. From “Mannahatta” to “Poem of Joys” to the magisterial ode to the slain President Lincoln, “O Captain! My Captain!” Whitman wove the strands of nautical lexicon and powerful imagery into the tapestry of our national literature. In The Sea Is a Continual Miracle, poet and editor Jeffrey Yang has compiled an invaluable resource for readers, students, and scholars of Whitman, and demonstrates how seeing him through sea glass shows America’s best-loved poet in a new light.

A Novel Journal: Leaves of Grass (Compact) (A Compact Novel Journal)

by Walt Whitman

If you're looking for a new book in which to record your thoughts, lists, and more, you're in luck! Canterbury Classics, known for publishing fine works of literature, has released their next set of writing journals for your storytelling pleasure! The transcendental poems of Walt Whitman create the lines throughout this notebook in tiny print, so you can pen your words right next to those of the greatest poets of all time. With heat-burnished Svepa covers featuring a clever quote from the novel, illustrated endpapers, foil stamping, colored edges, and an elastic band to hold it all together, you'll want to collect the whole Novel Journal series.

On Democracy

by Walt Whitman

Gathered together for the first time, Walt Whitman's urgently needed prose writings on the democratic spirit and the soul of the nation.

12 short works encapsulate the American Bard's fiery passions and timeless wisdom for today.

Here for the first time in a convenient pocket edition are all of Walt Whitman’s essential prose writings on democracy, including his unforgrettable reflections on the roots on American division, the fearful legacy of the Civil War, and shining example of Abraham Lincoln. Few writers have been as harsh in their condemnation of America’s sins and spiritual shortcomings or as abiding in his faith in democratic ideals as Whitman. His clarion voice speaks to us with renewed urgency today.

Gathered here are:

• “The Eighteenth Presidency!,” written during the 1856 presidential campaign, in which Whitman expresses his rage over the immediate prospects for American democracy
• Democratic Vistas (1871), in which he dramatizes his role as poet-prophet of a better America
• the searing essay “Origins of Attempted Secession”
• and shorter extracts on democracy from the classic book Specimen Days (1882).

Leaves of Grass: The "Death-Bed" Edition (Modern Library (Hardcover))

by Walt Whitman

Abraham Lincoln read it with approval, but Emily Dickinson described its bold language and themes as "disgraceful." Ralph Waldo Emerson found it "the most extraordinary piece of wit and wisdom that America has yet produced." Published at the author's expense on July 4, 1855, Leaves of Grass inaugurated a new voice and style into American letters and gave expression to an optimistic, bombastic vision that took the nation as its subject. Unlike many other editions of Leaves of Grass, which reproduce various short, early versions, this Modern Library Paperback Classics "Death-bed" edition presents everything Whitman wrote in its final form, and includes newly commissioned notes.