Books by Warsan Shire

Bless the Daughter Raised by a Voice in Her Head: Poems

by Warsan Shire

Poems of migration, womanhood, trauma, and resilience from the celebrated collaborator on Beyoncé’s Lemonade and Black Is King, award-winning Somali British poet Warsan Shire

“The beautifully crafted poems in this collection are fiercely tender gifts.”—Roxane Gay, author of Bad Feminist

“Shire is the real thing—fresh, cutting, indisputably alive.”—Dwight Garner, The New York Times

LONGLISTED FOR THE GRIFFIN POETRY PRIZE • ONE OF THE BEST BOOKS OF THE YEAR: Vanity Fair, The Guardian, Publishers Weekly

Mama, I made it / out of your home / alive, raised by / the voices / in my head.

With her first full-length poetry collection, Warsan Shire introduces us to a young girl, who, in the absence of a nurturing guide, makes her own way toward womanhood. Drawing from her own life, as well as pop culture and news headlines, Shire finds vivid, unique details in the experiences of refugees and immigrants, mothers and daughters, Black women and teenage girls. In Shire’s hands, lives spring into fullness. This is noisy life, full of music and weeping and surahs and sirens and birds. This is fragrant life, full of blood and perfume and shisha smoke and jasmine and incense. This is polychrome life, full of henna and moonlight and lipstick and turmeric and kohl. The long-awaited collection from one of our most exciting contemporary poets, this book is a blessing, an incantatory celebration of resilience and survival. Each reader will come away changed.

Teaching My Mother How to Give Birth (Mouthmark)

by Warsan Shire

What elevates 'teaching my mother how to give birth', what gives the poems their disturbing brilliance, is Warsan Shire's ability to give simple, beautiful eloquence to the veiled world where sensuality lives in the dominant narrative of Islam; reclaiming the more nuanced truths of earlier times - as in Tayeb Salih's work - and translating to the realm of lyric the work of the likes of Nawal El Saadawi. As Rumi said, "Love will find its way through all languages on its own"; in 'teaching my mother how to give birth', Warsan's début pamphlet, we witness the unearthing of a poet who finds her way through all preconceptions to strike the heart directly. Warsan Shire is a Kenyan-born Somali poet and writer who is based in London. Born in 1988, she is an artist and activist who uses her work to document narratives of journey and trauma. Warsan has read her work internationally, including recent readings in South Africa, Italy and Germany, and her poetry has been translated into Italian, Spanish and Portuguese.

Seven New Generation African Poets: A Chapbook boxed set

by Warsan Shire, Len Verwey, Tsitsi Ella Jaji, Tjawangwa Dema, Clifton Gachagua, Nick Makoha, Ladan Osman

This eight-piece boxed set, an African Poetry Book Fund (APBF) project, features the work of seven African poets, with an introduction by Kwame Dawes, APBF series editor, and Chris Abani.

The boxed set is an annual project starting in 2014 to ensure the publication of seven chapbooks by African poets through participating publishers. Publication is made possible through Slapering Hol Press, in association with APBF and the literary journal Prairie Schooner, with support from The Poetry Foundation.
The chapbook contains:
• Mandible by TJ Dema
• The Cartographer of Water by Clifton Gachagua
• Carnaval by Tsitsi Jaji
• The Second Republic by Nick Makoha
• Ordinary Heaven by Ladan Osman
• Our Men Do Not Belong To Us by Wasan Shire
• Otherwise Everything Goes On by Len Verwey

Firelei Báez: Trust Memory Over History

by Warsan Shire, Marta Fernández Campa, Katrine Rasmussen Kielsen

A multipronged analysis of the Dominican American artist's cartographic palimpsests

In her monumental paintings and installations, the Dominican American artist Firelei Báez (born 1981) creates images bursting with symbols from folktales, colonial occupation, legendary creatures and revolutions. She paints images on top of maps, book pages and found ephemera that combine abstraction and figuration, personal perspectives with grand historical narratives and Caribbean mythology with science fiction. This colorful publication serves as an introduction to Báez's work. The artist discusses how she interrogates powerful concepts such as truth and history throughout her practice. Special attention is paid to her "palimpsests," paintings on top of colonial maps or construction plans for colonial architecture, both of which represent the establishment's notion of objectivity. Inspired by Báez's works, poet Warsan Shire and author Katrine Rasmussen Kielsen contribute texts considering the legacy of colonialism.