Books by William Brown
Life (Darwin College Lectures, Series Number 25)
by William Brown, Andrew Fabian
Life is a compelling addition to the Darwin College Lecture Series, in which eight distinguished authors each present an essay from their area of expertise devoted to the theme of 'life'. The book forges connections between art, science and the humanities in a vibrant and thought-provoking collection that exposes both conventional and unconventional views on the meaning of life, the enigmatic boundaries between the living and the dead, and what may or may not follow afterwards. This collection arises from the Darwin College Lecture Series of 2012 and includes contributions from eight distinguished scholars, all of whom are held in esteem not only for their research, but also for their ability to communicate their subject to popular audiences.
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The Material Unconscious: American Amusement, Stephen Crane, and the Economics of Play
Within the ephemera of the everyday--old photographs, circus posters, iron toys--lies a challenge to America's dominant cultural memory. What this memory has left behind, Bill Brown recovers in the "material unconscious" of Stephen Crane's work, the textual residues of daily sensations that add up to a new history of the American 1890s. As revealed in Crane's disavowing appropriation of an emerging mass culture--from football games and freak shows to roller coasters and early cinema--the decade reappears as an underexposed moment in the genealogy of modernism and modernity.
Brown's story begins on the Jersey Shore, in Asbury Park, where Crane became a writer in the shadow of his father, a grimly serious Methodist minister who vilified the popular amusements his son adored. The coastal resorts became the stage for debates about technology, about the body's visibility, about a black service class and the new mass access to leisure. From this snapshot of a recreational scene that would continue to inspire Crane's sensational modernism, Brown takes us to New York's Bowery. There, in the visual culture established by dime museums, minstrel shows, and the Kodak craze, he exhibits Crane dramatically obscuring the typology of race.
Along the way, Brown demonstrates how attitudes toward play transformed the image of war, the idea of childhood and nationhood, and the concept of culture itself. And by developing a new conceptual apparatus (with such notions as "recreational time," "abstract leisure," and the "amusement/knowledge system"), he provides the groundwork for a new politics of pleasure. A crucial theorization of how cultural studies can and should proceed, The Material Unconscious insists that in the very conjuncture of canonical literature and mass culture, we can best understand how proliferating and competing economies of play disrupt the so-called "logic" and "work" of culture.
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