Books by William Maxwell
So Long, See You Tomorrow
In this magically evocative novel, William Maxwell explores the enigmatic gravity of the past, which compels us to keep explaining it even as it makes liars out of us every time we try. On a winter morning in the 1920s, a shot rings out on a farm in rural Illinois. A man named Lloyd Wilson has been killed. And the tenuous friendship between two lonely teenagers—one privileged yet neglected, the other a troubled farm boy—has been shattered. Fifty years later, one of those boys—now a grown man—tries to reconstruct the events that led up to the murder. In doing so, he is inevitably drawn back to his lost friend Cletus, who has the misfortune of being the son of Wilson's killer and who in the months before witnessed things that Maxwell's narrator can only guess at. Out of memory and imagination, the surmises of children and the destructive passions of their parents, Maxwell creates a luminous American classic of youth and loss.
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$17.00
The Chateau
It is 1948 and a young American couple arrive in France for a holiday, full of anticipation and enthusiasm. But the countryside and people are war-battered, and their reception at the Chateau Beaumesnil is not all the open-hearted Americans could wish for.
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All the Days and Nights By Maxwell, William/ Walther, Luann (EDT)
From the American Book Award-winning author of Ancestors and Time Will Darken comes a masterful collection of stories, spanning more than 50 years--a tour of a world that engages readers entirely, and whose characters command the deepest loyalty and tenderness.
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Time Will Darken It
Pregnant with her second child, Martha King finds her marriage to lawyer Austin King more and more frustrating when her husband befriends his young foster cousin, Nora, and, in the process, unwittingly jeopardizes his marriage, career, and place in the community.
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The Folded Leaf
Here is a classic novel from one of our most honored writers--the author of such acclaimed works as So Long, See You Tomorrow and All the Days and Nights." The Folded Leaf is the serenely observed yet deeply moving story of two boys finding one another in the Midwest of the 1920s, when childhood lasted longer than it does today and even adults were more innocent of what life could bring.
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They Came Like Swallows
To eight-year old Bunny Morison, his mother is an angelic comforter in whose absence nothing is real or alive. To his older brother, Robert, his mother is someone he must protect, especially since the deadly, influenza epidemic of 1918 is ravaging their small Midwestern town. To James Morison, his wife, Elizabeth, is the center of a life that would disintegrate all too suddenly were she to disappear.
Through the eyes of these characters, William Maxwell creates a sensitive portrait of an American family and of the complex woman who is its emotional pillar. Beautifully observed, deftly rendering the civilities and constraints of a vanished era, They Came Like Swallows measures the subterranean currents of love and need that run through all our lives. The result confirms Maxwell's reputation as one of the finest writers we have.
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The Writer as Illusionist: Uncollected & Unpublished Work (Nonpareil Books, 11)
“Illuminating . . . Handling strong emotions—shame, love, grief—without fuss, Maxwell gives the bald facts of life a poignant shimmer.”—Wall Street Journal
As a fiction editor at The New Yorker from 1936 to 1975, William Maxwell helped shaped several generations’ sense of the literary short story. At the same time, Maxwell himself was also an exceptional novelist, short story writer, essayist, children’s author, and memoirist.
Given unique, unfettered access to Maxwell’s private papers, Alec Wilkson—whose memoir My Mentor explores his twenty-five-year friendship with Maxwell—has gathered a stunning and revealing collection of some of Maxwell’s lesser-known and previously unpublished works of nonfiction and fiction.
The Writer as Illusionist includes biographical sketches; remembrances of fellow authors, such as the poet Louise Bogan and short story writer Maeve Brennan; a 1941 nonfiction piece about Bermuda that was the only piece of long reporting Maxwell ever published in The New Yorker; and Maxwell’s thoughts on the craft of writing, many of them made privately.
While Maxwell often said he never kept a journal because anything worth writing about was something a writer would remember, The Writer as Illusionist proves otherwise: included are many notes from his private journals, including some that became parts of his revered novels, such as The Folded Leaf.
Re-reading Maxwell’s work leads Wilkinson to think “I am still often amazed—at the subtlety of the art, the depth of what he saw, at his capacity for dramatizing situations that require a rare hand and eye.”
Maxwell passed away in 2000 at the age of ninety-one. The Writer as Illusionist celebrates his legacy in American letters and is part of Godine’s Nonpareil series.
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$28.95
William Maxwell: Early Novels and Stories
With his second book, They Came Like Swallows (1937), William Maxwell found his signature subject matter—the fragility of human happiness—as well as his voice, a quiet, cadenced Midwestern voice that John Updike has called one of the wisest and kindest in American fiction. Set against the background of the Spanish flu epidemic of 1918, this short novel presents the loving character of Elizabeth Morison, a devoted wife and mother, through the eyes of those whom she is fated to leave decades before her time.
Edmund Wilson described The Folded Leaf (1945) as “a quite unconventional study of adolescent relationships—between two boys, with a girl in the offing—in Chicago and in a Middle Western college: very much lived and very much seen.” He praised this “drama of the immature” for the compassion Maxwell brings to his male protagonists, whose intensely felt, unarticulated bond is beyond their inchoate ability to understand.
Time Will Darken It (1948) is a drama of the mature: a good man’s struggle to keep duty before desire and his family’s needs before his own. It paints a portrait of Draperville, Illinois, in 1912, a proud and isolated community governed by gossip, where an ambitious young woman must not overreach the limits society has placed on her sex, and an older, married gentleman must not encourage her should she dare.
Together with these major works, this Library of America edition of Maxwell’s early fiction collects his lighthearted first novel, Bright Center of Heaven (1934), out of print for nearly 70 years, and nine masterly short stories. It concludes with “The Writer as Illusionist” (1955), Maxwell’s fullest statement on the art of fiction as he practiced it.
LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
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The Old Man at the Railroad Crossing and Other Tales: Selected and Introduced by Aimee Bender
In these tales, with one foot firmly planted in the present, Maxwell brings a certain sophisticated urbanity to the oral traditions of the fable and fairy tale. The total effect is of something midway between the Brothers Grimm and Kafka, with perhaps a touch of Zen.” (NYRB April 1966) While modern enough in locale and context, they are as old as humanity itself in what concerns them. And always that voice, the age old voice of the storyteller, the eternal magic of the speaking human voice. Such simplicity takes true artistry and Maxwell has that in spades.
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