Books by Geoff Dyer
The Ongoing Moment
by Geoff Dyer
An idiosyncratic study of the fine art of photography analyzes the signature styles of Alfred Stieglitz, Paul Strand, Walker Evans, Edward Weston, Dorothea Lange, Diane Arbus, and William Eggleston, describing how each photographer depicted subjects, what the images reveal about the underlying idea, and the power and impact of photography on viewers. 20,000 first printing.
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The Ongoing Moment
by Geoff Dyer
Great photographs change the way we see the world; The Ongoing Moment changes the way we look at both.
Focusing on the ways in which canonical figures like Alfred Stieglitz, Paul Strand, Walker Evans, André Kertész, Edward Weston, Dorothea Lange, Diane Arbus, and William Eggleston have photographed the same things—barber shops, benches, hands, roads, signs—award-winning writer Geoff Dyer seeks to identify their signature styles. In doing so, he constructs a narrative in which these photographers—many of whom never met—constantly encounter one another. The result is a kaleidoscopic work of extraordinary originality and insight.
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Last Days of Roger Federer
by Geoff Dyer
One of Esquire’s best books of spring 2022
An extended meditation on late style and last works from “one of our greatest living critics” (Kathryn Schulz, New York).
How and when do artists and athletes know that their careers are coming to an end? What if the end comes early in a writer’s life? How to keep going even as the ability to do so diminishes? In this ingeniously structured investigation, Geoff Dyer sets his own encounter with late middle age against the last days and last works of writers, painters, musicians, and sports stars who’ve mattered to him throughout his life. With playful charm and penetrating intelligence, he considers Friedrich Nietzsche’s breakdown in Turin, Bob Dylan’s reinventions of old songs, J.M.W. Turner’s proto-abstract paintings of blazing light, Jean Rhys’s late-life resurgence, and John Coltrane’s final works.
Ranging from Burning Man to Beethoven, from Eve Babitz to William Basinski, and from Annie Dillard to Giorgio de Chirico, Dyer’s study of last things is also a book about how to go on living with art and beauty―and the sudden rejuvenation offered by books, films, and music discovered late in life. Praised by Kathryn Schulz as “one of our greatest living critics, not of the arts but of life itself,” and by Tom Bissell as “perhaps the most bafflingly great writer at work in the English language today,” Dyer has now blended criticism, memoir, and badinage of the most serious kind into something entirely new. The Last Days of Roger Federer is a summation of Dyer’s passions and the perfect introduction to his sly and joyous work.
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$18.00
Jeff in Venice, Death in Varanasi: A Novel
by Geoff Dyer
A wildly original novel of erotic fulfillment and spiritual yearning.
Every two years the international art world descends on Venice for the opening of the Biennale. Among them is Jeff Atman–a jaded and dissolute journalist–whose dedication to the cause of Bellini-fuelled partygoing is only intermittently disturbed by the obligation to file a story. When he meets the spellbinding Laura, he is rejuvenated and ecstatic. Their romance blossoms quickly, but is it destined to disappear just as rapidly?
Every day thousands of pilgrims head to the banks of the Ganges at Varanasi, the holiest Hindu city in India. Among their number is a narrator who may or may not be the Atman previously seen in Venice. Intending to visit only for a few days he ends up staying for months, and suddenly finds–or should that be loses?–a hitherto unexamined idea of himself, the self. In a romance he can only observe, he sees a reflection of the kind of pleasures that, willingly or not, he has renounced. In the process, two ancient and watery cities become versions of each other. Could two stories, in two different cities, actually be one and the same story?
Nothing Geoff Dyer has written before is as wonderfully unbridled, as dead-on in evocation of place, longing and the possibility of neurotic enlightenment, and as irrepressibly entertaining as Jeff in Venice, Death in Varanasi.
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Zona: A Book About a Film About a Journey to a Room
by Geoff Dyer
From a writer whose mastery encompasses fiction, criticism, and the fertile realm between the two, comes a new book that confirms his reputation for the unexpected.
In Zona, Geoff Dyer attempts to unlock the mysteries of a film that has haunted him ever since he first saw it thirty years ago: Andrei Tarkovsky’s Stalker, widely regarded as one of the greatest films of all time. (“Every single frame,” declared Cate Blanchett, “is burned into my retina.”) As Dyer guides us into the zone of Tarkovsky’s imagination, we realize that the film is only the entry point for a radically original investigation of the enduring questions of life, faith, and how to live.
In a narrative that gives free rein to the brilliance of Dyer’s distinctive voice—acute observation, melancholy, comedy, lyricism, and occasional ill-temper—Zona takes us on a wonderfully unpredictable journey in which we try to fathom, and realize, our deepest wishes.
Zona is one of the most unusual books ever written about film, and about how art—whether a film by a Russian director or a book by one of our most gifted contemporary writers—can shape the way we see the world and how we make our way through it.
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Zona: A Book About a Film About a Journey to a Room
by Geoff Dyer
A Huffington Post Best Book of the Year
There is no other writer at work today like the award-winning Geoff Dyer. Here he embarks on an investigation into Andrei Tarkovsky's Stalker, the masterpiece of cinema that has haunted him since he first saw it thirty years ago.
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The Missing of the Somme
by Geoff Dyer
The Missing of the Somme is part travelogue, part meditation on remembrance—and completely, unabashedly, unlike any other book about the First World War. Through visits to battlefields and memorials, Geoff Dyer examines the way that photographs and film, poetry and prose determined—sometimes in advance of the events described—the way we would think about and remember the war. With his characteristic originality and insight, Dyer untangles and reconstructs the network of myth and memory that illuminates our understanding of, and relationship to, the Great War.
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Jeff in Venice, Death in Varanasi
by Geoff Dyer
A New York Times Notable Book
A Best Book of the Year: The Economist, The New Yorker, San Francisco Chronicle, Slate.com, and Time
In Venice, at the Biennale, a jaded, bellini-swigging journalist named Jeff Atman meets a beautiful woman and they embark on a passionate affair.
In Varanasi, an unnamed journalist (who may or may not be Jeff) joins thousands of pilgrims on the banks of the holy Ganges. He intends to stay for a few days but ends up remaining for months.
Their journey—as only the irrepressibly entertaining Geoff Dyer could conjure—makes for an uproarious, fiendishly inventive novel of Italy and India, longing and lust, and the prospect of neurotic enlightenment.
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Another Great Day at Sea: Life Aboard the USS George H. W. Bush
by Geoff Dyer
From a writer “whose genre-jumping refusal to be pinned down [makes him] an exemplar of our era” (NPR), a new book that confirms his power to astound readers.
As a child Geoff Dyer spent long hours making and blotchily painting model fighter planes. So the adult Dyer jumped at the chance of a residency aboard an aircraft carrier. Another Great Day at Sea chronicles Dyer’s experiences on the USS George H.W. Bush as he navigates the routines and protocols of “carrier-world,” from the elaborate choreography of the flight deck through miles of walkways and hatches to kitchens serving meals for a crew of five thousand to the deafening complexity of catapult and arresting gear. Meeting the Captain, the F-18 pilots and the dentists, experiencing everything from a man-overboard alert to the Steel Beach Party, Dyer guides us through the most AIE (acronym intensive environment) imaginable.
A lanky Englishman (could he really be both the tallest and the oldest person on the ship?) in a deeply American world, with its constant exhortations to improve, to do better, Dyer brilliantly records the daily life on board the ship, revealing it to be a prism for understanding a society where discipline and conformity, dedication and optimism, become forms of self-expression. In the process it becomes clear why Geoff Dyer has been widely praised as one of the most original—and funniest—voices in literature.
Another Great Day at Sea is the definitive work of an author whose books defy definition.
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But Beautiful: A Book About Jazz
by Geoff Dyer
"May be the best book ever written about jazz."―David Thomson, Los Angeles Times
In eight poetically charged vignettes, Geoff Dyer skillfully evokes the music and the men who shaped modern jazz. Drawing on photos, anecdotes, and, most important, the way he hears the music, Dyer imaginatively reconstructs scenes from the embattled lives of some of the greats: Lester Young fading away in a hotel room; Charles Mingus storming down the streets of New York on a too-small bicycle; Thelonious Monk creating his own private language on the piano. However, music is the driving force of But Beautiful, and wildly metaphoric prose that mirrors the quirks, eccentricity, and brilliance of each musician's style.
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Paris Trance: A Romance
by Geoff Dyer
People talk about love at first sight, about the way that men and women fall for each other immediately, but there is also such a thing as friendship at first sight.
Luke moves to Paris with the idea of writing a novel but things get in the way. He becomes friends with a fellow expatriate, Alex; then he falls in love with Nicole. Alex meets Sahra, and the two couples form an intimacy that changes their lives. As they discover the clubs and cafés of the eleventh arrondissement, the four become inseparable, united by deeply held convictions about dating strategies, tunneling in P.O.W. films, and, crucially, the role of the Styrofoam cup in action movies. Experiencing the exhilarating highs of Ecstasy and sex, they reach a peak of rapture-the comedown from which is unexpected and devastating.
In this book, Geoff Dyer fixes a dream of happiness-and its aftermath-with photographic precision. Boldly erotic and hauntingly elegiac, comic and romantic, Paris Trance confirms Dyer as one of England's most original and talented writers.
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Homework: A Memoir
by Geoff Dyer
Named a most anticipated book of 2025 by Vulture | The Guardian | Financial Times | The Observer | The Times (London) | Literary Hub
"Homework is wonderful Geoff-Dyer writing, which we've all learned to crave; something to delight and to move us and to edify us on every page. I find him an irresistible writer." ―Richard Ford
A portrait of a young boy, who keeps passing exams―and of a changing England in the 1960s and 1970s.
The only child of a dinner lady and a sheet-metal worker, Geoff Dyer grew up in the world of the English working class: hardworking, respectable, steeped in memories of the Depression and World War II. Accordingly, his memoir is not a story of hardship overcome but a celebration of opportunities afforded by the postwar settlement, of which he was an unconscious beneficiary. The crux comes at the age of eleven with the exam that has decided the future of generations: secondary modern or the transformative promise of grammar school?
One of the lucky winners, Dyer goes to grammar school and begins to develop a love of literature (and beer and prog rock). Only later does he understand that this win entails a loss. The loss is of a sense of belonging and―since this very personal story contains a larger social history―of an eroded but strangely resilient England. “Happenings” were a key part of the sixties mythology; this book traces, in perfectly phrased detail, another kind of happening, whose roots extend into the deep foundations of class society.
Tracing a path from childhood through the tribulations of teenage sport, gig-going, romance, fights (well, getting punched in the face), and other misadventures with comic affection, Homework takes us to the threshold of university, where Dyer first feels the cultural distance from his origins that this book works so imaginatively and tenderly to shrink.
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$29.00
The Last Days of Roger Federer: And Other Endings
by Geoff Dyer
One of Esquire's best books of spring 2022
An extended meditation on late style and last works from "one of our greatest living critics" (Kathryn Schulz, New York).
When artists and athletes age, what happens to their work? Does it ripen or rot? Achieve a new serenity or succumb to an escalating torment? As our bodies decay, how do we keep on? In this beguiling meditation, Geoff Dyer sets his own encounter with late middle age against the last days and last works of writers, painters, footballers, musicians, and tennis stars who’ve mattered to him throughout his life. With a playful charm and penetrating intelligence, he recounts Friedrich Nietzsche’s breakdown in Turin, Bob Dylan’s reinventions of old songs, J. M. W. Turner’s paintings of abstracted light, John Coltrane’s cosmic melodies, Bjorn Borg’s defeats, and Beethoven’s final quartets―and considers the intensifications and modifications of experience that come when an ending is within sight. Throughout, he stresses the accomplishments of uncouth geniuses who defied convention, and went on doing so even when their beautiful youths were over.
Ranging from Burning Man and the Doors to the nineteenth-century Alps and back, Dyer’s book on last things is also a book about how to go on living with art and beauty―and on the entrancing effect and sudden illumination that an Art Pepper solo or Annie Dillard reflection can engender in even the most jaded and ironic sensibilities. Praised by Steve Martin for his “hilarious tics” and by Tom Bissell as “perhaps the most bafflingly great prose writer at work in the English language today,” Dyer has now blended criticism, memoir, and humorous banter of the most serious kind into something entirely new. The Last Days of Roger Federer is a summation of Dyer’s passions, and the perfect introduction to his sly and joyous work.
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From Here to There: Alec Soth's America
by Geoff Dyer, August Kleinzahler, Barry Schwabsky, Britt Salvesen, Siri Engberg
From Here to There: Alec Soth's America is the first exhibition catalogue to feature the full spectrum of the work of Alec Soth, one of the most interesting voices in contemporary photography, whose compelling images of everyday America form powerful narrative vignettes. Featuring more than 100 of the artist's photographs made over the past 15 years, the book includes new critical essays by exhibition curator Siri Engberg, curator and art historian Britt Salvesen and critic Barry Schwabsky, which offer context on the artist's working process, the photo-historical tradition behind his practice and reflections on his latest series of works. Novelist Geoff Dyer's "Riverrun"--a meditation on Soth's series Sleeping by the Mississippi--and August Kleinzahler's poem "Sleeping It Off in Rapid City" contribute to the thoughtful exploration of this body of work. Also included in the publication is a 48-page artist's book by Soth titled The Loneliest Man in Missouri, a photographic essay with short, diaristic texts capturing the banality and ennui of middle America's suburban fringes, with their corporate office parks, strip clubs and chain restaurants. This full-color publication includes a complete exhibition history, bibliography and interview with the artist by Bartholomew Ryan.
Alec Soth was born in 1969 and raised in Minnesota, where he continues to live and work. He has received fellowships from the McKnight Foundation (1999, 2004) and Jerome Foundation (2001), was the recipient of the 2003 Santa Fe Prize for Photography and was short-listed for the highly prestigious Deutsche Börse Photography Prize. His first monograph, Sleeping by the Mississippi, was published in 2004 to critical acclaim. Since then Soth has published Niagara (2006), Fashion Magazine (2007), Dog Days, Bogotá (2007) and The Last Days of W (2008). He is a member of Magnum Photos.
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Where You Are: A Collection of Maps That Will Leave You Feeling Completely Lost
by Geoff Dyer, Leanne Shapton, Lila Azam Zanganeh
Every day we map. We map how we get from a to b. We map when we’re somewhere new, and somewhere we’ve been many times before. We map ourselves, our days, our thoughts, memories, what we want to mark, save and share. Today it seems, that most of the time, despite all this mapping, we actually don't have a clear sense of where we are.
Where You Are, a collection of new work, explores the shift from our classic understanding of map as geography to a more personal, human map. This collection of new writings, photographs, drawings, thinking looks to explode the map as we know it. A book of maps that puts people, not destinations at the centre, hoping to leave readers feeling completely lost.
A collection of work, edited by Visual Editions, made with help by our friends at Google Creative Lab, published as a book and on the screen.
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White Sands: Experiences from the Outside World
by Geoff Dyer
From “one of our most original writers” (Kathryn Schulz, New York magazine) comes an expansive and exacting book—firmly grounded but elegant, often hilarious, and always inquisitive—about travel, unexpected awareness, and the questions we ask when we step outside ourselves.
Geoff Dyer’s restless search—for what? is unclear, even to him—continues in this series of fascinating adventures and pilgrimages: with a tour guide who may not be a tour guide in the Forbidden City in Beijing; with friends in New Mexico, where D. H. Lawrence famously claimed to have had his “greatest experience from the outside world”; with a hitchhiker picked up on the way from White Sands; with Don Cherry (or a photo of him, at any rate) at the Watts Towers in Los Angeles.
Weaving stories about places to which he has recently traveled with images and memories that have persisted since childhood, Dyer tries “to work out what a certain place—a certain way of marking the landscape—means; what it’s trying to tell us; what we go to it for.”
With 4 pages of full-color illustrations.
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White Sands: Experiences from the Outside World
by Geoff Dyer
In White Sands, Geoff Dyer (“one of the funniest writers alive” —Chicago Tribune) finds himself on the road again, crisscrossing the globe from French Polynesia to northernmost Norway. Throughout his adventures—with a tour guide who may not be a tour guide in the Forbidden City in Beijing; with friends in New Mexico, where D. H. Lawrence famously claimed to have had his “greatest experience from the outside world”; with Don Cherry (or a photo of him, at any rate) at the Watts Towers in Los Angeles—Dyer interweaves fiction and nonfiction to craft an often hilarious, always inquisitive travelogue about the questions we ask when we step outside ourselves.
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$16.95
White Sands: Experiences from the Outside World
by Geoff Dyer
Episodic, wide-ranging, funny, and smart, this exploration of why we travel marks a return to the subject of Dyer's most successful book, Yoga for People Who Can't Be Bothered to Do It, albeit with the wisdom of age. From viewing a lightning field in the Mexican desert by night, to chasing Gauguin's ghost in French Polynesia, from falling in love with a tour guide in the Forbidden City of Beijing to tracking down the house of a childhood idol in L.A., Dyer pursues all permutations of the peak experience. His trademark style blends travel writing, essay, criticism, and fiction, with a smart and cantankerous wit that is unmatched. Like Alain De Botton's On Travel and Rebecca Solnit's A Field Guide to Getting Lost, this is a book for armchair travelers and slacker philosophers everywhere.
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Missing of the Somme
by Geoff Dyer
A deeply personal meditation on remembrance, art, and World War I by the legendary Geoff Dyer, reissued with a new introduction by Drew Gilpin Faust
The Missing of the Somme is part travelogue, part meditation on remembrance―and completely, unabashedly unlike any other book about the First World War. Through visits to battlefields and memorials, Geoff Dyer examines the way that photographs and film, poetry and prose, determined―sometimes in advance of the events described―the way we would think about and remember the war. With his characteristic originality and insight, Dyer untangles and reconstructs the network of myth and memory that illuminates our understanding of, and relationship to, the Great War. Reissued with a new introduction, The Missing of the Somme stands as one of Dyer’s classic works.
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$18.00
'Broadsword Calling Danny Boy': Watching 'Where Eagles Dare'
by Geoff Dyer
Geoff Dyer's earlier book on film, Zona, was about Andrei Tarkovsky's Stalker, so it was perhaps inevitable that he should next devote his unique critical and stylistic energies to Brian G. Hutton's Where Eagles Dare. A thrilling Alpine adventure starring a magnificent, bleary-eyed Richard Burton and a dynamically lethargic Clint Eastwood, Where Eagles Dare is the apex of 1960s war movies, by turns enjoyable and preposterous.
'Broadsword Calling Danny Boy' is Geoff Dyer's hilarious tribute to a film he has loved since childhood: it's a scene-by-scene analysis—or should that be send-up?—taking us from it's snowy, Teutonic opening credits to its vertigo-inducing climax.
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'Broadsword Calling Danny Boy': Watching 'Where Eagles Dare'
by Geoff Dyer
In Zona, Geoff Dyer—‘one of our most original writers’ (New York)—devoted a whole book to Andrei Tarkovsky’s cult masterpiece, Stalker. Now, in this warm and funny tribute to one of his favorite movies, he revisits the action classic Where Eagles Dare. A thrilling Alpine adventure headlined by a magnificent, bleary-eyed Richard Burton and a dynamically lethargic Clint Eastwood, Where Eagles Dare is the apex of 1960s war movies, by turns enjoyable and preposterous. ‘Broadsword Calling Danny Boy’ is Dyer’s hilarious tribute to a film he has loved since childhood: it’s a scene-by-scene analysis—or should that be send-up?—taking us from the movie’s snowy, Teutonic opening credits to its vertigo-inducing climax.
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Yoga for People Who Can't Be Bothered to Do It
by Geoff Dyer
Mordantly funny, thought-provoking travel essays, from the acclaimed author of Out of Sheer Rage and “one of our most original writers” (New York Magazine).
This isn’t a self-help book; it’s a book about how Geoff Dyer could do with a little help. In these genre-defying tales, he travels from Amsterdam to Cambodia, Rome to Indonesia, Libya to Burning Man in the Black Rock Desert, floundering in a sea of grievances, with fleeting moments of transcendental calm his only reward for living in a perpetual state of motion. But even as he recounts his side-splitting misadventures in each of these locales, Dyer is always able to sneak up and surprise you with insight into much more serious matters. Brilliantly riffing off our expectations of external and internal journeys, Dyer welcomes the reader as a companion, a fellow perambulator in search of something and nothing at the same time.
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The Street Philosophy of Garry Winogrand
by Geoff Dyer
Garry Winogrand―along with Diane Arbus and Lee Friedlander―was one of the most important photographers of the 1960s and 1970s, as well as one of the world’s foremost street photographers. Award-winning writer Geoff Dyer has admired Winogrand’s work for many years. Modeled on John Szarkowski’s classic book Atget, The Street Philosophy of Garry Winogrand is a masterfully curated selection of one hundred photographs from the Winogrand archive at the Center for Creative Photography, with each image accompanied by an original essay.
Dyer takes the viewer/reader on a wildly original journey through both iconic and unseen images from the archive, including eighteen previously unpublished color photographs. The book encompasses most of Winogrand’s themes and subjects and remains broadly faithful to the chronological and geographical facts of his life, but Dyer’s responses to the photographs are unorthodox, eye-opening, and often hilarious. This inimitable combination of photographer and writer, images and text, itself offers what Dyer claims for Winogrand’s photography―an education in seeing.
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The Search: A Novel
by Geoff Dyer
"A short, brilliant novel, The Search offers more in 150 pages than most books twice that length." ―The Guardian
Walker meets Rachel at a glamorous party by the bay. When she turns up at his apartment two days later, there is a hint of erotic promise in the air. But it isn't Walker she wants―at least not yet. Her husband, Malory, has gone missing, and she wants Walker to find him.
So begins Walker's quest, as well as this beautiful novel that takes our hard-boiled knight across the vast landscape of an imaginary middle America that begins subtly to morph into something stranger. Walker's search intensifies, and soon it seems that somebody else is searching for him. In The Search, his second novel, Geoff Dyer concocts a sophisticated and enthralling narrative puzzle.
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Otherwise Known as the Human Condition: Selected Essays and Reviews
by Geoff Dyer
*Winner of the National Book Critics Circle Award in Criticism*
*A New York Times Book Review Editors' Choice*
*A New York Times Top 10 Nonfiction Book of the Year, as selected by Dwight Garner*
Geoff Dyer has earned the devotion of passionate fans on both sides of the Atlantic through his wildly inventive, romantic novels as well as several brilliant, uncategorizable works of nonfiction. All the while he has been writing some of the wittiest, most incisive criticism we have on an astonishing array of subjects―music, literature, photography, and travel journalism―that, in Dyer's expert hands, becomes a kind of irresistible self-reportage.
Otherwise Known as the Human Condition collects twenty-five years of essays, reviews, and misadventures. Here he is pursuing the shadow of Camus in Algeria and remembering life on the dole in Brixton in the 1980s; reflecting on Richard Avedon and Ruth Orkin, on the status of jazz and the wonderous Nusrat Fateh Ali Khan, on the sculptor ZadKine and the saxophonist David Murray (in the same essay), on his heroes Rebecca West and Ryszard Kapus´cin´ski, on haute couture and sex in hotels. Whatever he writes about, his responses never fail to surprise. For Dyer there is no division between the reflective work of the critic and the novelist's commitment to lived experience: they are mutually illuminating ways to sharpen our perceptions. His is the rare body of work that manages to both frame our world and enlarge it.
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The Colour of Memory: A Novel
by Geoff Dyer
The first novel, in revised form, from "possibly the best living writer in Britain" (The Daily Telegraph)
In The Colour of Memory, six friends plot a nomadic course through their mid-twenties as they scratch out an existence in near-destitute conditions in 1980s South London. They while away their hours drinking cheap beer, landing jobs and quickly squandering them, smoking weed, dodging muggings, listening to Coltrane, finding and losing a facsimile of love, collecting unemployment, and discussing politics in the way of the besotted young―as if they were employed only by the lives they chose.
In his vivid evocation of council flats and pubs, of a life lived in the teeth of romantic ideals, Geoff Dyer provides a shockingly relevant snapshot of a different Lost Generation.
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This Is Not a Border: Reportage & Reflection from the Palestine Festival of Literature
by Alice Walker, China Miéville, Geoff Dyer, Claire Messud, Michael Palin, Pankaj Mishra, J.M. Coetzee, Chinua Achebe, Michael Ondaatje, Henning Mankell, Molly Crabapple, Teju Cole, Kamila Shamsie, Adam Foulds, Najwan Darwish, Linda Spalding, Mohammed Hanif, Suheir Hammad, Rachel Holmes, Deborah Moggach, Gillian Slovo, Mahmoud Darwish, William Sutcliffe, Atef Abu Saif, Ed Pavlic, Raja Shehadeh, Ru Freeman, Victoria Brittain, Susan Abulhawa, Jeremy Harding, Yasmin El-Rifae, Mercedes Kemp, Suad Amiry, Sabrina Mahfouz, John Horner, Bridget Keenan, Selma Dabbagh, Jehan Bseiso, Omar El-Khairy, Remi Kanazi, Maath Musleh, Ghada Karmi, Muiz, Nancy Kricorian, Nathalie Handal, Jamal Mahjoub
Writers from Alice Walker to Michael Ondaatje to Claire Messud share their thoughts on one of the most vital gatherings of writers and readers in the world.
The Palestine Festival of Literature was established in 2008 by authors Ahdaf Soueif, Brigid Keenan, Victoria Brittain and Omar Robert Hamilton. Bringing writers to Palestine from all corners of the globe, it aimed to break the cultural siege imposed by the Israeli military occupation, to strengthen artistic links with the rest of the world, and to reaffirm, in the words of Edward Said, "the power of culture over the culture of power."
Celebrating the tenth anniversary of PalFest, This Is Not a Border is a collection of essays, poems, and sketches from some of the world's most distinguished artists, responding to their experiences at this unique festival. Both heartbreaking and hopeful, their gathered work is a testament to the power of literature to promote solidarity and hope in the most desperate of situations.
Contributing authors include J. M. Coetzee, China Miéville, Alice Walker, Geoff Dyer, Claire Messud, Henning Mankell, Michael Ondaatje, Kamila Shamsie, Michael Palin, Deborah Moggach, Mohammed Hanif, Gillian Slovo, Adam Foulds, Susan Abulhawa, Ahdaf Soueif, Jeremy Harding, Brigid Keenan, Rachel Holmes, Suad Amiry, Gary Younge, Jamal Mahjoub, Molly Crabapple, Najwan Darwish, Nathalie Handal, Omar Robert Hamilton, Pankaj Mishra, Raja Shehadeh, Selma Dabbagh, William Sutcliffe, Atef Abu Saif, Yasmin El-Rifae, Sabrina Mahfouz, Alaa Abd El Fattah, Mercedes Kemp, Ru Freeman.
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See/Saw: Looking at Photographs
by Geoff Dyer
A lavishly illustrated history of photography in essays by the author of Otherwise Known as the Human Condition
See/Saw shows how photographs frame and change our perspective on the world. Taking in photographers from early in the last century to the present day―including artists such as Eugène Atget, Vivian Maier, Roy DeCarava, and Alex Webb―the celebrated writer Geoff Dyer offers a series of moving, witty, prescient, surprising, and intimate encounters with images.
Dyer has been writing about photography for thirty years, and this tour de force of visual scrutiny and stylistic flair gathers his lively, engaged criticism over the course of a decade. A rich addition to Dyer’s The Ongoing Moment, and heir to Roland Barthes’s Camera Lucida, Susan Sontag’s On Photography, and John Berger’s Understanding a Photograph, See/Saw shows how a photograph can simultaneously record and invent the world, revealing a brilliant seer at work. It is a paean to art and art writing by one of the liveliest critics of our day.
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Another Great Day at Sea: Life Aboard the USS George H.W. Bush
by Geoff Dyer
As a child Geoff Dyer spent long hours making and blotchily painting model fighter planes. So as an adult, naturally he jumped at the chance to spend a week onboard the aircraft carrier the USS George H.W. Bush. Part deft travelogue, part unerring social observation, and part finely honed comedy, Another Great Day at Sea is the inimitable Dyer’s account of his time spent wandering the ship’s maze of walkways, hatches, and stairs, and talking with the crew—from the Captain to the ship’s dentists. A lanky Englishman in a deeply American world, Dyer brilliantly records daily life aboard this floating fortress, revealing it to be a prism for understanding a society where discipline and conformity become forms of self-expression. At the same time we are reminded why Dyer is celebrated as one of the most original voices in contemporary literature.
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Alex Webb: Dislocations
by Geoff Dyer, Alex Webb
Newly reimagined edition of Alex Webb's now-classic and long out-of-print Dislocations
Dislocations presents a contemporary update of Alex Webb's long out-of-print and highly sought title, first published in 1998 as an experiment in alternative book making. This newly reimagined edition brings together pictures from the many disparate locations over Webb's oeuvre, meditating on the act of photography as a form of dislocation in itself.
Webb returned to the idea of dislocation during the pandemic, looking at images produced in the twenty years since the original publication--as well as looking back at that first edition. Dislocations expands a prized limited edition with unpublished images that speak to today's sense of displacement. As a series of pictures that would have been impossible to create in a world dominated by closed borders and disrupted travel, it continues to resonate as the world resets.
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