Books by Leanne Shapton
Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion, and Jewelry
A love story told in the form of an auction catalog.
Auction catalogs can tell you a lot about a person -- their passions and vanities, peccadilloes and aesthetics; their flush years and lean. Think of the collections of Jacqueline Kennedy Onassis, Truman Capote, the Duke and Duchess of Windsor.
In Leanne Shapton's marvelously inventive and invented auction catalog, the 325 lots up for auction are what remain from the relationship between Lenore Doolan and Harold Morris (who aren't real people, but might as well be). Through photographs of the couple's personal effects -- the usual auction items (jewelry, fine art, and rare furniture) and the seemingly worthless (pajamas, Post-it notes, worn paperbacks) -- the story of a failed love affair vividly (and cleverly) emerges. From first meeting to final separation, the progress and rituals of intimacy are revealed through the couple's accumulated relics and memorabilia. And a love story, in all its tenderness and struggle, emerges from the evidence that has been left behind, laid out for us to appraise and appreciate.
In an earlier work, Was She Pretty?, Shapton, a talented artist and illustrator, subtly explored the seemingly simple yet powerfully complicated nature of sexual jealousy. In Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris―a very different yet equally original book―she invites us to contemplate what is truly valuable, and to consider the art we make of our private lives.
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Was She Pretty?
A SINGULAR EXPLORATION OF MODERN LOVE AND ALL ITS DEMONS, IN WORDS AND DRAWINGS
In this brilliant gem of a book, artist/writer Leanne Shapton weaves together a voyeuristic tale of love and life through epigrammatic vignettes and sleek line drawings. Entire relationships are encapsulated in a few, stingingly perfect lines: "Colleen was Walter's ex-girlfriend from med school. She loved to dance with men at weddings." Pricking our insecurities, Shapton introduces us to Kim, whose ex "kept a drawerful of love letters in a kitchen drawer . . . She would stare at it while she cooked." And Ben's ex, "a physiotherapist for the U.S. men's and women's Olympic swim teams. She wore small white shorts year-round."
Fascinated by her own jealousy, Shapton interviewed acquaintances about their anxieties and peccadilloes, and the result is a book of surpassing originality: one of those unusual books that comes along to delight us all, like An Exaltation of Larks or Love, Loss, and What I Wore or Griffin and Sabine. Was She Pretty? can also share the shelf with the work of the legendary William Steig, whose early, psychologically revealing work inspired Shapton. An unflinching observer of human behavior, she invites us to peer into the hearts and minds of her characters―while reminding us that we shouldn't be surprised if we see ourselves staring right back.
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Was She Pretty?
A dreamy exploration of relationships and jealousy . . . pithy and deadpan . . . It's no self-help book." --Salon
What's left when a relationship ends? Where does jealousy come from? Delicately and sensitively, Leanne Shapton (Swimming Studies) ruminates on ex-lovers, and our lovers' ex-lovers. A few expressive pencil lines outline a long-abandoned winter coat here, an ineffably alluring Mona Lisa smile there. Each double page describes the way all exes are captured: as impossible to live up to as a Polaroid taken at a flattering angle.
This new paperback edition of Was She Pretty? brings the reader deep into a circle of phantoms: its intimate liaisons, embarrassing secrets, and sardonic anecdotes. Shapton introduces the obsessives and the dilettantes, the poets and the actresses, the people with great hair and the people with idiosyncratic clothes. As funny as it is insightful, Was She Pretty? speaks to a central human concern: How do we compare? Elegantly drawn and perfectly narrated, the pages of Was She Pretty? are a testimonial to the power of observation and misapprehension.
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Swimming Studies
Winner of the 2012 National Book Critics Circle Award, Autobiography
Swimming Studies is a brilliantly original, meditative memoir that explores the worlds of competitive and recreational swimming. From her training for the Olympic trials as a teenager to enjoying pools and beaches around the world as an adult, Leanne Shapton offers a fascinating glimpse into the private, often solitary, realm of swimming. Her spare and elegant writing reveals an intimate narrative of suburban adolescence, spent underwater in a discipline that continues to inspire Shapton’s work as an artist and author. Her illustrations throughout the book offer an intuitive perspective on the landscapes and imagery of the sport. Shapton’s emphasis is on the smaller moments of athletic pursuit rather than its triumphs. For the accomplished athlete, aspiring amateur, or habitual practicer, this remarkable work of written and visual sketches propels the reader through a beautifully personal and universally appealing exercise in reflection.
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Swimming Studies
Swimming Studies is a collection of autobiographical sketches that explore the worlds of competitive and recreational swimming. From her training for the Olympic trials as a teenager, to meditative swims in pools and oceans as an adult, Leanne Shapton contemplates the sport that has shaped her life. Her spare and elegant writing reveals an intimate narrative of suburban adolescence, spent underwater in a discipline that continues to inspire Shapton's work as an artist and author, while her illustrations offer a new perspective on the landscapes and imagery of swimming. Shapton emphasizes the private, often solitary moments of athletic pursuit rather than its triumphs. This remarkable work of written and visual pieces propels the reader through a beautifully personal exercise in reflection.
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Swimming Studies
Winner of the National Book Critics Circle Award
Back in print, a “fusion of cool, clear-eyed prose and watercolors, photographs and painted portraits” (Time Out New York) by celebrated author and artist Leanne Shapton, on a sport that has shaped her life.
Intimate with chlorinated space; weightless yet limited; closed off to taste, sound, and most sight; acutely aware of the clock: this is a swimmer’s state. When ten-year-old Leanne Shapton joins an Ontario township swim team with her brother, she finds an affinity for its rhythms―and spends years training, making it to the Olympic trials twice.
Swimming Studies reflects on her time immersed in a world of rigor and determination, routine and competition, pairing together contemplative essays and paintings. Vivid details of an aquatic life appear: adolescence in suburban Canada, dawn risings for morning practice, bus rides with teammates, a growing collection of swimsuits, dips in lakes and oceans. When she trades athletic pursuits for artistic ones, the metrics of moving through water endure.
In these elegant and potent meditations, Shapton renders swimming as a mode of experiencing time, movement, and perspective, capable of shaping our lives in every environment.
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Guestbook: Ghost Stories
"Reading [Guestbook] feels akin to walking through an art exhibit, each piece linked in ways that are ineffable but clear. . . yearning, like a ghost, lingers long after the stories are done." --NPR
One of our most imaginative writers and artists explores the visitations that haunt us in the midst of life, and reinvents the very way we narrate experience.
A tennis prodigy collapses after his wins, crediting them to an invisible, not entirely benevolent presence. A series of ghosts appear at their former bedsides, some distraught, some fascinated, to witness their unfamiliar occupants. A woman returns from a visit to Alcatraz with an uncomfortable feeling. The spirit of a prisoner has attached himself to you, a friend tells her. He sensed the sympathy you had for those men. In more than two dozen stories and vignettes, accompanied by an evocative curiosity cabinet of artifacts and images, Guestbook beckons us through the glimmering, unsettling evidence that marks our paths in life.
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Guestbook: Ghost Stories
An Exploration Of The Visitations That Haunt Us In The Midst Of Life, And A Reinvention Of The Very Way We Narrate Experience, By Acclaimed Writer And Artist Leanne Shapton-- Provided By Publisher.
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Women in Clothes
by Sheila Heti, Heidi Julavits, Leanne Shapton
THE NEW YORK TIMES BESTSELLER
Women in Clothes is a book unlike any other. It is essentially a conversation among hundreds of women of all nationalities—famous, anonymous, religious, secular, married, single, young, old—on the subject of clothing, and how the garments we put on every day define and shape our lives.
It began with a survey. The editors composed a list of more than fifty questions designed to prompt women to think more deeply about their personal style. Writers, activists, and artists including Cindy Sherman, Kim Gordon, Kalpona Akter, Sarah Nicole Prickett, Tavi Gevinson, Miranda July, Roxane Gay, Lena Dunham, and Molly Ringwald answered these questions with photographs, interviews, personal testimonies, and illustrations.
Even our most basic clothing choices can give us confidence, show the connection between our appearance and our habits of mind, express our values and our politics, bond us with our friends, or function as armor or disguise. They are the tools we use to reinvent ourselves and to transform how others see us. Women in Clothes embraces the complexity of women’s style decisions, revealing the sometimes funny, sometimes strange, always thoughtful impulses that influence our daily ritual of getting dressed.
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Where You Are: A Collection of Maps That Will Leave You Feeling Completely Lost
by Geoff Dyer, Leanne Shapton, Lila Azam Zanganeh
Every day we map. We map how we get from a to b. We map when we’re somewhere new, and somewhere we’ve been many times before. We map ourselves, our days, our thoughts, memories, what we want to mark, save and share. Today it seems, that most of the time, despite all this mapping, we actually don't have a clear sense of where we are.
Where You Are, a collection of new work, explores the shift from our classic understanding of map as geography to a more personal, human map. This collection of new writings, photographs, drawings, thinking looks to explode the map as we know it. A book of maps that puts people, not destinations at the centre, hoping to leave readers feeling completely lost.
A collection of work, edited by Visual Editions, made with help by our friends at Google Creative Lab, published as a book and on the screen.
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Native Trees of Canada: A Postcard Set: Postcard set with 30 postcards
"An artistic ode to Canada's majestic foliage." ―National Post
Leanne Shapton's bold, vibrant watercolor portraits of the trees of Canada come to new life in this postcard set. The lively hues of the garry oak and the simple elegance of the staghorn sumac are perfectly presented in a beautiful keepsake box, great as a gift for a friend or yourself!
Native Trees of Canada: A Postcard Set collects thirty of Shapton's spirited and singular drawings of the native trees of Canada.
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Sunday Night Movies
Ethereal illustrations expand on a New York Times series by an acclaimed author and artist
Sunday Night Movies features Leanne Shapton's watercolors of resonant moments in black-and-white cinema. Selecting a brief fragment of each chosen film, she creates an indelible image that is both a hand-painted movie still and a personal response to a fleeting celluloid moment.
Together, the seventy-eight paintings create a valentine to the world of cinema. Shapton's journey through film history becomes a wistful celebration of the subtle moments in stories, which can often slip by unnoticed. What could be a simple title, still life, or portrait of an actor becomes both illusive and allusive through the medium of these personal paintings.
Shapton's bestselling Petit Livre book The Native Trees of Canada took a decades-old government catalogue and reimagined it, employing bold colors and stark shapes to represent familiar trees in their majestic glory. The book was a sleeper hit and went through multiple printings. With Sunday Night Movies she brings her love of film to light, and the effect is restrained and fanciful, familiar and all new.
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The Native Trees of Canada
A bold reinterpretation of a century-old book
While shopping in the used-book store the Monkey's Paw in Toronto, Leanne Shapton happened upon a 1956 edition of the government reference book The Native Trees of Canada, originally published in 1917 by the Canadian Department of Northern Affairs and National Resources. Most people might simply view the book as a dry cataloging of a banal subject; Shapton, however, saw beauty in the technical details and was inspired to create her own interpretation of The Native Trees of Canada.
Shapton distills each image into its simplest form, using vivid colors in lush ink and house paint. She takes the otherwise complex objects of trees, pinecones, and seeds and strips them down into bold, almost abstract shapes and colors: the water birch is represented as two pulsating red bulbs contrasted against a gray backdrop; the eastern white pine is represented by a close-up of its cone against a radiant summer sky.
The author of Was She Pretty? and Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion, and Jewelry, Shapton puts forth yet another entirely new facet of her creative artistry.
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Toys Talking
Leanne Shapton gives voice to the toys on our shelves in this wry yet tender children’s book
Always there to comfort and listen, stuffed animals provide a reassuring presence in many a childhood. With Toys Talking, acclaimed illustrator and author Leanne Shapton explores their inner lives, to reveal that their thoughts and feelings are just as complicated as our own. The concerns of these bunnies, bears, and ducks range from the mundane to the existential, and with each new pairing of character and text, we see a deeper portrait of their pensive, quiet world. Shapton holds a mirror to our own lives, to our insecurities and concerns, by revealing that the objects who comfort us have worries of their own. This book brings Shapton’s gorgeously minimal brushstrokes to a younger audience, and will leave children and parents alike brimming with the beauty and melancholy of self-reflection.
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