Books by Heidi Julavits

The Vanishers

by Heidi Julavits

From the acclaimed novelist and The Believer editor HEIDI JULAVITS, a wildly imaginative and emotionally intense novel about mothers, daughters, and the psychic damage women can inflict on one another.

Is the bond between mother and daughter unbreakable, even by death?

Julia Severn is a student at an elite institute for psychics. Her mentor, the legendary Madame Ackermann, afflicted by jealousy, refuses to pass the torch to her young disciple. Instead, she subjects Julia to the humiliation of reliving her mother's suicide when Julia was an infant. As the two lock horns, and Julia gains power, Madame Ackermann launches a desperate psychic attack that leaves Julia the victim of a crippling ailment.

Julia retreats to a faceless job in Manhattan. But others have noted Julia's emerging gifts, and soon she's recruited to track down an elusive missing person—a controversial artist who might have a connection to her mother. As Julia sifts through ghosts and astral clues, everything she thought she knew of her mother is called into question, and she discovers that her ability to know the minds of others—including her own—goes far deeper than she ever imagined.

As powerful and gripping as all of Julavits's acclaimed novels, The Vanishers is a stunning meditation on grief, female rivalry, and the furious power of a daughter's love.

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Directions to Myself: A Memoir of Four Years

by Heidi Julavits

New York Times Book Review Editors’ Choice • A sharply observed memoir of motherhood and the self, and a love letter to Maine, by a writer Eula Biss calls “witty, sly, critical, inventive” and whose mind Leslie Jamison calls “electric.”

“An absolute stunner: frank, funny, self-aware, constantly surprising.”—George Saunders

That night, in his bed, I spread my son’s palm wide and tried to read it. If the hand was a map that led to a future person, was there any changing the destination?

One summer Heidi Julavits sees her son silhouetted by the sun and notices he is at the threshold of what she calls “the end times of childhood.” When did this happen, she asks herself. Who is my son becoming—and what qualifies me to be his guide?

The next four years feel like uncharted waters. Rape allegations rock the university campus where Julavits teaches, unleashing questions of justice and accountability, as well as education and prevention. She begins to wonder how to prepare her son to be the best possible citizen of the world he’s about to enter. And what she must learn about herself to responsibly steer him.

Looking back to her childhood in Maine, where she and her family often navigated the tricky coastline in a small boat, relying on a decades-old nautical guide, Julavits takes us on an intellectual navigation of the self. Throughout, she intertwines her internal analysis with a wide-ranging exploration of what it means to raise a child in a time full of contradictions and moral complexity. Using the past and present as points of orientation, Directions to Myself examines the messy minutiae of family life alongside knottier questions of politics and gender. Through it all, Julavits discovers the beauty and the peril of telling stories as a way to locate ourselves and help others find us.

Intimate, rigorous, and refreshingly unsentimental, Directions to Myself cements Julavits’s reputation as one of the most shrewdly innovative nonfiction writers at work today.

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The Uses of Enchantment: A Novel

by Heidi Julavits

In late afternoon on November 7, 1985, sixteen-year-old Mary Veal was abducted after field hockey practice at her all-girls New England prep school.

Or was she?

A few weeks later an unharmed Mary reappears as suddenly and mysteriously as she disappeared, claiming to have little memory of what happened to her. Her socially ambitious mother, a compelling if frosty woman descended from a Salem witch, is concerned that Mary has somehow been sullied by the experience and sends her to therapy with a psychologist named Dr. Hammer.

Mary turns out to be a cagey and difficult patient. Dr. Hammer begins to suspect thatMary concocted her tale of abduction when he discovers its parallels with a seventeenth-century narrative of a girl who was abducted by Indians and who caused her rescuer to be hanged as a witch. Hammer, eager to further his professional reputation, decides to write a book about Mary’s faked abduction, a project her mother sanctions, because she'd rather her daughter be a liar than a rape victim.

Fifteen years later, Mary has returned to Boston for her mother's funeral. Her abduction—real or imagined—has tainted many lives, including her own. When Mary finds a suggestive letter sent to her mother, she suspects her mother planned a reconciliation before her death. Thus begins a quest that requires Mary to revisit the people and places in her past.

The Uses of Enchantment weaves a spell in which the reader sees how the extraordinary power of a young woman’s sexuality, and the desire to wield it, have a devastating effect on all involved. The riveting cat-and-mouse power games between doctor and patient, and between abductor and abductee, are gradually, dreamily revealed, along with the truth about what actually happened in 1985.

Heidi Julavits is in full command of her considerable gifts and has crafted a dazzling narrative sure to garner her further acclaim as one of the best novelists working today.

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The Folded Clock: A Diary

by Heidi Julavits

Like many young people, Heidi Julavits kept a diary. Decades later she found her old diaries in a storage bin, and hoped to discover the early evidence of the person (and writer) she’d since become. Instead, “The actual diaries revealed me to possess the mind of a paranoid tax auditor.”
Thus was born a desire to try again, to chronicle her daily life as a fortysomething woman, wife, mother, and writer. The dazzling result is The Folded Clock, in which the diary form becomes a meditation on time and self, youth and aging, betrayal and loyalty, friendship and romance, faith and fate, marriage and family, desire and death, gossip and secrets, art and ambition.
The Folded Clock is as playful as it is brilliant, a tour de force by one of the most gifted prose stylists in American letters.

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The Folded Clock: A Diary

by Heidi Julavits

A New York Times Notable Book

Rereading her childhood diaries, Heidi Julavits hoped to find incontrovertible proof that she was always destined to be a writer. Instead, they “revealed me to possess the mind of a phobic tax auditor.” Thus was born a desire to try again, to chronicle her daily life—now as a forty-something woman, wife, mother, and writer. A meditation on time and self, youth and aging, friendship and romance, faith and fate, and art and ambition, in The Folded Clock one of the most gifted prose stylists in American letters explodes the typically confessional diary form with her trademark humor, honesty, and searing intelligence.

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Women in Clothes

by Sheila Heti, Heidi Julavits, Leanne Shapton

THE NEW YORK TIMES BESTSELLER

Women in Clothes is a book unlike any other. It is essentially a conversation among hundreds of women of all nationalities—famous, anonymous, religious, secular, married, single, young, old—on the subject of clothing, and how the garments we put on every day define and shape our lives.

It began with a survey. The editors composed a list of more than fifty questions designed to prompt women to think more deeply about their personal style. Writers, activists, and artists including Cindy Sherman, Kim Gordon, Kalpona Akter, Sarah Nicole Prickett, Tavi Gevinson, Miranda July, Roxane Gay, Lena Dunham, and Molly Ringwald answered these questions with photographs, interviews, personal testimonies, and illustrations.

Even our most basic clothing choices can give us confidence, show the connection between our appearance and our habits of mind, express our values and our politics, bond us with our friends, or function as armor or disguise. They are the tools we use to reinvent ourselves and to transform how others see us. Women in Clothes embraces the complexity of women’s style decisions, revealing the sometimes funny, sometimes strange, always thoughtful impulses that influence our daily ritual of getting dressed.

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The Mineral Palace

by Heidi Julavits

While poverty and dust storms plague a Colorado mining town during the Depression, doctor's wife Bena Jonssen begins to unravel the sexual corruption lurking under the community's thin veneer of respectability. A first novel. Reprint.

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The Uses of Enchantment (Vintage Contemporaries)

by Heidi Julavits

One Autumn day in 1985, sixteen-year-old Mary Veal vanishes from her Massachusetts prep school. A few weeks later she reappears unharmed and with little memory of what happened to her--or at least little that she is willing to share. Was Mary abducted, or did she fake her disappearance? This question haunts Mary's family, her psychologist, even Mary herself. Weaving together three narratives, The Uses of Enchantment conjures a spell in which the hallucinatory power of a young woman’s sexuality, and her desire to wield it, has devastating consequences for all involved.

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Read Hard: Five Years of Great Writing from the Believer

by Heidi Julavits, Vendela Vida, Ed Park

This volume collects the finest essays and articles from the four-time National Magazine Award–nominated Believer magazine. The book combines all the erudition and wit readers have come to expect from its pages: Jonathan Lethem on Nathanael West, William T. Vollmann on W. G. Sebald, Ben Ehrenreich on Brian Evenson, Paul La Farge on Dungeons & Dragons, and much, much more. It’s an essential anthology, collecting the best in creative nonfiction, the best in literary journalism, and the best writing in English from the beginning of the twenty-first century, from one of the smartest, weirdest, and funniest magazines in the country.

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The Believer, Issue 69: February 2010

by Heidi Julavits, Vendela Vida, Ed Park

Each issue of The Believer includes essays on pop culture, politics, art, and music, as well as lengthy interviews with philosophers, politicians, and poets. Nick Hornby has a widely celebrated monthly books column, and Amy Sedaris (and well-known guest-columnists) offers an advice column comprised of hilariously bad advice. The celebrated graphic novelist Charles Burns illustrates the cover each month, and the magazine is littered with illustrations by a wide range of established and emerging artists, with regulars like Tony Millionaire, Marcel Dzama, and others.

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The Believer, Issue 93

by Heidi Julavits, Edited By Vendela Vida, And Andrew Leland

The Believer’s mission is to introduce readers to the best and most interesting work in the world of art, culture, and thought—whether that means literature, painting, wrestling, philosophy, or cooking—in an attractive vehicle that’s free from the bugbears of condescension, mustiness, and jargony obfuscation. Its content (including essays, interviews, comics, poetry, and reviews) offers fresh perspectives from editors Heidi Julavits, Vendela Vida, and Andrew Leland. Each issue includes the popular columns “Stuff I’ve Been Reading,” by Nick Hornby; “What the Swedes Read” (a look at Nobel Prize-winners), by Daniel Handler; and “Real Life Rock Top 10,” by Greil Marcus. The July/August Music Issue includes a free CD of new music curated for the magazine, the March/April Film Issue includes a free DVD of otherwise unreleased films, and the November/December Art Issue includes a free, always-changing bonus item.

The Believer is a monthly magazine where length is no object. There are book reviews that are not necessarily timely, and that are very often long. There are also interviews that are very long. We will focus on writers and books we like. We will give people and books the benefit of the doubt. The working title of this magazine was The Optimist. ––The Editors

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No copies available.

The Believer, Issue 90

by Heidi Julavits, Edited By Vendela Vida, And Andrew Leland

The Believer is a monthly magazine where length is no object. It features long articles, interviews, and book reviews, as well as poems, comics, and a two-page vertically-oriented Schema spread, more or less unreproduceable on the web. The common thread in all these facets is that the Believer gives people and books the benefit of the doubt (the working title of this magazine was the Optimist).

On each issue, Charles Burns's beautiful illustrations adorn the cover; our regular raft of writers, artists, and photographers fill the pages; and the feel of the Westcan Printing Group’s gorgeous “Roland Enviro 100 Natural” recycled acid-free heavy stock paper warms your heart.

Copies

No copies available.

The Believer, Issue 96

by Heidi Julavits, Vendela Vida, Andrew Leland

The Believer is a monthly magazine where length is no object. It features long articles, interviews, and book reviews, as well as poems, comics, and a two-page vertically-oriented Schema spread, more or less unreproduceable on the web. The common thread in all these facets is that The Believer gives people and books the benefit of the doubt (the working title of this magazine was The Optimist).

On each issue, Charles Burns's beautiful illustrations adorn the cover; our regular raft of writers, artists, and photographers fill the pages; and the feel of the Westcan Printing Group’s gorgeous “Roland Enviro 100 Natural” recycled acid-free heavy stock paper warms your heart.

Copies

No copies available.

The Believer, Issue 97

by Heidi Julavits, Vendela Vida, Andrew Leland

The Believer is a monthly magazine where length is no object. It features long articles, interviews, and book reviews, as well as poems, comics, and a two-page vertically-oriented Schema spread, more or less unreproduceable on the web. The common thread in all these facets is that The Believer gives people and books the benefit of the doubt (the working title of this magazine was The Optimist).

On each issue, Charles Burns's beautiful illustrations adorn the cover; our regular raft of writers, artists, and photographers fill the pages; and the feel of the Westcan Printing Group’s gorgeous “Roland Enviro 100 Natural” recycled acid-free heavy stock paper warms your heart.

Copies

No copies available.

The Believer, Issue 92

by Heidi Julavits, Edited By Vendela Vida, And Andrew Leland

The Believer’s mission is to introduce readers to the best and most interesting work in the world of art, culture, and thought—whether that means literature, painting, wrestling, philosophy, or cooking—in an attractive vehicle that’s free from the bugbears of condescension, mustiness, and jargony obfuscation. Its content (including essays, interviews, comics, poetry, and reviews) offers fresh perspectives from editors Heidi Julavits, Vendela Vida, and Andrew Leland. Each issue includes the popular columns “Stuff I’ve Been Reading,” by Nick Hornby; “What the Swedes Read” (a look at Nobel Prize-winners), by Daniel Handler; and “Real Life Rock Top 10,” by Greil Marcus. The July/August Music Issue includes a free CD of new music curated for the magazine, the March/April Film Issue includes a free DVD of otherwise unreleased films, and the November/December Art Issue includes a free, always-changing bonus item.

The Believer is a monthly magazine where length is no object. There are book reviews that are not necessarily timely, and that are very often long. There are also interviews that are very long. We will focus on writers and books we like. We will give people and books the benefit of the doubt. The working title of this magazine was The Optimist. ––The Editors

Copies

No copies available.

The Believer, Issue 91: The Music Issue

by Heidi Julavits, Vendela Vida, Andrew Leland

The Believer is a monthly magazine where length is no object. It features long articles, interviews, and book reviews, as well as poems, comics, and a two-page vertically-oriented Schema spread, more or less unreproduceable on the web. The common thread in all these facets is that the Believer gives people and books the benefit of the doubt (the working title of this magazine was the Optimist).

On each issue, Charles Burns's beautiful illustrations adorn the cover; our regular raft of writers, artists, and photographers fill the pages; and the feel of the Westcan Printing Group’s gorgeous “Roland Enviro 100 Natural” recycled acid-free heavy stock paper warms your heart.

Copies

No copies available.

The Believer, Issue 98

by Heidi Julavits, Vendela Vida, Andrew Leland

The Believer is a monthly magazine where length is no object. It features long articles, interviews, and book reviews, as well as poems, comics, and a two-page vertically-oriented Schema spread, more or less unreproduceable on the web. The common thread in all these facets is that the Believer gives people and books the benefit of the doubt (the working title of this magazine was the Optimist).

On each issue, Charles Burns's beautiful illustrations adorn the cover; our regular raft of writers, artists, and photographers fill the pages; and the feel of the Westcan Printing Group’s gorgeous “Roland Enviro 100 Natural” recycled acid-free heavy stock paper warms your heart.

Copies

No copies available.

The Believer, Issue 101

by Heidi Julavits, Vendela Vida, Andrew Leland

The Believer is a monthly magazine where length is no object. There are book reviews that are not necessarily timely, and that are very often long. There are also interviews that are very long. Focusing on writers and books they like, The Believer gives people and books the benefit of the doubt. The working title of this magazine was The Optimist.

Copies

No copies available.

The Believer, Issue 102

by Heidi Julavits, Vendela Vida, Andrew Leland

The Believer is a monthly magazine where length is no object. There are book reviews that are not necessarily timely, and that are very often long. There are also interviews that are very long. Focusing on writers and books they like, The Believer gives people and books the benefit of the doubt. The working title of this magazine was The Optimist.

Copies

No copies available.

The Believer, Issue 107

by Heidi Julavits, Vendela Vida, Andrew Leland

The Believer is a monthly magazine where length is no object. It features long articles, interviews, and book reviews, as well as poems, comics, and a two-page vertically-oriented Schema spread, more or less unreproduceable on the web. The common thread in all these facets is that the Believer gives people and books the benefit of the doubt (the working title of this magazine was the Optimist).

On each issue, Charles Burns's beautiful illustrations adorn the cover; our regular raft of writers, artists, and photographers fill the pages; and the feel of the Westcan Printing Group’s gorgeous “Roland Enviro 100 Natural” recycled acid-free heavy stock paper warms your heart.

Copies

No copies available.

The Believer, Issue 110

by Heidi Julavits, Vendela Vida, Andrew Leland

The Believer’s mission is to introduce readers to the best and most interesting work in the world of art, culture, and thought—whether that means literature, painting, wrestling, philosophy, or cooking—in an attractive vehicle that’s free from the bugbears of condescension, mustiness, and jargony obfuscation. Its content (including essays, interviews, comics, poetry, and reviews) offers fresh perspectives from editors Heidi Julavits, Vendela Vida, and Andrew Leland. Each issue includes the popular columns “Stuff I’ve Been Reading,” by Nick Hornby; “What the Swedes Read” (a look at Nobel Prize-winners), by Daniel Handler; and “Real Life Rock Top 10,” by Greil Marcus. The July/August Music Issue includes a free CD of new music curated for the magazine, the March/April Film Issue includes a free DVD of otherwise unreleased films, and the November/December Art Issue includes a free, always-changing bonus item.

The Believer is a monthly magazine where length is no object. There are book reviews that are not necessarily timely, and that are very often long. There are also interviews that are very long. We will focus on writers and books we like. We will give people and books the benefit of the doubt. The working title of this magazine was The Optimist. ––The Editors

Copies

No copies available.

The Believer, Issue 105

by Heidi Julavits, Vendela Vida, Andrew Leland

The Believer is a monthly magazine where length is no object. It features long articles, interviews, and book reviews, as well as poems, comics, and a two-page vertically-oriented Schema spread, more or less unreproduceable on the web. The common thread in all these facets is that The Believer gives people and books the benefit of the doubt (the working title of this magazine was The Optimist).

On each issue, Charles Burns's beautiful illustrations adorn the cover; our regular raft of writers, artists, and photographers fill the pages; and the feel of the Westcan Printing Group’s gorgeous “Roland Enviro 100 Natural” recycled acid-free heavy stock paper warms your heart.

Copies

No copies available.

Read Harder

by Heidi Julavits, Ed Park

This volume collects the finest essays from the second half of the Believer's decade-long (and counting) run. The Believer, the McSweeney's-published four-time nominee for the National Magazine Award, is beloved for tackling everything from pop culture to ancient literature with the same sagacity and wit, and this collection cements that reputation with pieces as wildly diverse as the magazine itself. Featured articles include Nick Hornby on his first job, Rebecca Taylor on her time acting in no-budget horror movies, Francisco Goldman on the failings of memoir in dealing with personal tragedy, Megan Abbott and Sara Gran on V.C. Andrews and the secret life of girls, and Brian T. Edwards on Western pop culture's influence on Iran. Read Harder collects some of the finest nonfiction writing published in America today, from the profound to the absurd, the crushing to the uplifting. As the Believer enters its second decade, Read Harder serves as both an essential primer for one of the finest, strangest magazines in the country, and an indispensable stand-alone volume.

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The Believer, Issue 111

by Heidi Julavits, Vendela Vida, Karolina Waclawiak

The Believer’s mission is to introduce readers to the best and most interesting work in the world of art, culture, and thought—whether that means literature, painting, wrestling, philosophy, or cooking—in an attractive vehicle that’s free from the bugbears of condescension, mustiness, and jargony obfuscation. Its content (including essays, interviews, comics, poetry, and reviews) offers fresh perspectives from editors Heidi Julavits, Vendela Vida, and Karolina Waclawiak. Each issue includes the popular columns “Stuff I’ve Been Reading,” by Nick Hornby, and “What the Swedes Read” (a look at Nobel Prize-winners), by Daniel Handler.

This issue features Rachel Kaadzi Ghansah on Jimi Hendrix's Electric Lady Studios, Livia Manera Sambuy on a fifteen-year friendship with Philip Roth, Lisa Wells on Finisia Medrano and her nomads of the Great Basin, reporting from India and the Ukraine; new poems by John Ashbery, Jynne Dilling Martin, and Rae Armantrout; and (among many other wonders) interviews with R. Crumb, Roz Chast, Stephin Merritt, Kumail Nanjiani, Zainab Salbi, and Dian Hanson.

Copies

No copies available.

The Believer, Issue 104

by Heidi Julavits, Vendela Vida, Andrew Leland

The Believer’s mission is to introduce readers to the best and most interesting work in the world of art, culture, and thought—whether that means literature, painting, wrestling, philosophy, or cooking—in an attractive vehicle that’s free from the bugbears of condescension, mustiness, and jargony obfuscation. Its content (including essays, interviews, comics, poetry, and reviews) offers fresh perspectives from editors Heidi Julavits, Vendela Vida, and Andrew Leland. Each issue includes the popular columns “Stuff I’ve Been Reading,” by Nick Hornby; “What the Swedes Read” (a look at Nobel Prize-winners), by Daniel Handler; and “Real Life Rock Top 10,” by Greil Marcus. The July/August Music Issue includes a free CD of new music curated for the magazine, the March/April Film Issue includes a free DVD of otherwise unreleased films, and the November/December Art Issue includes a free, always-changing bonus item.

The Believer is a monthly magazine where length is no object. There are book reviews that are not necessarily timely, and that are very often long. There are also interviews that are very long. We will focus on writers and books we like. We will give people and books the benefit of the doubt. The working title of this magazine was The Optimist.

Copies

No copies available.

The Believer Issue 143: Fall 2023

by Heidi Julavits, Vendela Vida, Ed Park, Daniel Gumbiner

A twelve-time finalist for the National Magazine Awards, every issue of The Believer features commentary, deeply reported journalism, poetry, art, essays, and a difficult but ultimately highly enjoyable games section. Printed on full color, acid-free paper, the magazine has long been a home for the unexpected and the unwieldy corners of culture, a place where readers can encounter emerging talents alongside established, award-winning writers and artists. Lavishly illustrated and perfect-bound, The Believer is printed four times a year, and occasionally accompanied by a delightful bonus item, like an original 7'' record or some other equally amusing object.

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The Believer Issue 146: Summer 2024

by Heidi Julavits, Vendela Vida, Ed Park, Daniel Gumbiner

None

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The Believer Issue 148: Winter 2024/2025

by Heidi Julavits, Vendela Vida, Ed Park, Daniel Gumbiner

In The Believer's 2024 Art Issue: Pepper Stetler reports from an art center for adults with intellectual disabilities that sees both creativity and work as fundamental human rights; Ross Simonini considers the immortal power of artistic persona; Nicole Lavelle profiles ceramicist Win Ng, cofounder of one of America's first ever lifestyle brands; and, in an epistolary essay, Hilton Als writes about painter Lynette Yiadom-Boakye's inimitable use of color. We also have interviews with Annie Leibovitz, An-My Lê, Martine Syms, performance artist Michael Smith, and legendary muralist Judy Baca, plus a schema on Black models in Western art by Zaria Ware.
In our columns section, you'll find Nick Hornby's art-themed reading list, Chelsea Ryoko Wong's daily routine, Monica Datta's resurrection of Black Square by Kazimir Malevich, and Carrie Brownstein's advice to a pet portraitist. On top of all that, and in honor of this special themed issue, every copy comes with a handily detachable, many-paged gift guide, featuring recommendations from artists, such as Marcel Dzama, Rebecca Morgan, Micah Lexier, Clare Rojas, and more. Gift ideas include, but are not limited to, knives, pens, jam jars, holy wafers, tape dispensers, chocolate with pistachios, and industrial pancake makers.

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The Believer, Issue 114

by Heidi Julavits, Vendela Vida, Karolina Waclawiak

The Believer, a five-time National Magazine Award finalist, is a bimonthly literature, arts, and culture magazine. In each issue, readers will find journalism and essays that are frequently very long, book reviews that are not necessarily timely, and interviews that are intimate, frank, and also very long. There are intricate illustrations by Tony Millionaire and a rotating cast of guest artists, poems, and regular columns by Nick Hornby and Daniel Handler.

The annual Music Issue features Karen Tongson on her namesake, Karen Carpenter, and how the particular whiteness of the Carpenters’ sound took off in the Philippines; Michael Snyder on a territory in northeast India in which contemporary Christian gospel is effecting near-total cultural assimilation; Phillip Pantuso on Guyanese songbird smugglers; Stephanie Elizondo Griest on dancers who place art above everything else in their lives; and Sandi Rankaduwa on the evolution of female emcees. There will also be (among other things) a special section on unreliable songwriters; a visual examination of Italo Disco’s map to humanity’s apotheosis via glitter and robot sex; and interviews with Enya, the LA Phil’s Deborah Borda, punk bassist Mike Watt, rapper and producer Lil B, and legendary rock muse Bebe Buell.

Copies

No copies available.

The Believer, Issue 113

by Heidi Julavits, Vendela Vida, Andrew Leland, Karolina Waclawiak

The Believer, a five-time National Magazine Award finalist, is a bimonthly literature, arts, and culture magazine. In each issue, readers will find journalism and essays that are frequently very long, book reviews that are not necessarily timely, and interviews that are intimate, frank, and also very long. There are intricate illustrations by Tony Millionaire and a rotating cast of guest artists, poems, a comics section, and regular columns by Nick Hornby and Daniel Handler.

In The Believer’s fall issue, Pablo Calvi reports on an oil pipeline that threatens Ecuadorian indigenous populations, Alex Mar has tea with the Church of Satan's high priest, Daniel Werb discusses harm reduction in Tijuana, and Esmé Weijun Wang explores living with schizophrenia. Other essays focus on the anarchist who’s quietly fanning the flames of our country’s insurrectionary movements and the irresistibly gothic family whose middle son is the inspiration behind Bolaño’s mad-genius poet in 2666. There are poems by Kay Ryan and Kathleen Ossip, in-depth interviews with Megan Rapinoe, Michael Schur, Jerry Stahl, Sheila Nevins, Ronald Cotton, and Miranda July, and a special section on the theme of silence with work by Diane Cook, Sara Novic, Stephen Burt, Rachel Z. Arndt, Matthew Zapruder, and JW McCormack.

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