Books by Legacy Russell

Glitch Feminism: A Manifesto

by Legacy Russell

A New York Times Best Art Book of 2020

A new manifesto for cyberfeminism: finding liberation in the glitch between body, gender, and technology

The divide between the digital and the real world no longer exists. We are connected all the time. How do we find out who we are in this digital era? Where do we create the space to explore our identity? How can we come together in solidarity?

A glitch is normally thought of as an error, a faulty overlaying, but, as Legacy Russell shows, liberation can be found within the fissures between gender, technology, and the body. The glitch offers an opportunity for us to perform and transform ourselves in an infinite variety of identities. In Glitch Feminism, Russell makes a series of radical demands through memoir, art, and critical theory, as well as the work of contemporary artists—including Juliana Huxtable, Sondra Perry, boychild, Victoria Sin, and Kia LaBeija—who have travelled through the glitch in their work.

Timely and provocative, Glitch Feminism shows how error can lead to revolution.

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Black Meme: A History of The Images That Make Us

by Legacy Russell

"Unsettles, expands and deepens our understanding of the black meme...necessary reading; brilliant and utterly convincing."
–Christina Sharpe, author of Ordinary Notes

"You will be galvanized by Legacy Russell’s analytic brilliance and visceral eloquence."
–Margo Jefferson, author of Constructing a Nervous System

A history of Black imagery that recasts our understanding of visual culture and technology

In Black Meme, Legacy Russell, award-winning author of the groundbreaking Glitch Feminism, explores the “meme” as mapped to Black visual culture from 1900 to the present, mining both archival and contemporary media.

Russell argues that without the contributions of Black people, digital culture would not exist in its current form. These meditations include the circulation of lynching postcards; why a mother allowed Jet magazine to publish a picture of her dead son, Emmett Till; and how the televised broadcast of protesters in Selma changed the debate on civil rights.

Questions of the media representation of Blackness come to the fore as Russell considers how a citizen-recorded footage of the LAPD beating Rodney King became the first viral video. And the Anita Hill hearings shed light on the media’s creation of the Black icon. The ownership of Black imagery and death is considered in the story of Tamara Lanier’s fight to reclaim the daguerreotypes of her enslaved ancestors from Harvard. Meanwhile the live broadcast on Facebook of the murder of Philando Castile by the police after he was stopped for a broken taillight forces us to bear witness to the persistent legacy of the Black meme.

Through imagery, memory and technology Black Meme shows us how images of Blackness have always been central to our understanding of the modern world.

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Camille Henrot: Mother Tongue

by Hélène Cixous, Legacy Russell, Marcus Steinweg, Julika Bosch, Séamus Kealy, Emily LaBarge

"IN MANY LANGUAGES, 'UNDERSTANDING' ALSO COMES FROM THE IDEA OF PUTTING SOMETHING INSIDE YOUR BODY" - CAMILLE HENROT

Over the past twenty years, Camille Henrot has developed a critically acclaimed practice that moves seamlessly between drawing, painting, sculpture, installation, and film. Mother Tongue is Henrot's first publication focused solely on painting and drawing, bringing together over 200 works from the series System of Attachment, Wet Job, and Soon, created between 2018 and 2022. This recent body of work addresses the ambivalent nature of care and the tension between the simultaneous developmental need for attachment and independence, beginning at infancy and continuing throughout life. Her deeply personal and intimate interrogations ultimately relate to broader questions such as the expectations placed on mothers and the representation of the female body.

This richly illustrated catalogue is accompanied by texts from Emily LaBarge, Legacy Russell, Marcus Steinweg, Hélene Cixous, Seamus Kealy, and a conversation with Camille Henrot and curator Julika Bosch.

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