Books by Michael Wood
Shakespeare
by Michael Wood
In this absorbing historical detective story, acclaimed broadcaster and historian Michael Wood takes an entirely fresh approach to the Bard's life, vividly re-creating the turbulent times through which he lived and painting a more convincing and complete portrait of the artist than has ever before been thought possible. Drawing on an extensive range of sources, Wood takes us back into the staterooms and back alleys of Elizabethan England. Marked by murderous plots and government-sponsored terror, religious divisions and rebellious movements, the Spanish Armada and the colonization of the Americas, the dramatic world in which Shakespeare moved is here conjured up like never before. We enter the lodgings where he wrote his greatest plays and meet the real-life characters who inspired his work: doctors, landladies, musicians, foreigners, and members of London's contemporary black population. With 130 illustrations, full-color and black-and-white, Shakespeare is a book to enjoy on many levels-as both a world-class work of historical investigation and a fascinating yet informative visual feast. Filled with fresh discoveries, Michael Wood's pathbreaking work gloriously reinstates the image of William Shakespeare as a thinking artist, a man who held up a mirror to his age, but who was also, as his friend Ben Jonson said, "not of an age, but for all time."
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Film: A Very Short Introduction
by Michael Wood
Film is arguably the dominant art form of the twentieth century. In this Very Short Introduction, Michael Wood offers a wealth of insight into the nature of film, considering its role and impact on society as well as its future in the digital age. As Wood notes, film is many things, but it has become above all a means of telling stories through images and sounds. The stories are often quite false, frankly and beautifully fantastic, and they are sometimes insistently said to be true. Indeed, many condemn movies as an instrument of illusion, an emphatic way of seeing what is not there. And others celebrate the reverse: that film brings us closest to the world as it actually is. "Photography is truth," a character says in a film by Jean-Luc Godard. "And cinema is the truth twenty-four times per second." But they are stories in either case, and there are very few films, Wood observes, even in avant-garde art, that don't imply or quietly slip into narrative.
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The Story of England
by Michael Wood, Christopher Hibbert
In The Story of England Michael Wood tells the extraordinary story of one English community over fifteen centuries, from the moment that the Roman Emperor Honorius sent his famous letter in 410 advising the English to look to their own defences to the village as it is today. The village of Kibworth in Leicestershire lies at the very centre of England. It has a church, some pubs, the Grand Union Canal, a First World War Memorial - and many centuries of recorded history. In the thirteenth century the village was bought by William de Merton, who later founded Merton College, Oxford, with the result that documents covering 750 years of village history are lodged at the college. Building on this unique archive, and enlisting the help of the current inhabitants of Kibworth, with a village-wide archeological dig, with the first complete DNA profile of an English village and with use of local materials like family memorabilia, the story of Kibworth is the story of England itself, a 'Who Do You Think You Are?' for the entire nation. 'Better than any historian for decades, [in In Search of England] Wood brings home not just the ways in which buildings, landscapes and written texts may be read, but the sensual beauty of encounters with them' TLS Michael Wood was born and educated in Manchester. He was an open scholar in Modern History at Oriel College, Oxford, where he held a Bishop Fraser scholarship in Medieval History as a postgraduate. He has made a number of internationally successful tv series, including In the Footsteps of Alexander the Great, and four of his books have been UK non-fiction number one bestsellers. His highly acclaimed book of essays on early English history, In Search of England, was published by Penguin in 1999.
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The Story of England
by Michael Wood, Christopher Hibbert
A concise, illustrated guide to England's political, economic and cultural history from the Neolithic to the present day. There is little depth here - the centuries chase each other across the pages - but it does provide an attractive, if basic, introduction to English history through its hillforts, monuments, buildings and kings and queens as well as paintings and manuscripts.
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The Story of China: The Epic History of a World Power from the Middle Kingdom to Mao and the China Dream
by Michael Wood
A single volume history of China, offering a look into the past of the global superpower and its significance today.
Michael Wood has travelled the length and breadth of China, the world’s oldest civilization and longest lasting state, to tell a thrilling story of intense drama, fabulous creativity, and deep humanity that stretches back thousands of years.
After a century and a half of foreign invasion, civil war, and revolution, China has once again returned to center stage as a global superpower and the world’s second largest economy. But how did it become so dominant? Wood argues that in order to comprehend the great significance of China today, we must begin with its history.
The Story of China takes a fresh look at the Middle Kingdom in the light of the recent massive changes inside the country. Taking into account exciting new archeological discoveries, the book begins with China’s prehistory―the early dynasties, the origins of the Chinese state, and the roots of Chinese culture in the age of Confucius. Wood looks at particular periods and themes that are now being reevaluated by historians, such as the renaissance of the Song with its brilliant scientific discoveries. He paints a vibrant picture of the Qing Empire in the 18th century, just before the European impact, a time when China’s rich and diverse culture was at its height. Then, Wood explores the encounter with the West, the Opium Wars, the clashes with the British, and the extraordinarily rich debates in the late 19th century that pushed China along the path to modernity.
Finally, he provides a clear up-to-date account of post-1949 China, including revelations about the 1989 crisis based on newly leaked inside documents, and fresh insights into the new order of President Xi Jinping. All woven together with landscape history and the author’s own travel journals, The Story of China is the indispensable book about the most intriguing and powerful country on the world stage today.
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In Search of the Dark Ages
by Michael Wood
Fully updated and revised with the latest historical research by pre-eminent British Historian Michael Wood for the book's 40th anniversary. From Boudica to William the Conqueror, this is the definitive story of the Early Middle Ages and the hidden history of its people.
First published in 1981 and accompanying the hugely popular BBC documentary series of the same name, In Search of the Dark Ages is the bestselling book that helped establish Michael Wood as one of Britain's leading historians. The book is still highly regarded for its research in the field and continues to sell on even 30 years after publication.
Updated with the latest archaeological research new chapters on the most influential yet widely unrecognized people of the British isles, In Search of the Dark Ages illuminates the fascinating and mysterious centuries between the Romans and the Norman Conquest of 1066.
In this fully revised and updated edition, Michael Wood vividly conjures some of the most important people in British history such as Hadrian, a Libyan refugee from the Arab conquests and arguably the most important person of African origin in British history, to Queen Boadicea, the leader of a terrible war of resistance against the Romans.
Here too, warts and all, are the Saxon, Viking and Norman kings who laid the political foundations of England: Offa of Mercia, Alfred the Great, Athelstan, and William the Conqueror, whose victory at Hastings in 1066 marked the end of Anglo-Saxon England.
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In Search of England: Journeys into the English Past
England is the birthplace of many immortal legends told around the world: King Arthur and Camelot, the Holy Grail, Robin Hood, the mysterious Isle of Avalon. But are these famous stories based on historical events and actual people? And what do they tell us about the character and origins of the Anglo-Saxon world, a culture that helped shape American identity?
In his absorbing new book, Michael Wood examines the roots of English history. Peeling back the layers of literary and oral material that have accumulated over the ages, he offers a fascinating series of rich stories--part history, part myth--that, directly or indirectly, touch on questions of English history and identity. He looks back at the legends surrounding Alfred the Great, King Athelstan, the lost library of Glastonbury, and more.
Wood's emphasis is the Early Middle Ages, and the first two sections of the book offer deep excursions into particular moments in the history of that era. In addition to recounting some well-known legends, Wood considers the manuscripts and other primary sources of historical information on which they are based, assessing the validity of existing documentation, fleshing out historical contexts, and considering the treatment throughout history of these stories by famous writers, poets, and moviemakers.
In the third part of In Search of England, Wood writes about places that illuminate interesting aspects of early England: Tinsley Wood, near Sheffield, which has been claimed as the site of Athelstan's great victory against the Celts in 937; a farmhouse in Devon which has been occupied since Domesday and possibly long before; and the village of Peatling Magna in Leicestershire, scene of an extraordinary confrontation with King Henry III in 1265. These are the places and events that offer a complementary version of the history that is discussed earlier in the book.
In Search of England is published at a significant moment. With the European union, and with assertions of independence within the United Kingdom, questions about English national identity have become increasingly topical both there and abroad. Wood offers a potent and revealing account of the origins of a culture that has had a significant impact worldwide. His narrative is a rich unfolding of history and legend reaching to the present day, and a delightfully readable meditation on the roots of the Anglo-Saxon world.
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On Empson (Writers on Writers, 9)
by Michael Wood
From one of today's most distinguished critics, a beautifully written exploration of one of the twentieth century's most important literary critics
Are literary critics writers? As Michael Wood says, "Not all critics are writers―perhaps most of them are not―and some of them are better when they don't try to be." The British critic and poet William Empson (1906–84), one of the most important and influential critics of the twentieth century, was an exception―a critic who was not only a writer but also a great one. In this brief book, Wood, himself one of the most gifted writers among contemporary critics, explores Empson as a writer, a distinguished poet whose criticism is a brilliant literary performance―and proof that the act of reading can be an unforgettable adventure.
Drawing out the singularity and strength of Empson's writing, including its unfailing wit, Wood traces the connections between Empson's poetry and criticism from his first and best-known critical works, Seven Types of Ambiguity and Some Versions of Pastoral, to later books such as Milton's God and The Structure of Complex Words. Wood shows why this pioneer of close reading was both more and less than the inventor of New Criticism―more because he was the greatest English critic since Coleridge, and didn't belong to any school; and less because he had severe differences with many contemporary critics, especially those who dismissed the importance of an author's intentions.
Beautifully written and rich with insight, On Empson is an elegant introduction to a unique writer for whom literature was a nonstop form of living.
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Yeats and Violence (Clarendon Lectures in English)
by Michael Wood
The night can sweat with terror as before
We pieced our thoughts into philosophy,
And planned to bring the world under a rule,
Who are but weasels fighting in a hole.
W.B. Yeats, 'Nineteen Hundred and Nineteen'
This is a book about how poetry, seen through the instance of a single poem, seeks to make sense of a turbulent and dangerous world. Poetry must introduce order and shape where there is none, and also, in certain crucial cases, remain faithful to the disorder and shapelessness of experience. Many poems manage the first of these tasks; very few manage both. W.B. Yeats 'Nineteen Hundred and Nineteen' (written and first published in 1921) is one of them. It is a work which asks what happens when what is taken to be civilization crumbles. What apocalyptic events wait in the wings? What are history's victims (and executors) to do except mock and mourn?
Successive chapters investigate the six parts of the poem, connecting them to Yeats' broader poetic practice, his interest in the occult and his changing vision of Irish nationalism; to the work of other poets (Irish, English, Russian German); and to Irish and European history between 1916 (the date of the Easter Uprising in Dublin) and 1923 (the date of the end of the Irish Civil War). Theoretical considerations of the shape and meaning of violence, both political and religious, link the chapters to each other.
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Literature and the Taste of Knowledge (The Empson Lectures)
by Michael Wood
What does literature know? Does it offer us knowledge of its own or does it only interrupt and question other forms of knowledge? This book answers and prolongs these questions through the close examination of individual works and the exploration of a broad array of examples. Chapters on Henry James, Kafka, and the form of the villanelle are interspersed with wider-ranging inquiries into forms of irony, indirection and the uses of fiction. Examples range from Auden to Proust and Rilke, and from Calvino to Jean Rhys and Yeats.
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Dictionary of Untranslatables: A Philosophical Lexicon (Translation/Transnation, 35)
by Michael Wood, Barbara Cassin, Jacques Lezra, Emily Apter
A one-of-a-kind reference to the international vocabulary of the humanities
This is an encyclopedic dictionary of close to 400 important philosophical, literary, and political terms and concepts that defy easy―or any―translation from one language and culture to another. Drawn from more than a dozen languages, terms such as Dasein (German), pravda (Russian), saudade (Portuguese), and stato (Italian) are thoroughly examined in all their cross-linguistic and cross-cultural complexities. Spanning the classical, medieval, early modern, modern, and contemporary periods, these are terms that influence thinking across the humanities. The entries, written by more than 150 distinguished scholars, describe the origins and meanings of each term, the history and context of its usage, its translations into other languages, and its use in notable texts. The dictionary also includes essays on the special characteristics of particular languages―English, French, German, Greek, Italian, Portuguese, Russian, and Spanish.
Originally published in French, this one-of-a-kind reference work is now available in English for the first time, with new contributions from Judith Butler, Daniel Heller-Roazen, Ben Kafka, Kevin McLaughlin, Kenneth Reinhard, Stella Sandford, Gayatri Chakravorty Spivak, Jane Tylus, Anthony Vidler, Susan Wolfson, Robert J. C. Young, and many more.The result is an invaluable reference for students, scholars, and general readers interested in the multilingual lives of some of our most influential words and ideas. Covers close to 400 important philosophical, literary, and political terms that defy easy translation between languages and cultures Includes terms from more than a dozen languages Entries written by more than 150 distinguished thinkers Available in English for the first time, with new contributions by Judith Butler, Daniel Heller-Roazen, Ben Kafka, Kevin McLaughlin, Kenneth Reinhard, Stella Sandford, Gayatri Chakravorty Spivak, Jane Tylus, Anthony Vidler, Susan Wolfson, Robert J. C. Young, and many more Contains extensive cross-references and bibliographies An invaluable resource for students and scholars across the humanities
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