Books by T. S. Eliot

Old Possum's Book Of Practical Cats, Illustrated Edition

by T. S. Eliot, Edward Gorey

The inspiration for the iconic musical Cats, T. S. Eliot's classic and delightful collection of poetry about cats, with whimsical illustrations by Edward Gorey.

These lovable cat poems were written by T. S. Eliot for his godchildren and continue to delight children and adults alike. This collection is a curious and artful homage to felines young and old, merry and fierce, small and unmistakably round. Also includes Edward Gorey's charming pen and ink illustrations.

T. S. Eliot: Collected Poems, 1909-1962 (The Centenary Edition)

by T. S. Eliot

There is no more authoritative collection of the poetry that Eliot himself wished to preserve than this volume, published two years before his death in 1965.
Poet, dramatist, critic, and editor, T. S. Eliot was one of the defining figures of twentieth-century poetry. This edition of Collected Poems 1909-1962 includes The Love Song of J. Alfred Prufrock along with Four Quartets, The Waste Land, and several other poems.

The Waste Land, Prufrock and Other Poems (Dover Thrift Editions)

by T. S. Eliot

In the masterly cadences of T. S. Eliot's verse, the 20th century found its definitive poetic voice, an incredible "image of its accelerated grimace," in the words of Eliot's friend and mentor, Ezra Pound. This volume is a rich collection of much of Eliot's greatest work.
The title poem, The Waste Land (1922), ranks among the most influential poetic works of the century. An exploration of the psychic stages of a despairing soul caught in a struggle for redemption, the poem contrasts the spiritual stagnation of the modern world with the ennobling myths of the past. Other selections include the complete contents of Prufrock (1971), including "The Love Song of J. Alfred Prufrock," "Portrait of a Lady," "Rhapsody on a Windy Night," "Mr. Apollinax," and "Morning at the Window." From Poems (1920) there are "Gerontion," "The Hippopotamus," "Mr. Eliot's Sunday Morning Service," "Sweeney Among the Nightingales," and more.
An indispensable resource for all poetry lovers, this modestly priced edition is also an ideal text for English literature courses from high school to college. Includes "The Love Song of J. Alfred Prufrock."

The Waste Land and Other Poems (Penguin Classics)

by T. S. Eliot

A Penguin Classic

While recovering from a mental collapse in a Swiss sanitarium in 1921, T. S. Eliot finished what became the definitive poem of the modern condition, one that still casts a large and ominous shadow over twentieth-century poetry. Built upon the imagery of the Grail legend, the Fisher King, and ancient fertility cults, “The Waste Land” is both a poetic diagnosis of an ailing civilization and a desperate quest for spiritual renewal. Through pastiche and collage Eliot unfolds a nightmarish landscape of sexual disorder and spiritual desolation, inhabited by the voice (literary, historical, mythic, contemporary) of an unconscious that is at turns deeply personal and culturally collective. This edition includes “The Love Song of J. Alfred Prufrock,” “Portrait of a Lady,” “Gerontion,” and more.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The Annotated Waste Land with Eliot’s Contemporary Prose

by T. S. Eliot

The definitive edition of the most influential poem of the twentieth century

One of the twentieth century’s most powerful—and controversial—works, The Waste Land waspublished in the desolate wake of the First World War. This definitive edition of T. S. Eliot’s masterpiece presents a new and authoritative version of the poem, along with all the essays Eliot wrote as he was composing The Waste Land,seven of them never before published in book form. The volume is enriched with period photographs and a London map of locations mentioned in the poem.
Featured in the book are Lawrence Rainey’s groundbreaking account of how The Waste Land cameto be composed; a history of the reactions of admirers and critics; and full annotations to the poem and Eliot’s essays. The edition transforms our understanding of one of the greatest modernist writers and the magnificent poem that became a landmark in literary history.

Four Quartets: A Poem

by T. S. Eliot

The celebrated, last major verse written by Nobel laureate T. S. Eliot.

Considered by Eliot himself to be his finest work, Four Quartets is a rich composition that expands the spiritual vision introduced in “The Waste Land.” Here, in four linked poems (“Burnt Norton,” “East Coker,” “The Dry Salvages,” and “Little Gidding”), spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and Western thought. It is the culminating achievement by a man considered the greatest poet of the twentieth century and one of the seminal figures in the evolution of modernism.

Murder in the Cathedral

by T. S. Eliot

T. S. Eliot's most famous drama, a retelling of the murder of the archbishop of Canterbury
Murder in the Cathedral, written for the Canterbury Festival in 1935, was one of T. S. Eliot’s first dramatic achievements, and it remains one of the great plays of the century. It takes as its subject matter the martyrdom of Thomas Becket, Archbishop of Canterbury, depicting the events that led to his assassination, in his own cathedral church, by the knights of Henry II in 1170. Like Greek drama, the play’s theme and form are rooted in religion, ritual purgation and renewal, and it was this return to the earliest sources of drama that brought poetry triumphantly back to the English stage at the time.
"The theatre is enriched by this poetic play of grave beauty and momentous decision." —The New York Times

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

The first selected poems of a major poet who "wrote with more heart than any other North American poet of the twentieth century" (Rodney Jones, Parnassus)

More than any other poet of his generation, James Wright spoke to the great sadness and hope that are inextricable from the iconography of America: its rail yards, rivers, cities, and once vast natural beauty. Speaking in the unique lyrical voice that he called his "Ohioan," Wright created poems of immense sympathy for sociey's alienated and outcast figures and also of ardent wonder at the restorative power of nature.

Selected Poems fills a significant gap in Wright's bibliography: that of an accessible, carefully chosen collection to satisfy both longtime readers and those just discovering his work. Edited and with an introduction by Wright's widow, Anne, and his close friend the poet Robert Bly, who also wrote an introduction, Selected Poems is a personal, deeply considered collection of work with pieces chosen from all of Wright's books. It is an overdue--and timely--new view of a poet whose life and work encompassed the extremes of American life.

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

tr Robin Fulton

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

Selected Poems is the classic volume by the distinguished and celebrated poet Gwendolyn Brooks, winner of the 1950 Pulitzer Prize, and recipient of the National Book Foundation Medal for Distinguished Contribution to American Letters. This compelling collection showcases Brooks's technical mastery, her warm humanity, and her compassionate and illuminating response to a complex world. This edition also includes a special PS section with insights, interviews, and more—including a short piece by Nikki Giovanni entitled "Remembering Gwen."

By 1963 the civil rights movement was in full swing across the United States, and more and more African American writers were increasingly outspoken in attacking American racism and insisting on full political, economic, and social equality for all. In that memorable year of the March on Washington, Harper & Row released Brooks’s Selected Poems, which incorporated poems from her first three collections, as well as a selection of new poems. This edition of Selected Poems includes A Street in Bronzeville, Brooks's first published volume of poetry for which she became nationally known and which led to successive Guggenheim fellowships; Annie Allen, published one year before she became the first African American author to win the Pulitzer Prize in any category; and The Bean Eaters, her fifth publication which expanded her focus from studies of the lives of mainly poor urban black Americans to the heroism of early civil rights workers and events of particular outrage—including the 1955 Emmett Till lynching and the 1957 school desegregation crisis in Little Rock, Arkansas.

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

One of the major poets of Romanticism, Wordsworth epitomized the spirit of his age with his celebration of the natural world and the spontanous expression of feeling. This volume contains a rich selection from the most creative phase of his life, including extracts from his masterpiece, The Prelude, and the best-loved of his shorter poems such as 'Composed Upon Westminster Bridge', 'Tintern Abbey', 'I Wandered Lonely as a Cloud', 'Lucy Gray', and 'Michael'. Together these poems demonstrate not only Wordsworth's astonishing range and power, but the sustained and coherent vision that informed his work.

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

This selection gives equal weight to the two aspects of Robert Burns's reputation, as a lyricist and as a much-loved Scottish poet. Placing works in probable order of composition, it includes lyrics to his most well known songs, such as the nostalgic "Auld Lang Syne," the romantic "A Red, Red Rose," and the patriotic "Scots What Hae." As a poet, Burns wrote with deceptive simplicity and imaginative sympathy, and demonstrated enormous range—from comic dramatic monologues such as Holy Willie's Prayer, which mocks hypocrisy, to narratives including the celebrated Tam O' Shanter, about the ghostly visions of a drunk.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

Intense verbal music with a jazz feeling; invention against the grain of expectation; intelligence racing among materials with the variety of a busy street―these have been the qualities of Robert Pinsky's work since his first book, Sadness and Happiness (1975), celebrated for setting a new direction in American poetry. At that time, responding to a question about that book, Pinsky said: "I would like to write a poetry which could contain every kind of thing, while keeping all the excitement of poetry."

That ambition was realized in a new way with each of his books, including the book-length personal monologue An Explanation of America; the transformed autobiography of History of My Heart; the bestselling translation The Inferno of Dante; and, most recently, the savage, inventive Gulf Music. That variety and renewal are represented in this brilliantly chosen volume.

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

One of the most enduringly popular of the Romantic poets, William Wordsworth epitomized the spirit of his age with his celebration of the natural world and his belief in the importance of feeling. This volume brings together a rich selection from the most creative period of Wordsworth’s life—from “Tintern Abbey,” an ode on the restorative powers of nature written during his intense friendship with Coleridge, to excerpts from his epic autobiographical poem, The Prelude. Also included are much-loved short works such as “I wandered as lonely as a Cloud,” “Composed Upon Westminster Bridge,” and the poignant “Lucy Gray.” These poems demonstrate Wordsworth’s astonishing range, power, and inventiveness, and the sustained and captivating vision that informed his work.

The inaugural volume in a new program of selected poetry especially commissioned for Penguin Classics Includes a chronology, suggestions for further reading, explanatory notes, and an index of titles and first lines In his introduction, Wordswort biographer Stephen Gill examines the personal and political events that shaped the poet's career and traces the major themes that run through his work

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

Frank O’Hara (1926–1966) was one of the most original and influential American poets of the twentieth century. Although he grew up in Grafton, Massachusetts, O’Hara developed into the quintessential poet of mid-century Manhattan; soon after his arrival in New York in 1951 he evolved a new kind of urban poetry that brilliantly captures the heady excitements of a golden period in the city’s artistic life. O’Hara’s style exudes an insistent, seductive glamour; his mercurial poems, at once open-ended and startlingly immediate, radiate an insouciant confidence that has lost none of its freshness over the decades. O’Hara was at the heart of a vibrant artistic circle that embraced fellow New York School poets John Ashbery, Barbara Guest, Kenneth Koch, and James Schuyler, as well as experimental painters such as Willem de Kooning, Larry Rivers, and Jasper Johns. Their achievements are movingly celebrated in many of his poems, while at the same time he paid loving tribute to popular idols such as James Dean and Lana Turner:

Lana Turner has collapsed!
I was trotting along and suddenly
it started raining and snowing
and you said it was hailing
but hailing hits you on the head
hard so it was really snowing and
raining and I was in such a hurry
to meet you but the traffic
was exactly like the sky
and suddenly I see a headline
LANA TURNER HAS COLLAPSED!
there is no snow in Hollywood
there is no rain in California
I have been to lots of parties
and acted perfectly disgraceful
but I never actually collapsed
oh Lana Turner we love you get up

This generous new selection by Mark Ford reflects all the phases and varied achievements of O’Hara’s tragically foreshortened career, including his drama, and is followed by an appendix of key prose texts such as “Personism,” in which O’Hara succinctly summed up his overall approach to poetry: “You just go on your nerve.”

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

Poet, short story writer, critic and novelist, Conrad Aiken (1889-1973) has been called the most metaphysical, the most learned, and the most modern of poets. With writing that reflects an intense interest in psychological, philosophical, and scientific issues, Aiken remains a unique influence upon modern writers and critics today. In his lifetime, Aiken received many awards including the Pulitzer Prize for Poetry in 1930 and the National Book Award for Poetry in 1954. He served as the Consultant in Poetry at the Library of Congress from 1950-1952.

Selected Poems contains Aiken's own choice of the best and most representative of his poems, spanning more than forty years of his work. Harold Bloom has contributed a new Foreword to reintroduce Aiken to a new generation of readers. The inclusion of several pivotal poems from previous editions broadens the scope of the work to represent Aiken's legacy.

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

Chosen by Eliot himself, the poems in this volume represent the poet’s most important work before Four Quartets. Included here is some of the most celebrated verse in modern literature—“The Love Song of J. Alfred Prufrock,” “Gerontion,” “The Waste Land,” “The Hollow Men,” and “Ash Wednesday”—as well as many other fine selections from Eliot’s early work.

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

A beautiful new edition—the first in nearly twenty years—of the work of Wallace Stevens, a founding father of contemporary American poetry, with a dazzling range of work that is at once emotional and intellectual. As John N. Serio reminds us in his elegant introduction, Stevens has written more persuasively than any other poet about the significance of poetry itself in everyday life: “The imagination—frequently synonymous with the act of the mind, or poetry, for Stevens—is what gives life its savor, its sanction, its sacred quality.”

This rich and thorough selection—published in the 130th anniversary year of Stevens’s birth—carries us from the explosion of Harmonium in 1923 to the maturity of The Auroras of Autumn in 1950 and the magisterial Collected Poems published by Knopf in 1954. To be drawn in once more by “The Emperor of Ice-Cream,” “Sunday Morning,” “The Idea of Order at Key West,” “Notes Toward a Supreme Fiction,” to name only a few, is to experience again the mystery of a poet who calls us to a higher music and to a deeper understanding of our vast and inarticulate interior world.

This essential volume for all readers of poetry reminds us of Stevens’s nearly unparalleled contribution to the art form and his unending ability to puzzle, fascinate, and delight us.

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

A sampling from the oeuvre of one of the greatest living poets of the English language

Geoffrey Hill’s poetry comprises one of the most uncompromising and visionary bodies of work written over the last fifty years. Imbued with the weight of history, morality, and language, his work reveals a deeply religious sensibility, a towering intellect, and an emotional complexity that are unrivaled in contemporary letters. Now, for the first time ever, readers can observe in one volume how Hill’s style took shape over time. This generous selection spans his career, beginning with poems from Hill’s astonishing debut, For the Unfallen, and following through to his stylistically distinct and critically acclaimed work Without Title. Including some of the poet’s strongest, most sensitive, and most brilliant pieces, this collection will reaffirm Hill’s reputation as “England’s best hope for the Nobel Prize.”

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

A major new translation of one of Italy's greatest modern poets
Giuseppe Ungaretti (1888-1970) was a pioneer of the Modernist movement in Italian poetry and is widely regarded as one of the leading Italian poets of the twentieth century. His verse is renowned and loved for its powerful insight and emotion, and its exquisite music. Yet, unlike many of his peers, Ungaretti has never been adequately presented to English readers. This large bilingual selection, translated with great sensitivity and fidelity by Andrew Frisardi, captures Ungaretti in all of his phases: from his early poems, written in the trenches of northern Italy during World War I, to the finely crafted erotic and religious poetry of his second period, to the visceral, elegiac poetry of the years following the death of his son and the occupation of Rome during World War II, to the love poems of the poet's old age.
Frisardi's in-depth introduction details the world in which Ungaretti's work took shape and exerted its influence. In addition to the poet's own annotations, an autobiographical afterword, "Ungaretti on Ungaretti," further illuminates the poet's life and art. Here is a compelling, rewarding, and comprehensive version of the work of one of the greatest modern European poets.

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

Intense verbal music with a jazz feeling; invention against the grain of expectation; intelligence racing among materials with the variety of a busy street―these have been the qualities of Robert Pinsky's work since his first book, Sadness and Happiness (1975), celebrated for setting a new direction in American poetry. At that time, responding to a question about that book, Pinsky said: "I would like to write a poetry which could contain every kind of thing, while keeping all the excitement of poetry."

That ambition was realized in a new way with each of his books, including the book-length personal monologue An Explanation of America; the transformed autobiography of History of My Heart; the bestselling translation The Inferno of Dante; and, most recently, the savage, inventive Gulf Music. That variety and renewal are represented in this brilliantly chosen volume.

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

Drawing from every stage of his career, Derek Walcott's Selected Poems brings together famous pieces from his early volumes, including "A Far Cry from Africa" and "A City's Death by Fire," with passages from the celebrated Omeros and selections from his latest major works, which extend his contributions to reenergizing the contemporary long poem. Here we find all of Walcott's essential themes, from grappling with the Caribbean's colonial legacy to his conflicted love of home and of Western literary tradition; from the wisdom-making pain of time and mortality to the strange wonder of love, the natural world, and what it means to be human. We see his lifelong labor at poetic crafts, his broadening of the possibilities of rhyme and meter, stanza forms, language, and metaphor. Edited and with an introduction by the Jamaican poet and critic Edward Baugh, this volume is a perfect representation of Walcott's breadth of work, spanning almost half a century.

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

Listen to what they did.
Don't listen to what they said.
What was written in blood
Has been set up in lead.
―from "Blood and Lead"

The leading poet of his generation, James Fenton has over the course of his career built a body of work breathtaking in its range and sensibility. From the passionate political poems that launched him into fame to the intimate illuminations of love―and loss of love―in his later work, Fenton's poetry has always been marked by formal daring, wit, and an abiding empathy for the victims of war and political oppression. With selections from all of his published work since The Memory of War, the entire text of his libretto The Love Bomb, and new, previously uncollected poems, Selected Poems is an imaginative and formal tour de force.

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

Drawing from every stage of his career, this volume collects selected poems from Nobel Prize winner Derek Walcott's lifetime of work.

Walcott's Selected Poems brings together famous pieces from his early volumes, including "A Far Cry from Africa" and "A City's Death by Fire," with passages from the celebrated Omeros and selections from his later major works, which extend his contributions to reenergizing the contemporary long poem.

Here we find all of Walcott's essential themes, from grappling with the Caribbean's colonial legacy to his conflicted love of home and of Western literary tradition; from the wisdom-making pain of time and mortality to the strange wonder of love, the natural world, and what it means to be human. We see his lifelong labor at poetic crafts, his broadening of the possibilities of rhyme and meter, stanza forms, language, and metaphor.

Edited and with an introduction by the Jamaican poet and critic Edward Baugh, this volume is a perfect representation of Walcott's breadth of work, spanning almost half a century.

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

Thom Gunn was an Elizabethan poet in modern guise, though there's nothing archaic, quaint, or sepia-toned about his poetry. His method was dispassionate and rigorous, uniquely well suited for making a poetic record of the tumultuous time in which he lived. Gunn's dozens of brilliantly realized poems about nature, friendship, literature, sexual love, and death are set against the ever-changing backdrop of San Francisco―the druggy, politically charged sixties and the plague years of AIDS in the eighties. Perhaps no contemporary poet was better equipped―by temperament, circumstance, or poetic gift―to engage the subjects of eros and thanatos than Thom Gunn. This new Selected Poems, edited and with an introduction by the poet August Kleinzahler, supplants the 1979 Selected, presenting more of the later work and providing a fuller retrospective account of the breadth and magnitude of Gunn's extraordinary achievement.

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

Considered by Victorians as the finest contemporary poet, Alfred, Lord Tennyson (1809–1892) gained much critical favor for his mastery of poetic technique, high-mindedness, and superb natural description. This volume contains a representative selection of his best works, including the famous long narrative poem "Enoch Arden," as well as a number of important lyrics, monologues, ballads, and other typical pieces. Among these are "The Lady of Shalott," "The Beggar Maid," "The Charge of the Light Brigade," "Break, break, break," "Flower in the Crannied Wall," and "Ode on the Death of the Duke of Wellington." Also here are carefully chosen, uncut excerpts from three longer works: The Princess, "Maud," and "The Brook." With this inexpensive volume at their fingertips, students and lovers of poetry can enjoy a substantial sampling of Tennyson's still-admired, widely quoted verse.

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

The heart asks pleasure first,
And then, excuse from pain;
And then, those little anodynes
That deaden suffering;
And then, to go to sleep;
And then, if it should be
The will of its Inquisitor,
The liberty to die.
Generally considered among the greatest American poets, Emily Dickinson has been read, studied, and admired by generations of literature students and poetry lovers. This modestly priced edition presents over 100 of her best-known and most-loved poems, reprinted from authoritative early editions. Unflinchingly honest, psychologically penetrating, and technically adventurous, the poems include such favorites as "The Chariot," "I taste a liquor never brewed," "The Snake," "I'm nobody, who are you?" "A Book," "There's a certain slant of light," "Hope," and many more.

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

A reissue of the 1935 Selected Poems, which, with an Introduction by T. S. Eliot, brought Moore's work to the attention of a wider public.
This beautifully designed edition forms part of a series of ten key titles celebrating Faber's publishing over the decades.

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

A timeless, visionary collection of poems from one of China’s most acclaimed poets—now available in English for the first time in a generation and featuring a foreword by his son, contemporary artist and activist Ai Weiwei

One of the most influential poets in Chinese history, Ai Qing is mostly unknown to American readers, but his work has shaped the nature of poetry in China for decades. Born between the fall of imperial Manchurian rule and the establishment of the Communist People’s Republic, Ai Qing was at one time an intimate of Mao Zedong. He would eventually fall out with the leader and be sentenced to hard labor during the Cultural Revolution, when he was exiled to the remote part of the country known as “Little Siberia” with his family, including his son, Ai Weiwei.

In his work, Ai Qing tells the story of a China convulsing with change, leaving behind a legacy of feudalism and imperialism but uncertain about what the future will hold. Breaking with traditional forms of Chinese poetry, Ai Qing innovatively adapted free verse, writing with a simple sincerity in clear lines that could be understood by everyday readers. Selected Poems is an extraordinary collection that traces the powerful inner life of this influential poet who crafted poems of protest, who longed for a newer, happier age, and who wrote with a profound lyricism that reaches deep into the heart of the reader.

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

Denise Levertov's Selected Poems delivers in a single accessible volume "one of the essential poets of our time" (Poetry Flash). Culled from two dozen poetry books, and drawing from six decades of her writing life, The Selected Poems of Denise Levertov offers a chronological overview of her great body of work. It is splendid and impressive to have at last a clear, unobstructed view of her ground-breaking poetry―the work of a poet who, as Kenneth Rexroth put it, "more than anyone, led the redirection of American poetry...to the mainstream of world literature."

Described by Publishers Weekly as "at once as intimate as Creeley and as visionary as Duncan," Levertov was lauded as "one of the indispensable poets of our language, one of those few writers to whom it is necessary to pay attention" by The Malahat Review. No poet is more overdue for a single accessible volume; no career could be better to have within easy reach.

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

Acclaiming the late Eugenio Montale (1897-1981) as “one of the most important poets of the contemporary West,” the Swedish Academy awarded him the 1975 Nobel Prize for Literature. This selection, introduced by Glauco Cambon, presents sixty-nine poems chosen from Montale’s first three books––Ossi di seppia (Cuttlefish Bones), Le occasioni (The Occasions), and La bufera e altro (The Storm and Other Things)––as rendered by sixteen translators, many of them distinguished poets in their own right.

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

Richard Tillinghast, a native of Memphis, Tennessee, first came to Kinvara, County Galway, for a year in 1990 and has long since been a distinctive presence on the Irish literary scene. He now lives in South Tipperary. Introduced by poet and critic Dennis O'Driscoll, Selected Poems is Tillinghast's tenth book of poems and gathers the poet's own choice of some forty years of his work. "Tillinghast's poems range confidently among different cultures. He has a sense of history as a living force. His experiments in meter, rhyme, and free verse are important. He is a wonderfully gifted poet, one of the few. -Louis Simpson

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

"[Selected Poems] offers readers a chance to catch on to one of the most distinctive talents of our time, one of the few who can genuinely startle. . . . Ruefle is clearly one of the best American poets writing, and her body of work is remarkable for its spiritual force, intelligence, stylistic virtuosity, and adventurousness."—Tony Hoagland
of all things standing furthest
from what is real, stand these trees
shaking with dispensable joy . . .
Mary Ruefle is the winner of the 2011 William Carlos Williams Award and has authored ten collections of poetry; The Most of It, a book of prose; and A Little White Shadow, a collection of erasures. She teaches at Vermont College.

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

Poetry. A career-defining retrospective by a much-beloved contemporary master, SELECTED POEMS gathers together the finest work from her distinguished and inimitable poetic career, showcasing the arc of her development as one of the most brilliant, expert and hilarious practitioners of the art. Anyone who wishes for poetry to be both richly challenging and thoroughly entertaining, need look no further than this monolithic retrospective.

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

A collection to introduce English readers to the wonders of Lorca's poetry This selection has been the introduction for generations of American readers to the mesmerizing poems of Federico Garcia Lorca (1898-1937). Lorca is admired the world over for the lyricism, immediacy and clarity of his poetry, as well as for his ability to encompass techniques of the symbolist movement with deeper psychological shadings. Most of all, Lorca's poems are admired for their beauty. Undercurrents of his major influences ― Spanish folk traditions of his native Andalusia and Granada, gypsy ballads, and surrealists Salvador Dali and Luis Bunuel ― stream throughout Lorca's work.

Selected Poems

by Mary Ruefle, Gwendolyn Brooks, Marianne Moore, T. S. Eliot, Emily Dickinson, Federico García Lorca, James Wright, Anne Wright, Robert Pinsky, Derek Walcott, James Fenton, Robert Burns, Wallace Stevens, E. E. Cummings, Eugenio Montale, Olav Hauge, William Wordsworth, alfred-lord-tennyson, Conrad Aiken, Geoffrey Hill, Frank O'Hara, Giuseppe Ungaretti, Thom Gunn, Ai Qing, Denise Levertov, Paul Lacey, Glauco Cambon, Richard Tillinghast

"No one else has ever made avant-garde, experimental poems so attractive to both the general and the special reader."―Randall Jarrell
The one hundred and fifty-six poems here, arranged in twelve sections and introduced by E. E. Cummings's biographer, Richard S. Kennedy, include his most popular poems, spanning his earliest creations, his vivacious linguistic acrobatics, up to his last valedictory sonnets. Also featured are thirteen drawings, oils, and watercolors by Cummings, most of them never before published.

Selected Prose of T.S. Eliot

by T. S. Eliot

The Selected Prose of T. S. Eliot, edited by Professor Frank Kermode, gathers work from Eliot’s unrivalled career as a literary and social critic. These thirty-one essays-categorized as “essays in generalization,” “appreciations of individual authors,” and “social and religious criticism” were written over the course of a half century, and include his most famous essays to lesser known works from before 1918. This volume reveals Eliot’s original ideas, cogent conclusions, and skill and grace in language.
THOMAS STEARNS ELIOT was born in St Louis, Missouri, in 1888. He moved to England in 1914 and published his first book of poems in 1917. He received the Nobel Prize in Literature in 1948. Eliot died in 1965.

The Waste Land And Other Poems

by T. S. Eliot

The collected poems of T. S. Eliot, "one of the great poets" (Robert Pinsky), including "The Waste Land," his most celebrated, era-defining poem

Waste Land and Other Poems compiles the crucial work at the heat of the Modernist movement. Along with the title poem, this volume includes “The Love Song of J. Alfred Prufrock,” “Gerontion,” “Ash Wednesday,” “Sweeney Among the Nightingales,” and other selections from Eliot’s early and middle work.

Old Possum's Book of Practical Cats

by T. S. Eliot

The inspiration for the iconic musical Cats, T. S. Eliot's classic and delightful collection of poetry about cats, with whimsical illustrations by Edward Gorey.

These lovable cat poems were written by T. S. Eliot for his godchildren and continue to delight children and adults alike. This collection is a curious and artful homage to felines young and old, merry and fierce, small and unmistakably round. Also includes Edward Gorey's charming pen and ink illustrations.

Old Possum's Book of Practical Cats

by T. S. Eliot

T. S. Eliot’s famous collection of nonsense verse about cats—the inspiration for the Andrew Lloyd Webber musical Cats, now made into a major motion picture. This edition features vibrant illustrations by Axel Scheffler.

T. S. Eliot’s playful cat poems have delighted readers and cat lovers around the world ever since they were first published in 1939. They were originally composed for his godchildren, with Eliot posing as Old Possum himself, and later inspired the legendary musical Cats. Now with vibrant illustrations by the award-winning Axel Scheffler, this captivating edition makes a wonderful new home for Mr. Mistoffelees, Growltiger, the Rum Tum Tugger, Macavity the mystery cat, and many other memorable strays. It’s the perfect complement to the beloved previous edition, which remains available.

Old Possum's Book of Practical Cats

by T. S. Eliot

The naming of Cats is a difficult matter,
It isn't just one of your holiday games;
You may think at first I'm as mad as a hatter
When I tell you, a cat must have THREE DIFFERENT NAMES.

So begins one of the best-known poetry collections of all time. The practical cats need no introduction, but this stunning new full-colour version, illustrated by Júlia Sardà, is the perfect companion to Old Toffer's Dogs. Whether you are a cat or a dog person, you will be enchanted by Júlia's highly original interpretation.

The Poems of T. S. Eliot: Volume II: Practical Cats and Further Verses

by T. S. Eliot

The second volume of the first paperback edition of The Poems of T. S. Eliot

This two-volume critical edition of T. S. Eliot’s poems establishes a new text of the Collected Poems 1909–1962, rectifying accidental omissions and errors that have crept in during the century since Eliot’s astonishing debut, “The Love Song of J. Alfred Prufrock.” In addition to the masterpieces, The Poems of T. S. Eliot contains the poems of Eliot’s youth, which were rediscovered only decades later; poems that circulated privately during his lifetime; and love poems from his final years, written for his wife, Valerie. Calling upon Eliot’s critical writings as well as his drafts, letters, and other original materials, Christopher Ricks and Jim McCue have provided a commentary that illuminates the imaginative life of each poem.

Following the collected and uncollected poems of the first volume, this second volume opens with the two books of verse of other kinds that Eliot issued: the children’s verse of Old Possum’s Book of Practical Cats, and Anabasis, his translation of St.-John Perse’s Anabase. This volume then gathers the verses that Eliot contributed to the learnedly lighthearted exchanges of Noctes Binanianæ, and others that he wrote off-the-cuff or for intimate friends. Each of these sections is accompanied by its own commentary. Finally, pertaining to the entire edition, there is a comprehensive textual history that contains not only variants from all known drafts and the many printings but also extended passages amounting to hundreds of lines of compelling verse.

The Poems of T. S. Eliot: Volume I: Collected and Uncollected Poems

by T. S. Eliot

The first volume of the first paperback edition of The Poems of T. S. Eliot

This two-volume critical edition of T. S. Eliot’s poems establishes a new text of the Collected Poems 1909–1962, rectifying accidental omissions and errors that have crept in during the century since Eliot’s astonishing debut, “The Love Song of J. Alfred Prufrock.” In addition to the masterpieces, The Poems of T. S. Eliot contains the poems of Eliot’s youth, which were rediscovered only decades later; poems that circulated privately during his lifetime; and love poems from his final years, written for his wife, Valerie. Calling upon Eliot’s critical writings as well as his drafts, letters, and other original materials, Christopher Ricks and Jim McCue have provided a commentary that illuminates the imaginative life of each poem.

This first volume respects Eliot’s decisions by opening with his Collected Poems 1909–1962 as he arranged and issued it shortly before his death. This is followed by poems uncollected but either written for or suitable for publication, and by a new reading text of the drafts of The Waste Land. The second volume opens with the two books of verse of other kinds that Eliot issued: Old Possum’s Book of Practical Cats and Anabasis, his translation of St.-John Perse’s Anabase. Each of these sections is accompanied by its own commentary. Finally, pertaining to the entire edition, there is a comprehensive textual history that contains not only variants from all known drafts and the many printings but also extended passages amounting to hundreds of lines of compelling verse.

Eliot: Poems: Edited by Peter Washington (Everyman's Library Pocket Poets Series)

by T. S. Eliot

From the Nobel Prize winning author—and the most influential poet of the twentieth century—comes a beautiful hardcover Pocket Poets edition that includes the masterpieces “The Love Song of J. Alfred Prufrock and “The Waste Land.”

T. S. Eliot (1888-1965) was the dominant force in twentieth-century British and American poetry.

With his poems, he introduced an edgy, disenchanted, utterly contemporary version of French Symbolism to the English-speaking world. With his masterpiece “The Waste Land,” he almost single-handedly ushered an entire poetic culture into the modern world. And with his enormously influential essays he set the canonical standards to which writers and critics of poetry have adhered throughout our era.

Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.

The Waste Land and Other Poems: A Norton Critical Edition (Norton Critical Editions)

by T. S. Eliot

“This splendid new edition of T. S. Eliot’s The Waste Land will elucidate his legacy for a rising generation of students, teachers, and general readers. The inclusion of poems from Eliot’s first two collections, a substantial selection of background material and scholarship, expert annotation, and Michael North’s learned and incisive introduction detailing the development of Eliot’s poetic coming-of-age make this an invaluable resource.” ―Anita Patterson, Boston University This Norton Critical Edition includes:

The first American edition of The Waste Land, with Eliot’s notes, joined by Prufrock and Other Poems (1917) and Poems (1920).

Updated and expanded introductory materials and footnotes by Michael North.

Extensive contextual materials on sources for The Waste Land, its composition, and publication history for all three featured collections. Eleven reviews and reactions to Eliot’s works include those by Ezra Pound, Virginia Woolf, and Ralph Ellison.

Five new critical essays examine the themes and legacy of Eliot’s hallmark poems alongside eight classic literary critiques.

A chronology and a selected bibliography.

About the Series

Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format―annotated text, contexts, and criticism―helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

“This splendid new edition of T. S. Eliot’s landmark poem provides an authoritative 1922 edition of the text, the most vital materials for understanding it, and, for this supremely allusive poem, a collection of essential sources. It also brings together Eliot’s most pertinent essays and all the English poems in his earlier books, as well as an illuminating array of reviews and criticism published over the last hundred years.” ― Jahan Ramazani, University of Virginia

The Sacred Wood and Major Early Essays (Dover Books on Literature & Drama)

by T. S. Eliot

Part of T. S. Eliot's lofty standing among 20th-century poets is directly attributable to his vast knowledge and deep appreciation of his literary predecessors. The importance of Eliot's role as an erudite critic of literary and cultural matters cannot be overstated. With the l920 publication of The Sacred Wood his reputation as a critical force was established. In his first collection of essays, Eliot defines the critic's role as one "to see literature steadily and to see it whole … not as consecrated by time, but to see the best work of our time and the best work of twenty-five hundred years ago with the same eyes."
Eliot turns his penetrating gaze on such authors as Swinburne, Blake, Dante, and Ben Jonson in this collection of provocative essays. He also considers "Hamlet and His Problems," "The Possibility of Poetic Drama," and most significantly, "Tradition and the Individual Talent."
In addition to all of the essays in The Sacred Wood, this volume includes four features that originally appeared in The Times Literary Supplement: "Homage to John Dryden," "Poets on Poetry," "The Metaphysical Poets," and "Andrew Marvell." Taken together, these pieces offer remarkable insights into Eliot's ideas on poetry and poets, the nature and role of literature and drama, and the function of criticism.

Collected Poems 1909-1962

by T. S. Eliot

The definitive text of Eliot’s collected poems

"A monumental achievement, and one that frames important and timely questions about the state of Eliot’s reputation." —Guardian

T. S. Eliot’s Collected Poems 1909–1962, first published in the 1960s and reset in 2002, is Eliot's own lifelong curation of his poems. Over the years, certain printing discrepancies and modifications by publishers have crept in, not always in the text’s best interests. These have now been resolved conclusively in texts that are presented here in this new setting as a revised edition of Eliot’s classic volume.

This new edition will delight and inform all those who read Eliot for pleasure and for study. Here are the definitive marvels and landmarks, from "The Love Song of J. Alfred Prufrock" and The Waste Land through to Four Quartets.

Macavity: The Mystery Cat (Old Possum Picture Books)

by T. S. Eliot

Macavity' (the mystery cat!) is one of the best-loved poems from T. S. Eliot's Old Possum's Book of Practical Cats - the inspiration for Cats: The Musical - beloved by generations of children and their parents.

Now, Macavity is given a new life in this stunning picture book with illustrations from Arthur Robins that perfectly convey all the wit and humor of Eliot's creation. Perfect for ages 3+, children (and parents) will love reading aloud about T.S. Eliot's best-loved cat.

To sit alongside other classics such as The Gruffalo, The Tiger Who Came to Tea, and Spot.

Skimbleshanks: The Railway Cat (Old Possum Picture Books)

by T. S. Eliot

We must find him or the train can't start!

All aboard as Skimbleshanks, the Railway Cat, stars in the third picture-book pairing from Arthur Robins and T. S. Eliot's Old Possum's cats, set on the Night Mail train where Skimble won't let anything go wrong. To sit alongside other classics such as The Gruffalo, The Tiger Who Came to Tea, and Spot.

Mr. Mistoffelees: The Conjuring Cat (Old Possum Picture Books)

by T. S. Eliot

Was there ever
A cat so clever
As magical Mr. Mistoffelees!

Following Arthur Robins' critically acclaimed picture book of Macavity (already sold 10k) he turns his attentions to the magical Mr. Mistoffelees with delightfully hilarious results. Perfect for ages 3+, children (and parents) will love reading aloud about the Original Conjuring Cat. To sit alongside other classics such as The Gruffalo, The Tiger Who Came to Tea, and Spot.

Cat Morgan (Old Possum Picture Books)

by T. S. Eliot

I once was a Pirate what sailed the ’igh seas― But now I’ve retired as a com-mission-aire: And that’s how you find me a-takin’ my ease And keepin’ the door in a Bloomsbury Square. Join Cat Morgan, the swashbuckling pirate as he sails the Barbary Coast in this sixth picture book pairing from Arthur Robins and T. S. Eliot's Old Possum Cats.

Macavity's Not There! (Old Possum Picture Books)

by T. S. Eliot

Macavity's a ginger cat, he's very tall and thin;
You would know him if you saw him, for his eyes are sunken in.

He's ... Uh oh!
Macavity's not there!

Young readers will love searching for Macavity and searching for clues as he carries out his mischief. From the looted larder to the plundered jewel-case, the flaps will reveal a hilarious trail of cat-like destruction, leading delighted readers to The Mystery Cat himself.

To sit alongside classic lift-the-flap books such as Where's Spot? and Dear Zoo.

The Waste Land and Other Poems (Vintage Classics)

by T. S. Eliot

A Vintage Classics edition of T. S. Eliot's most groundbreaking poems

"This is the way the world ends, not with a bang, but a whimper." Those famous concluding lines of T. S. Eliot's "The Hollow Men" have resonated with readers for nearly a century. As with "April is the cruelest month," from The Waste Land and "Do I dare disturb the universe?," from "The Love Song of J. Alfred Prufrock," Eliot's words have permanently entered our cultural bloodstream. Through the poems in this volume, representing his first four published collections, Eliot reshaped modern literature with a daring and overpowering vision of a decaying civilization and the urgent need for spiritual renewal.

The Waste Land (Liveright Classics)

by T. S. Eliot

The first edition of T. S. Eliot’s masterpiece reappears with a major introduction by Pulitzer Prize–winner Paul Muldoon. The Waste Land is arguably the most important poem of the twentieth century. First published in the United States by Boni & Liveright in 1922, this landmark reissue of the first edition, now back with its original publisher, includes a new introduction by Paul Muldoon, showcasing the poem's searing power and strange, jarring beauty. With a modernist design that matches the original, this edition allows contemporary readers to experience the poem the way readers would have seen it for the first time.
As Muldoon writes, "It's almost impossible to think of a world in which The Waste Land did not exist. So profound has its influence been not only on twentieth-century poetry but on how we’ve come to view the century as a whole, the poem itself risks being taken for granted." Famously elliptical, wildly allusive, at once transcendent and bleak, The Waste Land defined modernity after the First World War, forever transforming our understanding of ourselves, the broken world we live in, and the literature that was meant to make sense of it. In a voice that is arch, ironic, almost ebullient, and yet world-weary and tragic, T. S. Eliot mixes and remixes, drawing on a cast of ghosts to create a new literature for a new world. In the words of Edmund Wilson, "Eliot…is one of our only authentic poets…[The Waste Land is] one triumph after another."

The Waste Land: A Facsimile & Transcript of the Original Drafts Including the Annotations of Ezra Pound

by T. S. Eliot

New Yorker • Best Books of 2022

The first full-color facsimile of T. S. Eliot’s The Waste Land, the most influential poem in modern literature, in celebration of its centennial.
When the New York Public Library announced in October 1968 that its Berg Collection had acquired the original manuscript of The Waste Land, one of the most puzzling mysteries of twentieth-century literature was solved. The manuscript was not lost, as had been believed, but had remained among the papers of John Quinn, Eliot’s friend and adviser, to whom the poet had sent it in 1922.
If the discovery of the manuscript was startling, its content was even more so: the published version of The Waste Land was considerably shorter than the original. The manuscript pages illuminate how the famously elliptical poem was reduced and edited through the handwritten notes of Ezra Pound; of Eliot’s first wife, Vivien; and of Eliot himself. So that this material could be made widely available, the poet’s widow, Valerie Eliot, prepared the facsimile edition for publication in 1971, reproducing each page of the original manuscript with a clear transcript, an enlightening introduction, and explanatory notes.
In celebration of the centenary of the poem, published in the United States by Boni & Liveright in 1922, Eliot’s manuscript pages are presented in vivid color for the first time. The updated facsimile edition also offers a new appendix―including a sheet of Valerie Eliot’s corrections discovered in the Faber archive in 2021―and an insightful afterword from Faber poetry editor Matthew Hollis. Complete with the text of the first published version of The Waste Land, this definitive volume reveals the evolution of a landmark work of the twentieth century and its enduring legacy. Full-color throughout

THE WASTE LAND and Other Poems: 100th Anniversary International Edition

by T. S. Eliot

The Waste Land was first published in 1922, in the aftermath of a world war and global pandemic. It has been translated into some 35 languages. Berkshire Publishing Group's centenary edition includes, in addition to the title poem, a number of Eliot's best-known early poems, including "The Love Song of J. Alfred Prufrock," "Portrait of a Lady," "Preludes," "Rhapsody on a Windy Night," "The Boston Evening Transcript," "La Figlia che Piange," and "The Hollow Men." The design is based on both the original Hogarth Press edition, produced by Leonard and Virginia Woolf, and the American Boni & Liveright design. In his foreword, internationally acclaimed novelist and translator Qiu Xiaolong explains how he came, as a student in China, to love Eliot's poetry and what it has meant, and means today, to readers around the world. There is also an afterword by Berkshire's CEO Karen Christensen, who worked for Valerie Eliot, the poet's second wife, as a young editor. The centenary edition is available in paperback and hardcover, ePub and PDF ebook, and in a collector's limited edition.

Tradition and the Individual Talent (ERIS gems)

by T. S. Eliot

“Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things.”

T. S. Eliot’s advocacy of “impersonality” as a literary ideal in Tradition and the Individual Talent had an immeasurable impact on Modernist literature and continues to resonate today. An incisive (and controversial) account of individual artists’ relation to their forebears, this essay remains an outstanding work of critical prose.

The Family Reunion

by T. S. Eliot

A modern verse play dealing with the problem of man’s guilt and his need for expiation through his acceptance of responsibility for the sin of humanity. “What poets and playwrights have been fumbling at in their desire to put poetry into drama and drama into poetry has here been realized.... This is the finest verse play since the Elizabethans” (New York Times).

Christianity and Culture

by T. S. Eliot

Two long essays: “The Idea of a Christian Society” on the direction of religious thought toward criticism of political and economic systems; and “Notes towards the Definition of Culture” on culture, its meaning, and the dangers threatening the legacy of the Western world.

The Letters of T. S. Eliot: Volume 3: 1926-1927 (Volume 3)

by T. S. Eliot

In the period covered by this richly detailed collection, T. S. Eliot was to set a new course for his life and work. The demands of his professional life as writer and editor became more complex and exacting. The celebrated but financially pressed periodical he had been editing since 1922—The Criterion: A Literary Review—switched between being a quarterly and a monthly; in addition to writing numerous essays and editorials, lectures, reviews, introductions and prefaces, his letters show Eliot involving himself wholeheartedly in the business of his new career as a publisher.

This correspondence with friends and mentors vividly documents all the stages of Eliot’s personal and artistic transformation during these crucial years, the continuing anxieties of his private life, and the forging of his public reputation.

The Waste Land: A Facsimile and Transcript of the Original Drafts Including the Annotations of Ezra Pound (A Harvest Special)

by T. S. Eliot

Each facsimile page of the original manuscript is accompanied here by a typeset transcript on the facing page. This book shows how the original, which was much longer than the first published version, was edited through handwritten notes by Ezra Pound, by Eliot’s first wife, and by Eliot himself. Edited and with an Introduction by Valerie Eliot; Preface by Ezra Pound.

The Letters of T. S. Eliot: Volume 1: 1898-1922 (Volume 1)

by T. S. Eliot

In two highly anticipated volumes, the correspondence of the twentieth century's eminent man of letters, from youth to early manhood

Volume One: 1898–1922 presents some 1,400 letters encompassing the years of Eliot's childhood in St. Louis, Missouri, through 1922, by which time the poet had settled in England, married his first wife, and published The Waste Land. Since the first publication of this volume in 1988, many new materials from British and American sources have come to light. More than two hundred of these newly discovered letters are now included, filling crucial gaps in the record and shedding new light on Eliot's activities in London during and after the First World War.

Volume Two: 1923–1925 covers the early years of Eliot's editorship of The Criterion, publication of The Hollow Men, and his developing thought about poetry and poetics. The volume offers 1,400 letters, charting Eliot's journey toward conversion to the Anglican faith, as well as his transformation from banker to publisher and his appointment as director of the new publishing house Faber & Gwyer. The prolific and various correspondence of this volume testifies to Eliot's growing influence as cultural commentator and editor.

T.S. Eliot: The Complete Poems and Plays, 1909-1950

by T. S. Eliot

An indispensable collection of the Nobel Prize winner's most renowned works
“In ten years’ time,” wrote Edmund Wilson in Axel’s Castle, “Eliot has left upon English poetry a mark more unmistakable than that of any other poet writing in English.” In 1948, Eliot was awarded the Nobel Prize “for his work as a trail-blazing pioneer of modern poetry.”
This book is made up of six individual titles: Four Quartets, Collected Poems: 1909–1935, Murder in the Cathedral, The Family Reunion, Old Possum’s Book of Practical Cats, and The Cocktail Party. It offers not only enjoyment of one of the great talents in contemporary literature, but a deeper understanding of such classics as “The Waste Land,” “The Hollow Men,” “Ash Wednesday,” “Prufrock,” “Murder in the Cathedral,” and “The Cocktail Party.” The Complete Poems and Plays of T. S. Eliot is invaluable.

The Letters of T. S. Eliot: Volume 5: 1930-1931 (Volume 5)

by T. S. Eliot

This fifth volume of the collected letters of poet, playwright, essayist, and literary critic Thomas Stearns Eliot covers the years 1930 through 1931. It was during this period that the acclaimed American-born writer earnestly embraced his newly avowed Anglo-Catholic faith, a decision that earned him the antagonism of friends like Virginia Woolf and Herbert Read. Also evidenced in these correspondences is Eliot’s growing estrangement from his wife Vivien, with the writer’s newfound dedication to the Anglican Church exacerbating the unhappiness of an already tormented union.

Yet despite his personal trials, this period was one of great literary activity for Eliot. In 1930 he composed the poems Ash-Wednesday and Marina, and published Coriolan and a translation of Saint-John Perse’s Anabase the following year. As director at the British publishing house Faber & Faber and editor of The Criterion, he encouraged W. H. Auden, Stephen Spender, Louis MacNeice, and Ralph Hogdson, published James Joyce’s Haveth Childers Everywhere, and turned down a book proposal from Eric Blair, better known by his pen name, George Orwell. Through Eliot’s correspondences from this time the reader gets a full-bodied view of a great artist at a personal, professional, and spiritual crossroads.

The Poems of T. S. Eliot: Practical Cats and Further Verses (Volume 2)

by T. S. Eliot

A monumental event in Eliot scholarship.
Pegasus Award for Criticism 2016
This critical edition of T. S. Eliot’s Poems establishes a new text of the Collected Poems 1909–1962, rectifying accidental omissions and errors that have crept in during the century since Eliot’s astonishing debut, "The Love Song of J. Alfred Prufrock." As well as the masterpieces, the edition contains the poems of Eliot’s youth, which were rediscovered only decades later, others that circulated privately during his lifetime, and love poems from his final years, written for his wife Valerie Eliot.
Christopher Ricks and Jim McCue have provided a commentary that illuminates the imaginative life of each poem. Calling upon Eliot’s critical writings, as well as his drafts, letters, and other original materials, they illustrate not only the breadth of Eliot’s interests and the range of his writings, but how it was that the author of "Gerontion" came to write "Triumphal March" and then Four Quartets. Thanks to the family and friends who recognized Eliot’s genius and preserved his writings from an early age, the archival record is exceptionally complete, enabling us to follow in unique detail the progress of a mind that never ceased exploring.
Following the collected and uncollected poems of the first volume, this second volume opens with the two books of verse of other kinds that Eliot issued: the children’s verse of Old Possum’s Book of Practical Cats and his translation of St.-John Perse’s Anabase. This volume then gathers the verses Eliot contributed to the learnedly lighthearted exchanges of Noctes Binanianæ and others for intimate friends or written off the cuff. Each of these sections has its own commentary. Finally, and pertaining to the entire edition, there is a comprehensive textual history that contains not only variants from all known drafts and the many printings but also extended passages amounting to hundreds of lines of compelling verse.
"I do not know for certain how much of my own mind he invented."―William Empson

The Letters of T. S. Eliot: Volume 6: 1932-1933 (Volume 6)

by T. S. Eliot

The sixth volume of the personal correspondences of British literary giant T. S. Eliot

The letters of T. S. Eliot collected in this sixth volume were written during the years the Nobel Prize–winning poet, playwright, critic, and essayist called, “the happiest I can ever remember in my life.” Penned in large part during his tour of Depression Era America, these letters reflect Eliot’s resolve to end his torturous eighteen-year marriage to his wife, Vivienne, and offer fascinating descriptions of the author’s encounters with F. Scott Fitzgerald, Edmund Wilson, Marianne Moore, and other notable figures.

Let Us Go Then The Love Song of J. Alfred Prufrock

by T. S. Eliot

T. S. Eliot's timeless modernist masterpiece, visually reimagined

This fully illustrated book explores Eliot's themes of indecision and isolation, as well the overwhelming desire for connection, an often overlooked element of the poem.

Printed on beautiful matte paper, this petite gift book is perfect for poetry and art lovers alike.

The Obvious State Classics Collection is an evolving series of visually reimagined beloved works that speaks to contemporary readers. The pocket-sized, collectable editions feature the selected works of celebrated authors such as T. S. Eliot, Edgar Allan Poe, Walt Whitman, Sara Teasdale and Henry David Thoreau.

The Waste Land (Norton Critical Editions)

by T. S. Eliot

The text of Eliot’s 1922 masterpiece is accompanied by thorough explanatory annotations as well as by Eliot’s own knotty notes, some of which require annotation themselves. For ease of reading, this Norton Critical Edition presents The Waste Land as it first appeared in the American edition (Boni & Liveright), with Eliot’s notes at the end. "Contexts" provides readers with invaluable materials on The Waste Land’s sources, composition, and publication history. "Criticism" traces the poem’s reception with twenty-five reviews and essays, from first reactions through the end of the twentieth century. Included are reviews published in the Times Literary Supplement, along with selections by Virginia Woolf, Gilbert Seldes, Edmund Wilson, Elinor Wylie, Conrad Aiken, Charles Powell, Gorham Munson, Malcolm Cowley, Ralph Ellison, John Crowe Ransom, I. A. Richards, F. R. Leavis, Cleanth Brooks, Delmore Schwartz, Denis Donoghue, Robert Langbaum, Marianne Thormählen, A. D. Moody, Ronald Bush, Maud Ellman, and Tim Armstrong. A Chronology and Selected Bibliography are included.

The Letters of T. S. Eliot: Volume 2: 1923-1925 (Volume 2)

by T. S. Eliot

In two highly anticipated volumes, the correspondence of the twentieth century's eminent man of letters, from youth to early manhood

Volume One: 1898–1922 presents some 1,400 letters encompassing the years of Eliot's childhood in St. Louis, Missouri, through 1922, by which time the poet had settled in England, married his first wife, and published The Waste Land. Since the first publication of this volume in 1988, many new materials from British and American sources have come to light. More than two hundred of these newly discovered letters are now included, filling crucial gaps in the record and shedding new light on Eliot's activities in London during and after the First World War.

Volume Two: 1923–1925 covers the early years of Eliot's editorship of The Criterion, publication of The Hollow Men, and his developing thought about poetry and poetics. The volume offers 1,400 letters, charting Eliot's journey toward conversion to the Anglican faith, as well as his transformation from banker to publisher and his appointment as director of the new publishing house Faber & Gwyer. The prolific and various correspondence in this volume testifies to Eliot's growing influence as cultural commentator and editor.

The Letters of T. S. Eliot Volume 4: 1928-1929

by T. S. Eliot

T. S. Eliot writes the letters contained in this volume during a period of weighty responsibilities as husband and increasing demands as editor and publisher. He cultivates the support of prominent guarantors to secure the future of his periodical, The Monthly Criterion, even as he loyally looks after his wife, Vivien, now home after months in a French psychiatric hospital.

Eliot corresponds with writers throughout Great Britain, Europe, and the United States while also forging links with the foremost reviews in London, Berlin, Paris, Madrid, and Milan. He generously promotes many other writers, among them Louis Zukofsky and Edward Dahlberg, and manages to complete a variety of writings himself, including the much-loved poem A Song for Simeon, a brilliant introduction to Wilkie Collins’s The Moonstone, and many more.

The Poems of T. S. Eliot: Collected and Uncollected Poems (Volume 1)

by T. S. Eliot

A monumental event in Eliot scholarship.
Winner of the CHOICE Outstanding Academic Title of the Choice ACRL, Pegasus Award for Criticism of the Poetry Magazine
This critical edition of T. S. Eliot’s Poems establishes a new text of the Collected Poems 1909–1962, rectifying accidental omissions and errors that have crept in during the century since Eliot’s astonishing debut, "The Love Song of J. Alfred Prufrock." As well as the masterpieces, the edition contains the poems of Eliot’s youth, which were rediscovered only decades later, others that circulated privately during his lifetime, and love poems from his final years, written for his wife Valerie Eliot.
Christopher Ricks and Jim McCue have provided a commentary that illuminates the imaginative life of each poem. Calling upon Eliot’s critical writings, as well as his drafts, letters, and other original materials, they illustrate not only the breadth of Eliot’s interests and the range of his writings, but how it was that the author of "Gerontion" came to write "Triumphal March" and then Four Quartets. Thanks to the family and friends who recognized Eliot’s genius and preserved his writings from an early age, the archival record is exceptionally complete, enabling us to follow in unique detail the progress of a mind that never ceased exploring.
This first volume respects Eliot’s decisions by opening with his Collected Poems 1909–1962 as he arranged and issued it, shortly before his death fifty years ago. This is followed by poems uncollected but either written for or suitable for publication, and by a new reading text of the drafts of The Waste Land. The volume concludes with the commentary on all of these poems.
The second volume opens with the two books of verse of other kinds that Eliot issued, Old Possum’s Book of Practical Cats and his translation of St.-John Perse’s Anabase. Different again are the verses informal, improper, or clubmanlike. Each of these sections has its own commentary. Finally, pertaining to the entire edition, there is a textual history that contains not only variants from all known drafts and the many printings but also extended passages amounting to hundreds of lines of compelling verse.
"The more we know of Eliot, the better."―Ezra Pound

The Cocktail Party

by T. S. Eliot

“Obviously something more than a successful play, it is the practical demonstration of a patently conceived theory of dramatic form, and as such of high historical interest.”—Times Literary Supplement
“Eliot has attempted here something very daring and well worth doing. He has taken the ordinary West End drawing room comedy convention – understatement, upper-class accents and all – and used it as a vehicle for utterly serious ideas.” —The Observer
“An authentic modern masterpiece” (New York Post)—this is T.S. Eliot’s verse play about the search for meaning, in which a mysterious psychiatrist is the catalyst for a shift in a couple’s relationship after appearing at a cocktail party.