Books by Ward Blanton

An Insurrectionist Manifesto: Four New Gospels for a Radical Politics (Insurrections: Critical Studies in Religion, Politics, and Culture)

by Ward Blanton, Clayton Crockett, Jeffrey Robbins, Noëlle Vahanian

Product Description An Insurrectionist Manifesto contains four insurrectionary gospels based on Martin Heidegger's philosophical model of the fourfold: earth and sky, gods and mortals. Challenging religious dogma and dominant philosophical theories, they offer a cooperative, world-affirming political theology that promotes new life through not resurrection but insurrection. The insurrection in these gospels unfolds as a series of miraculous yet worldly practices of vital affirmation. Since these routines do not rely on fantasies of escape, they engender intimate transformations of the self along the very coordinates from which they emerge. Enacting a comparative and contagious postsecular sensibility, these gospels draw on the work of Slavoj Žižek, Giorgio Agamben, Catherine Malabou, François Laruelle, Peter Sloterdijk, and Gilles Deleuze yet rejuvenate scholarship in continental philosophy, critical race theory, the new materialisms, speculative realism, and nonphilosophy. They think beyond the sovereign force of the one to initiate a radical politics "after" God. Review Each gospel-like contribution to The Insurrectionist Manifesto can be read separately, but when they are read in tandem, a particular disturbing power is occasioned. I found myself stimulated and conceptually shaken in equal fashion. The call of these gospels has the potential to disturb the ground of our being. Those who hear it will be positively afflicted by a series of challenges that are exciting and demanding in equal measure. -- Mike Grimshaw, University of CanterburyAttempts to break the age-old grip of the transcendent on theological thought have multiplied in recent years. In this indispensable provocation to thought, these wonderfully intrepid and scholarly philosophers of religion have pushed the accompanying turn toward immanence in the direction of the political in all its hugely varied insurrectionist forms. -- Kenneth Surin, Duke UniversityIn these unapologetic, interlocking essays, we find a radical theology that finally lives up to its name. Here theology tumbles kenotically, inexorably, into political economy, literature, climate science, postcoloniality, critical race theory, and nonequilibrium thermodynamics, forcing us to face the earth, sky, mortals, and gods as they are―and in all that they're not―and only then as they might yet be. -- Mary-Jane Rubenstein, author of Worlds Without End: The Many Lives of the MultiverseNew concepts are very rare, but when philosophers manage to create them, everything changes. This manifesto thrust us into an 'insurrectionist' theology where Nietzsche's death of God, Zizek's ontology of the Real, and Malabou's plastic materiality come together to overcome those metaphysical frames that still condition our lives. Anyone interested in radical theology, philosophy, and politics in the 21st century must read this book carefully since he might find himself also to be an insurrectionist. -- Santiago Zabala, ICREA Research Professor of Philosophy at Pompeu Fabra University About the Author Ward Blanton is a reader in biblical cultures and European thought at the University of Kent.Clayton Crockett is professor and director of religious studies at the University of Central Arkansas.Jeffrey W. Robbins is professor and chair of religion and philosophy at Lebanon Valley College.Noelle Vahanian is professor of philosophy at Lebanon Valley College.

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A Materialism for the Masses: Saint Paul and the Philosophy of Undying Life (Insurrections: Critical Studies in Religion, Politics, and Culture)

by Ward Blanton

Nietzsche and Freud saw Christianity as metaphysical escapism, with Nietzsche calling the religion a "Platonism for the masses" and faulting Paul the apostle for negating more immanent, material modes of thought and political solidarity. Integrating this debate with the philosophies of difference espoused by Gilles Deleuze, Michel Foucault, Jacques Derrida, Jacques Lacan, and Pier Paolo Pasolini, Ward Blanton argues that genealogical interventions into the political economies of Western cultural memory do not go far enough in relation to the imagined founder of Christianity.

Blanton challenges the idea of Paulinism as a pop Platonic worldview or form of social control. He unearths in Pauline legacies otherwise repressed resources for new materialist spiritualities and new forms of radical political solidarity, liberating "religion" from inherited interpretive assumptions so philosophical thought can manifest in risky, radical freedom.

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Paul and the Philosophers

by Hent de Vries, Ward Blanton

The apostle Paul has reemerged as a force on the contemporary philosophical scene. Some of the most powerful recent affirmations of nonrepresentational, materialist, and event-oriented philosophies repeat topics and tropes of the ancient apostle. Other thinkers find in Paul and his numerous cultural "afterlives" the ideal figure to
contest both identity politics and the postmodern political fetish of endless openness and the deferral of presence. Paul is appropriated both for and against Kantian cosmopolitanism, psychoanalytic models of subjectivity and power, Schmittian political theologies, Derridean messianism, political universalism, and an ongoing refashioning of identity politics within postsecular contexts.

This book provides the most comprehensive constellation to date of current thinking about Paul and his cultural or philosophical "afterlives" in ancient, modern, and contemporary contexts. It is a groundbreaking international and multidisciplinary exploration of the vexed political history of Paulinisms in philosophy and of philosophies in Paulinism.

From his very first utterances, Paul's pronouncements as the self-proclaimed apostle of Jesus were curiously intertwined with philosophical discourse, with Paul presenting himself as both philosopher and anti-philosopher. Early Christian receptions of Paul then carefully managed his legacy in relation to the philosophical
schools, presenting him alternately as an exemplary Platonist, a purveyor of Stoic spiritual exercises, and someone whose authority outstrips philosophy altogether. In the modern period, various types of Paulinism were imagined serially as possible escapes of philosophical thought from the domination of inherited metaphysics or
ontotheology.

The contributors to this volume bring unprecedented multidisciplinary expertise to both the historical reception and the contemporary relevance of a thinker who may come to be seen as the defining figure of our political and intellectual moment.

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Saint Paul: A Screenplay

by Alain Badiou, Pier Paolo Pasolini, Ward Blanton

Presented here for the first time in English is a remarkable screenplay about the apostle Paul by Pier Paolo Pasolini, legendary filmmaker, novelist, poet, and radical intellectual activist. Written between the appearance of his renowned film Teorema and the shocking, controversial Salò, or the 120 Days of Sodom, St Paul was deemed too risky for investors. At once a political intervention and cinematic breakthrough, the script forces a revolutionary transformation on the contemporary legacy of Paul. In Pasolini’s kaleidoscope, we encounter fascistic movements, resistance fighters, and faltering revolutions, each of which reflects on aspects of the Pauline teachings. From Jerusalem to Wall Street and Greenwich Village, from the rise of SS troops to the death of Martin Luther King, Jr, here—as Alain Badiou writes in the foreword—‘Paul’s text crosses all these circumstances intact, as if it had foreseen them all’.

This is a key addition to the growing debate around St Paul and to the proliferation of literature centred on the current turn to religion in philosophy and critical theory, which embraces contemporary figures such as Alain Badiou, Slavoj Žižek and Giorgio Agamben.

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