Books by Galway Kinnell

Walking Down the Stairs: Selections from Interviews (Poets On Poetry)

by Galway Kinnell

Collects Kinnell's thoughts about poetry

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The Book Of Nightmares

by Galway Kinnell

Galway Kinnell's poetry has always been marked by richness of language, devotion to the things and creatures of the world, and an effort to transform every understanding into the universality of art.

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Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

All the poems of a great 20th-century poet.

From the astonishing debut Hawk in the Rain (1957) to Birthday Letters (1998), Ted Hughes was one of postwar literature's truly prodigious poets. This remarkable volume gathers all of his work, from his earliest poems (published only in journals) through the ground-breaking volumes Crow (1970), Gaudete(1977), and Tales from Ovid (1997). It includes poems Hughes composed for fine-press printers, poems he wrote as England's Poet Laureate, and those children's poems that he meant for adults as well. This omnium-gatherum of Hughes's work is animated throughout by a voice that, as Seamus Heaney remarked, was simply "longer and deeper and rougher" than those of his contemporaries.

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Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

“Careful, attentive, sometimes consoling, heartbreaking or plangent where no consolation can be found.” ―Stephanie Burt, New York Times Book Review

A monumental celebration of “one of the most significant poets writing today” (David Baker, Los Angeles Review of Books).
In eight extraordinary volumes spanning five decades, Ellen Bryant Voigt has created a body of work distinguished by its formal precision, rigorous intelligence, and meticulous observation of nature, history, and domestic life. From the subtly evocative images of Claiming Kin (1976) to the mosaic of sonnets and voices conjuring a prescient narrative of the 1918 influenza pandemic in Kyrie (1995) to fierce encounters with mortality in the National Book Award finalist Shadow of Heaven (2002) and the propulsive inventions of Headwaters (2013), the evolution of Voigt’s astonishing creative and technical mastery is on full display. This definitive collection showcases the brilliant career of “a quintessential American elegist” (Katy Didden, Kenyon Review). From “Apple Tree”

O my soul,
it is not a small thing,
to have made from three,
this one, this one life.

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Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

“One of the greatest American poets of her time.”—New York Times
Collected Poems features Edna St. Vincent Millay’s incisive and impassioned poetry and sonnets, as well as the poet’s last volume, Mine the Harvest, compiled and published in 1956 by her sister Norma Millay. Alongside Robert Frost, T.S. Eliot, Marianne Moore, and E. E. Cummings, Millay remains among the most celebrated poets of the early twentieth century for her uniquely lyrical explorations of love, individuality, and artistic expression.
Millay, winner in 1923 of the second annual Pulitzer Prize for Poetry, was a daring, versatile writer whose work includes plays, essays, short stories, and songs. She infused new life into traditional poetic forms, bringing hope to a generation of youth disillusioned by the political and social upheaval of the First World War. She ventured fearlessly beyond familiar poetic subjects to tackle political injustice, social discrimination, and women’s sexuality in her poems and prose.
Yet Millay’s poetry is still decisively modern in its message, and it continues to resonate with readers facing personal and moral issues that defy the test of time: romantic love, loss, betrayal, compassion for one another, social equality, patriotism, and the stewardship of the natural world.
This invaluable compendium of her work is not only an essential addition to any collection of the world’s most moving and memorable poetry but an unprecedented look into the life of Millay.
My candle burns at both ends;
It will not last the night;
But ah, my foes, and oh, my friends—
It gives a lovely light!
“First Fig” from A Few Figs from Thistles (1920)

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Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

Gathered in this volume readers will find more than fifty years of poems by the incomparable Jack Gilbert, from his Yale Younger Poets prize-winning volume to glorious late poems, including a section of previously uncollected work.

There is no one quite like Jack Gilbert in postwar American poetry. After garnering early acclaim with Views of Jeopardy (1962), he escaped to Europe and lived apart from the literary establishment, honing his uniquely fierce, declarative style, with its surprising abundance of feeling. He reappeared in our midst with Monolithos (1982) and then went underground again until The Great Fires (1994), which was eventually followed by Refusing Heaven (2005), a prizewinning volume of surpassing joy and sorrow, and the elegiac The Dance Most of All (2009). Whether his subject is his boyhood in working-class Pittsburgh, the women he has loved throughout his life, or the bittersweet losses we all face, Gilbert is by turns subtle and majestic: he steals up on the odd moment of grace; he rises to crescendos of emotion. At every turn, he illuminates the basic joys of everyday experience.

Now, for the first time, we have all of Jack Gilbert’s work in one essential volume: testament to a stunning career and to his place at the forefront of poetic achievement in our time.

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Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

One of the best-known and best-loved poets of the English-speaking world, Philip Larkin had only a small number of poems published during his lifetime. Collected Poems brings together not only all his books--The North Ship, The Less Deceived, The Whitsun Weddings, and High Windows--but also his uncollected poems from 1940 to 1984.

This new edition reflects Larkin's own ordering for his poems and is the first collection to present the body of his work with the organization he preferred. Preserving everything he published in his lifetime, the new Collected Poems is an indispensable contribution to the legacy of an icon of twentieth-century poetry.

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Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

Frank Bidart and David Gewanter have compiled the definitive edition of Robert Lowell's work, from his first, impossible-to-find collection, Land of Unlikeness; to the early triumph of Lord Weary's Castle, winner of the 1946 Pulitzer Prize; to the brilliant willfulness of his versions of poems by Sappho, Baudelaire, Rilke, Montale, and other masters in Imitations; to the late spontaneity of The Dolphin, winner of another Pulitzer Prize; to his last, most searching book, Day by Day. This volume also includes poems and translations never previously collected, and a selection of drafts that demonstrate the poet's constant drive to reimagine his work. Collected Poems at last offers readers the opportunity to take in, in its entirety, one of the great careers in twentieth-century poetry.

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Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

The publication of James Merrill's Collected Poems is a landmark in the history of modern American literature. His First Poems—its sophistication and virtuosity were recognized at once—appeared half a century ago. Over the next five decades, Merrill's range broadened and his voice took on its characteristic richness. In book after book, his urbanity and wit, his intriguing images and paradoxes, shone with a rare brilliance. As he once told an interviewer, he "looked for English in its billiard-table sense—words that have been set spinning against their own gravity." But beneath their surface glamour, his poems were driven by an audacious imagination that continually sought to deepen and refine our perspectives on experience. Among other roles, he was one of the supreme love poets of the twentieth century. In delicate lyric or complex narrative, this book abounds with what he once called his "chronicles of love and loss." Like Wallace Stevens and W. H. Auden before him, Merrill sought to quicken the pulse of a poem in surprising and compelling ways—ways, indeed, that changed how we came to see our own lives. Years ago, the critic Helen Vendler spoke for others when she wrote of Merrill, "The time eventually comes, in a good poet's career, when readers actively wait for his books: to know that someone out there is writing down your century, your generation, your language, your life . . . He has become one of our indispensable poets."

This book brings together a remarkable body of work in an authoritative edition. From Merrill's privately printed book, The Black Swan, published in 1946, to his posthumous collection, A Scattering of Salts, which appeared in 1995, all of the poems he published are included, except for juvenalia and his epic, The Changing Light at Sandover. In addition, twenty-one of his translations (from Apollinaire, Montale, and Cavafy, among others) and forty-four of his previously uncollected poems (including those written in the last year of his life) are gathered here for the first time.

Collected Poems in the first volume in a series that will present all of James Merrill's work—his novels and plays, and his collected prose. Together, these volumes will testify to a monumental career that distinguished American literature in the late twentieth century and will continue to inspire readers and writers for years to come.

From the Hardcover edition.

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Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

Longlisted for the 2014 National Book Award

Gathered here is a half century’s magnificent work by the former poet laureate of the United States and Pulitzer Prize winner whose haunting and exemplary style has influenced an entire generation of American poets.

Beginning with the limited-edition volume Sleeping with One Eye Open, published in 1964, Mark Strand was hailed as a poet of piercing originality and elegance, and in the ensuing decades he has not swerved from his vision of how a poem should be shaped and what it should deliver. As he entered the middle period of his career, with volumes such as The Continuous Life (1990), Strand was already well-known for his ability to capture the subtle music of consciousness, and for creating painterly physical landscapes that could answer to the inner self: “And here the dark infinitive to feel, / Which would endure and have the earth be still / And the star-strewn night pour down the mountains / Into the hissing fields and silent towns.” In his later work, from Blizzard of One (1998) which won the Pulitzer Prize, through the sly, provocative riddles of his recent Almost Invisible (2012), Strand has delighted in reminding us that there is no poet quite like him for a dose of dark wit that turns out to be deep wisdom and self-deprecation. He has given voice to our collective imagination with a grandeur and comic honesty worthy of his great Knopf forebear Wallace Stevens. With this volume, we celebrate his canonical work.

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Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

William Blake is a poet without parallel, who remains a source of wisdom and inspiration to countless individuals throughout the world.
This selection was commissioned in 1905 by the firm of George Routledge from W.B. Yeats, who had previously been one of the pioneer editors of Blake's prophetic books. Yeats, one of the few poets whose work could be compared with that of Blake, prepared a unique selection of his poetic and prose writings. There is no better way to encounter the work of one poetic genius than as it is presented by another, and Yeats understood Blake in a way few others did.

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Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

A compelling anthology of poetry, translations, and composition notes by the author of The Book of Illusions features selections from Spokes, Wall Writing, Disappearances, Effigies, White Spaces, and other works, along with biographical details and the author's own thoughts on his writing.

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Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

The definitive collection of poems from Pulitzer Prize winner, MacArthur Fellow, and National Book Award winner Galway Kinnell.

“It’s the poet’s job to figure out what’s happening within oneself, to figure out the connection between the self and the world, and to get it down in words that have a certain shape, that have a chance of lasting.” —Galway Kinnell
This long-awaited volume brings together for the first time the life’s work of a major American voice.

In a remarkable generation of poets, Galway Kinnell was an acknowledged, true master. From the book-length poem memorializing the grit, beauty, and swarming assertion of immigrant life along a lower Manhattan avenue, to searing poems of human conflict and war, to incandescent reflections on love, family, and the natural world—including "Blackberry Eating,” "St. Francis and the Sow," and “After Making Love We Hear Footsteps”—to the unflinchingly introspective poems of his later life, Kinnell’s work lastingly shaped the consciousness of his age.

Spanning 65 years of intense, inspired creativity, this volume, with its inclusion of previously uncollected poems, is the essential collection for old and new devotees of a “poet of the rarest ability . . . who can flesh out music, raise the spirits, and break the heart.” (Boston Globe)

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Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

The life’s work of “one of the true master poets of his generation,”* whose poetry helped shape the consciousness of an age

For Galway Kinnell, it was “the poet’s job to figure out what’s happening within oneself, to figure out the connection between the self and the world, and to get it down in words that have a lasting shape, that have a chance of lasting.” This comprehensive volume includes “The Avenue Bearing the Initial of Christ into the New World,” Kinnell’s stunning poem of immigrant life on the Lower East Side of New York, the incantatory book-length poem The Book of Nightmares, the searing evocation of Hiroshima in “The Fundamental Project of Technology,” the iconic themes of his middle years—eros, family, the natural world (“After Making Love We Hear Footsteps,” “The Bear,” “Saint Francis and the Sow,” “Blackberry Eating”)—and the unflinchingly introspective work of his later years. Spanning six decades, this is the essential collection for old and new devotees of “a poet of the rarest ability . . . who can flesh out music, raise the spirits, and break the heart.”**

*New York Times
**Boston Globe

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Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

Jane Kenyon is considered one of America's best contemporary poets. Her previous collection, Otherwise: New & Selected Poems, published just after her death in 1995, has been a favorite among readers, with over 60,000 copies in print, and is a contemporary classic.
Now at the ten-year anniversary of her death, Kenyon's Collected Poems assembles all of her published poetry in one book. Included here are the complete poems found in her four previous volumes--From Room to Room, The Boat of Quiet Hours, Let Evening Come, and Constance--as well as the poems that appear in her posthumous volumes Otherwise and A Hundred White Daffodils, four poems never before published in book form, and her translations in Twenty Poems of Anna Akhmatova.

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Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

All of Jane Kenyon's published poems gathered in one definitive collection, now in paperback

Yes, long shadows go out
from the bales; and yes, the soul
must part from the body:
what else could it do?
―from "Twilight: After Haying"

Jane Kenyon is one of America's most prized contemporary poets. Her previous collection, Otherwise: New and Selected Poems, published just after her death in 1995, has been a favorite among readers, with more than 80,000 copies in print, and is a contemporary classic.

Collected Poems assembles all of Kenyon's published poetry in one book. Included here are the complete poems found in her four previous volumes―From Room to Room, The Boat of Quiet Hours, Let Evening Come, and Constance―as well as the poems that appear in her posthumous volumes Otherwise and A Hundred White Daffodils, four poems never before published in book form, and her translations in Twenty Poems of Anna Akhmatova.

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A New Selected Poems

by Galway Kinnell

That Silent Evening

I will go back to that silent evening when we lay together and talked in silent voices, while outside slow lumps of soft snow fell, hushing as they got near the ground, with a fire in the room, in which centuries of tree went up in continuous ghost-giving-up, without a crackle, into morning light.
Not until what hastens went slower did we sleep.
When we got home we turned and looked back at our tracks twining out of the woods, where the branches we brushed against let fall puffs of sparkling snow, quickly, in silence, like stolen kisses, and where the scritch scritch scritch among the trees, which is the sound that dies inside the sparks from the wedge when the sledge hits it off center telling everything inside it is fire, jumped to a black branch, puffed up but without arms and so to our eyes lonesome, and yet also--how can we know this?--happy!
in shape of chickadee. Lying still in snow, not iron-willed, like railroad tracks, willing not to meet until heaven, but here and there treading slubby kissing stops, our tracks wobble across the snow their long scratch.
So many things that happen here are really little more, if even that, than a scratch, too. Words, in our mouths, are almost ready, already, to bandage the one whom the scritch scritch scritch, meaning if how when we might lose each other, scratches scratches scratches from this moment to that. Then I will go back to that silent evening, when the past just managed to overlap the future, if only by a trace, and the light doubles and casts through the dark a sparkling that heavens the earth.

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Three Books: Body Rags; Mortal Acts, Mortal Words; The Past

by Galway Kinnell

This volume brings together BODY RAGS and MORTAL ACTS, MORTAL WORDS and THE PAST, three books that are central to the life’s work of one of the masters of contemporary poetry. Included here are many of Galway Kinnell’s best-loved and most anthologized poems. Kinnell has revised some of the poems for this new edition, and comments on his working method in a prefatory note.

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Strong is Your Hold (Book & CD)

by Galway Kinnell

Pulitzer Prize winner Galway Kinnell's first new collection of poetry in more than a decade, with a bound-in CD of poems read by the author

Here is the eleventh book of poems by Galway Kinnell, whom the New York Times has called "one of the true master poets of his generation." In this striking and various collection, he gives us poems of intermingling with the natural world, love poems and evocations of sexuality, poems about his father, his children, poet friends, poet heroes, and mythic figures. Included also is "When the Towers Fell," his stunning requiem for those who died in the World Trade Center on 9/11.

The book's title derives from Walt Whitman's "Last Invocation": "Strong is your hold O mortal flesh, / Strong is your hold O love."

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Black Light: A Novel

by Galway Kinnell

Black Light is a voyage of discovery and transformation. Set in Iran, it tells the story of Jamshid, a quiet simple carpet mender, who one day suddenly commits a murder and is forced to flee. With this violent act his old life ends and a strange new existence begins.

Galway Kinnell combines his gift for precise imagery with a storyteller’s skill in this journey across the Iranian desert—away from the fragile self-righteous virtues of adopted moral tradition, into the disorder and sexual confusion of agonizing self-knowledge. First published in 1966 by Houghton Mifflin, this extensively revised paperback edition of Black Light brings a distinguished novel back into print

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The Essential Rilke

by Galway Kinnell, Hannah Liebmann

German poet Rainer Maria Rilke(1875-1926) enjoys ever-increasing popularity. His Duino Elegies is considered on of the greatest long poems of the twentieth century. Yet translations from his native German have always presented challenges: the elusiveness of Rilke's imagery, the playful way he both distorts and subverts his own language, and the depth and complexity of his poetry make it difficult for translators to preserve the beauty and meaning of the original text. In his stunning bilingual selection that includes the entire Duino Elegies as well as a number of favorite and less familiar shorter poems, Galway Kinnell and Hannah Liebmann manage to retain power and grace of Rilke's words. Throughout his poetry, Rilke addresses questions of how to live in and relate to a world in a voice that is simultaneoulsy prophetic and intensely personel. These translations offer new insight into this enigmatic German poet whose work will continue to be read and admired throughout the world.

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