Books by Robert Lowell
The Letters of Robert Lowell
Over the course of his life, Robert Lowell impressed those who knew him by his "refusal to be boring on paper" (Christopher Benfey). One of the most influential poets of the twentieth century, Lowell was also a prolific letter writer who corresponded with many of the remarkable writers and thinkers of his day, including Elizabeth Bishop, Edmund Wilson, Robert Kennedy, Ezra Pound, William Carlos Williams, T. S. Eliot, and Robert Frost.
These letters document the evolution of Lowell's work and illuminate another side of the intimate life that was the subject of so many of his poems: his deep friendships with other writers; the manic-depressive illness he struggled to endure and understand; his marriages to three prose writers; and his engagement with politics and the antiwar movement of the 1960s.
The Letters of Robert Lowell shows us, in many cases for the first time, the private thoughts and passions of a figure unrivaled for his influence on American letters.
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The Letters of Robert Lowell
One of the most influential poets of the twentieth century, Robert Lowell was also a prolific letter writer who corresponded with many of the remarkable writers and thinkers of his day, including Elizabeth Bishop, Ezra Pound, Hannah Arendt, William Carlos Williams, T. S. Eliot, Robert Frost, and Edmund Wilson. These letters, conversations in writing, document the evolution of Lowell's work and illuminate another side of the intimate life that was the subject of so many of his poems: his deep friendships with other writers; the manic-depressive illness he struggled to endure and understand; his marriages to three prose writers; and his engagement with politics and the antiwar movement of the 1960s. The Letters of Robert Lowell shows us, in many cases for the first time, the private thoughts and passions of a figure unrivaled in his influence on American letters.
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Selected Poems: Expanded Edition: Including selections from Day by Day
Selected Poems includes over 200 works culled from Robert Lowell's books of verse―Lord Weary's Castle, The Mills of the Kavanaughs, Life Studies, For the Union Dead, Near the Ocean, History, For Lizzie and Harriet, and The Dolphin. Edited and with a foreword by the poet Frank Bidart, who also edited Collected Poems of Robert Lowell, this volume is a perfectly chosen representation of "the greatest American poet of the mid-century" (Richard Poirier, Book Week).
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The Dolphin Letters, 1970-1979: Elizabeth Hardwick, Robert Lowell, and Their Circle
by Robert Lowell, Elizabeth Hardwick
The correspondence between one of the most famous couples of twentieth-century literature
The Dolphin Letters offers an unprecedented portrait of Robert Lowell and Elizabeth Hardwick during the last seven years of Lowell’s life (1970 to 1977), a time of personal crisis and creative innovation for both writers. Centered on the letters they exchanged with each other and with other members of their circle―writers, intellectuals, friends, and publishers, including Elizabeth Bishop, Caroline Blackwood, Mary McCarthy, and Adrienne Rich―the book has the narrative sweep of a novel, telling the story of the dramatic breakup of their twenty-one-year marriage and their extraordinary, but late, reconciliation.
Lowell’s controversial sonnet-sequence The Dolphin (for which he used Hardwick’s letters as a source) and his last book, Day by Day, were written during this period, as were Hardwick’s influential books Seduction and Betrayal: Essays on Women in Literature and Sleepless Nights: A Novel. Lowell and Hardwick are acutely intelligent observers of marriages, children, and friends, and of the feelings that their personal crises gave rise to.
The Dolphin Letters, masterfully edited by Saskia Hamilton, is a debate about the limits of art―what occasions a work of art, what moral and artistic license artists have to make use of their lives as material, what formal innovations such debates give rise to. The crisis of Lowell’s The Dolphin was profoundly affecting to everyone surrounding him, and Bishop’s warning to Lowell―“art just isn’t worth that much”―haunts.
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The Dolphin Letters, 1970-1979: Elizabeth Hardwick, Robert Lowell, and Their Circle
by Robert Lowell, Elizabeth Hardwick
The correspondence between one of the most famous couples of twentieth-century literature
The Dolphin Letters offers an unprecedented portrait of Robert Lowell and Elizabeth Hardwick during the last seven years of Lowell’s life (1970 to 1977), a time of personal crisis and creative innovation for both writers. Centered on the letters they exchanged with each other and with other members of their circle―writers, intellectuals, friends, and publishers, including Elizabeth Bishop, Caroline Blackwood, Mary McCarthy, and Adrienne Rich―the book has the narrative sweep of a novel, telling the story of the dramatic breakup of their twenty-one-year marriage and their extraordinary, but late, reconciliation.
Lowell’s controversial sonnet-sequence The Dolphin (for which he used Hardwick’s letters as a source) and his last book, Day by Day, were written during this period, as were Hardwick’s influential books Seduction and Betrayal: Essays on Women in Literature and Sleepless Nights: A Novel. Lowell and Hardwick are acutely intelligent observers of marriages, children, and friends, and of the feelings that their personal crises gave rise to.
The Dolphin Letters, masterfully edited by Saskia Hamilton, is a debate about the limits of art―what occasions a work of art, what moral and artistic license artists have to make use of their lives as material, what formal innovations such debates give rise to. The crisis of Lowell’s The Dolphin was profoundly affecting to everyone surrounding him, and Bishop’s warning to Lowell―“art just isn’t worth that much”―haunts.
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New Selected Poems
by Robert Lowell, Mark Strand, Les Murray
More than twenty-five years after the appearance of his first Selected Poems, we at last have a magnificent new gathering of Mark Strand’s work, one that spans and celebrates his entire remarkable career to date. From Sleeping with One Eye Open (1964) through the wonderful middle work that includes The Continuous Life (1990), and crowned by the Pulitzer Prize–winning Blizzard of One (1998) and his most recent collection, Man and Camel (2006), this book makes a crucial selection of Strand’s always beautiful and by turns humorous and melancholy poems.
Over the decades Strand’s identity as a poet has remained firm: he is existential, playful, mysterious, a poet of simple words and sentences that somehow add up to powerful universal experiences. With his incantatory language and radiant, commanding imagery, he creates mythic scenes and vistas that, however otherworldly, are ultimately of this earth: their underlying subject the pain and pleasure of being mortal.
Here is an essential compilation from one of the most beloved and honored American poets at work today, without which no modern poetry collection is complete.
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New Selected Poems
by Robert Lowell, Mark Strand, Les Murray
A fresh selection of the finest poems―some previously uncollected―by one of our finest English-language poets
Why write poetry? For the weird unemployment.
For the painless headaches, that must be tapped to strike
down along your writing arm at the accumulated moment.
For the adjustments after, aligning facets in a verb
before the trance leaves you. For working always beyond
your own intelligence.
―from "The Instrument"
New Selected Poems contains Les Murray's own gathering from the full range of his poetry―from the 1960s through Taller When Prone (2004) and including previously uncollected work.
One of the finest poets writing today, Murray reinvents himself with each new collection. Whether writing about the indignities of childhood or the depths of depression, or evoking the rhythms of the natural world; whether writing in a sharply rendered Australian vernacular or a perfectly pitched King's English, his versatility and vitality are a constant. New Selected Poems is the poet's choice of his essential works: an indispensable collection for readers who already love his poetry, and an ideal introduction for those who are new to it.
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New Selected Poems
by Robert Lowell, Mark Strand, Les Murray
In this condensed edition of Selected Poems, Robert Lowell’s poems are brought together from all of his books of verse. Chosen and introduced by Katie Peterson on the occasion of Robert Lowell’s one hundredth birthday, New Selected Poems offers a perfectly chosen and illuminating representation of one of the great careers in twentieth-century poetry.
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Life Studies and For the Union Dead (FSG Classics)
Robert Lowell, with Elizabeth Bishop, stands apart as the greatest American poet of the latter half of the twentieth century―and Life Studies and For the Union Dead stand as among his most important volumes. In Life Studies, which was first published in 1959, Lowell moved away from the formality of his earlier poems and started writing in a more confessional vein. The title poem of For the Union Dead concerns the death of the Civil War hero (and Lowell ancestor) Robert Gould Shaw, but it also largely centers on the contrast between Boston's idealistic past and its debased present at the time of its writing, in the early 1960's. Throughout, Lowell addresses contemporaneous subjects in a voice and style that themselves push beyond the accepted forms and constraints of the time.
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Collected Poems
by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies
All the poems of a great 20th-century poet.
From the astonishing debut Hawk in the Rain (1957) to Birthday Letters (1998), Ted Hughes was one of postwar literature's truly prodigious poets. This remarkable volume gathers all of his work, from his earliest poems (published only in journals) through the ground-breaking volumes Crow (1970), Gaudete(1977), and Tales from Ovid (1997). It includes poems Hughes composed for fine-press printers, poems he wrote as England's Poet Laureate, and those children's poems that he meant for adults as well. This omnium-gatherum of Hughes's work is animated throughout by a voice that, as Seamus Heaney remarked, was simply "longer and deeper and rougher" than those of his contemporaries.
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Collected Poems
by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies
“Careful, attentive, sometimes consoling, heartbreaking or plangent where no consolation can be found.” ―Stephanie Burt, New York Times Book Review
A monumental celebration of “one of the most significant poets writing today” (David Baker, Los Angeles Review of Books).
In eight extraordinary volumes spanning five decades, Ellen Bryant Voigt has created a body of work distinguished by its formal precision, rigorous intelligence, and meticulous observation of nature, history, and domestic life. From the subtly evocative images of Claiming Kin (1976) to the mosaic of sonnets and voices conjuring a prescient narrative of the 1918 influenza pandemic in Kyrie (1995) to fierce encounters with mortality in the National Book Award finalist Shadow of Heaven (2002) and the propulsive inventions of Headwaters (2013), the evolution of Voigt’s astonishing creative and technical mastery is on full display. This definitive collection showcases the brilliant career of “a quintessential American elegist” (Katy Didden, Kenyon Review). From “Apple Tree”
O my soul,
it is not a small thing,
to have made from three,
this one, this one life.
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Collected Poems
by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies
“One of the greatest American poets of her time.”—New York Times
Collected Poems features Edna St. Vincent Millay’s incisive and impassioned poetry and sonnets, as well as the poet’s last volume, Mine the Harvest, compiled and published in 1956 by her sister Norma Millay. Alongside Robert Frost, T.S. Eliot, Marianne Moore, and E. E. Cummings, Millay remains among the most celebrated poets of the early twentieth century for her uniquely lyrical explorations of love, individuality, and artistic expression.
Millay, winner in 1923 of the second annual Pulitzer Prize for Poetry, was a daring, versatile writer whose work includes plays, essays, short stories, and songs. She infused new life into traditional poetic forms, bringing hope to a generation of youth disillusioned by the political and social upheaval of the First World War. She ventured fearlessly beyond familiar poetic subjects to tackle political injustice, social discrimination, and women’s sexuality in her poems and prose.
Yet Millay’s poetry is still decisively modern in its message, and it continues to resonate with readers facing personal and moral issues that defy the test of time: romantic love, loss, betrayal, compassion for one another, social equality, patriotism, and the stewardship of the natural world.
This invaluable compendium of her work is not only an essential addition to any collection of the world’s most moving and memorable poetry but an unprecedented look into the life of Millay.
My candle burns at both ends;
It will not last the night;
But ah, my foes, and oh, my friends—
It gives a lovely light!
“First Fig” from A Few Figs from Thistles (1920)
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Collected Poems
by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies
Gathered in this volume readers will find more than fifty years of poems by the incomparable Jack Gilbert, from his Yale Younger Poets prize-winning volume to glorious late poems, including a section of previously uncollected work.
There is no one quite like Jack Gilbert in postwar American poetry. After garnering early acclaim with Views of Jeopardy (1962), he escaped to Europe and lived apart from the literary establishment, honing his uniquely fierce, declarative style, with its surprising abundance of feeling. He reappeared in our midst with Monolithos (1982) and then went underground again until The Great Fires (1994), which was eventually followed by Refusing Heaven (2005), a prizewinning volume of surpassing joy and sorrow, and the elegiac The Dance Most of All (2009). Whether his subject is his boyhood in working-class Pittsburgh, the women he has loved throughout his life, or the bittersweet losses we all face, Gilbert is by turns subtle and majestic: he steals up on the odd moment of grace; he rises to crescendos of emotion. At every turn, he illuminates the basic joys of everyday experience.
Now, for the first time, we have all of Jack Gilbert’s work in one essential volume: testament to a stunning career and to his place at the forefront of poetic achievement in our time.
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Collected Poems
by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies
One of the best-known and best-loved poets of the English-speaking world, Philip Larkin had only a small number of poems published during his lifetime. Collected Poems brings together not only all his books--The North Ship, The Less Deceived, The Whitsun Weddings, and High Windows--but also his uncollected poems from 1940 to 1984.
This new edition reflects Larkin's own ordering for his poems and is the first collection to present the body of his work with the organization he preferred. Preserving everything he published in his lifetime, the new Collected Poems is an indispensable contribution to the legacy of an icon of twentieth-century poetry.
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Collected Poems
by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies
Frank Bidart and David Gewanter have compiled the definitive edition of Robert Lowell's work, from his first, impossible-to-find collection, Land of Unlikeness; to the early triumph of Lord Weary's Castle, winner of the 1946 Pulitzer Prize; to the brilliant willfulness of his versions of poems by Sappho, Baudelaire, Rilke, Montale, and other masters in Imitations; to the late spontaneity of The Dolphin, winner of another Pulitzer Prize; to his last, most searching book, Day by Day. This volume also includes poems and translations never previously collected, and a selection of drafts that demonstrate the poet's constant drive to reimagine his work. Collected Poems at last offers readers the opportunity to take in, in its entirety, one of the great careers in twentieth-century poetry.
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Collected Poems
by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies
The publication of James Merrill's Collected Poems is a landmark in the history of modern American literature. His First Poems—its sophistication and virtuosity were recognized at once—appeared half a century ago. Over the next five decades, Merrill's range broadened and his voice took on its characteristic richness. In book after book, his urbanity and wit, his intriguing images and paradoxes, shone with a rare brilliance. As he once told an interviewer, he "looked for English in its billiard-table sense—words that have been set spinning against their own gravity." But beneath their surface glamour, his poems were driven by an audacious imagination that continually sought to deepen and refine our perspectives on experience. Among other roles, he was one of the supreme love poets of the twentieth century. In delicate lyric or complex narrative, this book abounds with what he once called his "chronicles of love and loss." Like Wallace Stevens and W. H. Auden before him, Merrill sought to quicken the pulse of a poem in surprising and compelling ways—ways, indeed, that changed how we came to see our own lives. Years ago, the critic Helen Vendler spoke for others when she wrote of Merrill, "The time eventually comes, in a good poet's career, when readers actively wait for his books: to know that someone out there is writing down your century, your generation, your language, your life . . . He has become one of our indispensable poets."
This book brings together a remarkable body of work in an authoritative edition. From Merrill's privately printed book, The Black Swan, published in 1946, to his posthumous collection, A Scattering of Salts, which appeared in 1995, all of the poems he published are included, except for juvenalia and his epic, The Changing Light at Sandover. In addition, twenty-one of his translations (from Apollinaire, Montale, and Cavafy, among others) and forty-four of his previously uncollected poems (including those written in the last year of his life) are gathered here for the first time.
Collected Poems in the first volume in a series that will present all of James Merrill's work—his novels and plays, and his collected prose. Together, these volumes will testify to a monumental career that distinguished American literature in the late twentieth century and will continue to inspire readers and writers for years to come.
From the Hardcover edition.
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Collected Poems
by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies
Longlisted for the 2014 National Book Award
Gathered here is a half century’s magnificent work by the former poet laureate of the United States and Pulitzer Prize winner whose haunting and exemplary style has influenced an entire generation of American poets.
Beginning with the limited-edition volume Sleeping with One Eye Open, published in 1964, Mark Strand was hailed as a poet of piercing originality and elegance, and in the ensuing decades he has not swerved from his vision of how a poem should be shaped and what it should deliver. As he entered the middle period of his career, with volumes such as The Continuous Life (1990), Strand was already well-known for his ability to capture the subtle music of consciousness, and for creating painterly physical landscapes that could answer to the inner self: “And here the dark infinitive to feel, / Which would endure and have the earth be still / And the star-strewn night pour down the mountains / Into the hissing fields and silent towns.” In his later work, from Blizzard of One (1998) which won the Pulitzer Prize, through the sly, provocative riddles of his recent Almost Invisible (2012), Strand has delighted in reminding us that there is no poet quite like him for a dose of dark wit that turns out to be deep wisdom and self-deprecation. He has given voice to our collective imagination with a grandeur and comic honesty worthy of his great Knopf forebear Wallace Stevens. With this volume, we celebrate his canonical work.
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Collected Poems
by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies
William Blake is a poet without parallel, who remains a source of wisdom and inspiration to countless individuals throughout the world.
This selection was commissioned in 1905 by the firm of George Routledge from W.B. Yeats, who had previously been one of the pioneer editors of Blake's prophetic books. Yeats, one of the few poets whose work could be compared with that of Blake, prepared a unique selection of his poetic and prose writings. There is no better way to encounter the work of one poetic genius than as it is presented by another, and Yeats understood Blake in a way few others did.
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Collected Poems
by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies
A compelling anthology of poetry, translations, and composition notes by the author of The Book of Illusions features selections from Spokes, Wall Writing, Disappearances, Effigies, White Spaces, and other works, along with biographical details and the author's own thoughts on his writing.
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Collected Poems
by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies
None
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Collected Poems
by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies
The definitive collection of poems from Pulitzer Prize winner, MacArthur Fellow, and National Book Award winner Galway Kinnell.
“It’s the poet’s job to figure out what’s happening within oneself, to figure out the connection between the self and the world, and to get it down in words that have a certain shape, that have a chance of lasting.” —Galway Kinnell
This long-awaited volume brings together for the first time the life’s work of a major American voice.
In a remarkable generation of poets, Galway Kinnell was an acknowledged, true master. From the book-length poem memorializing the grit, beauty, and swarming assertion of immigrant life along a lower Manhattan avenue, to searing poems of human conflict and war, to incandescent reflections on love, family, and the natural world—including "Blackberry Eating,” "St. Francis and the Sow," and “After Making Love We Hear Footsteps”—to the unflinchingly introspective poems of his later life, Kinnell’s work lastingly shaped the consciousness of his age.
Spanning 65 years of intense, inspired creativity, this volume, with its inclusion of previously uncollected poems, is the essential collection for old and new devotees of a “poet of the rarest ability . . . who can flesh out music, raise the spirits, and break the heart.” (Boston Globe)
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Collected Poems
by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies
The life’s work of “one of the true master poets of his generation,”* whose poetry helped shape the consciousness of an age
For Galway Kinnell, it was “the poet’s job to figure out what’s happening within oneself, to figure out the connection between the self and the world, and to get it down in words that have a lasting shape, that have a chance of lasting.” This comprehensive volume includes “The Avenue Bearing the Initial of Christ into the New World,” Kinnell’s stunning poem of immigrant life on the Lower East Side of New York, the incantatory book-length poem The Book of Nightmares, the searing evocation of Hiroshima in “The Fundamental Project of Technology,” the iconic themes of his middle years—eros, family, the natural world (“After Making Love We Hear Footsteps,” “The Bear,” “Saint Francis and the Sow,” “Blackberry Eating”)—and the unflinchingly introspective work of his later years. Spanning six decades, this is the essential collection for old and new devotees of “a poet of the rarest ability . . . who can flesh out music, raise the spirits, and break the heart.”**
*New York Times
**Boston Globe
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Collected Poems
by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies
Jane Kenyon is considered one of America's best contemporary poets. Her previous collection, Otherwise: New & Selected Poems, published just after her death in 1995, has been a favorite among readers, with over 60,000 copies in print, and is a contemporary classic.
Now at the ten-year anniversary of her death, Kenyon's Collected Poems assembles all of her published poetry in one book. Included here are the complete poems found in her four previous volumes--From Room to Room, The Boat of Quiet Hours, Let Evening Come, and Constance--as well as the poems that appear in her posthumous volumes Otherwise and A Hundred White Daffodils, four poems never before published in book form, and her translations in Twenty Poems of Anna Akhmatova.
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Collected Poems
by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies
All of Jane Kenyon's published poems gathered in one definitive collection, now in paperback
Yes, long shadows go out
from the bales; and yes, the soul
must part from the body:
what else could it do?
―from "Twilight: After Haying"
Jane Kenyon is one of America's most prized contemporary poets. Her previous collection, Otherwise: New and Selected Poems, published just after her death in 1995, has been a favorite among readers, with more than 80,000 copies in print, and is a contemporary classic.
Collected Poems assembles all of Kenyon's published poetry in one book. Included here are the complete poems found in her four previous volumes―From Room to Room, The Boat of Quiet Hours, Let Evening Come, and Constance―as well as the poems that appear in her posthumous volumes Otherwise and A Hundred White Daffodils, four poems never before published in book form, and her translations in Twenty Poems of Anna Akhmatova.
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Selected Poems: Revised Edition
Selected Poems includes over 200 poems, culled from each of Robert Lowell's books of verse--Lord Weary's Castle, The Mills of the Kavanaughs, Life Studies, For the Union Dead, Near the Ocean, History, For Lizzie and Harriet, and The Dolphin. This edition, which first appeared in 1977, was revised by the author: there are additions, deletions, and a change in sequence in the Dolphin section; the five poems in the title sequence from Near the Ocean are now uncut; and a new poem is added to the "Nineteen Thirties."
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The Dolphin Two Versions, 1972-1973
The Dolphin: Two Versions, 1972-1973 is an expanded edition of the Pulitzer Prize–winning provocative poetry collection that crossed the line between art and life.
I have sat and listened to too many
words of the collaborating muse,
and plotted perhaps too freely with my life,
not avoiding injury to others,
not avoiding injury to myself—
to ask compassion . . . this book, half fiction,
an eelnet made by man for the eel fighting
my eyes have seen what my hand did.
Winner of the 1973 Pulitzer Prize in Poetry, Robert Lowell’s The Dolphin was controversial from the beginning: many of the poems include letters from Robert Lowell’s wife, the celebrated writer and critic Elizabeth Hardwick, wrote to him after he left her for the English socialite and writer Caroline Blackwood. He was warned by many, among them Elizabeth Bishop, that “art just isn’t worth that much.”
Nevertheless, these poems are a powerful document of an impulsive love, and a moving record of Lowell’s change from one life and marriage in America to a new life on new terms with a new family in England, rendered with the stunning technical power and control for which he was so celebrated.
This new edition, which follows the 1973 edition, includes scans of the pages of Lowell’s original manuscript, giving us a look into the brilliant and complicated mind of one of our most beloved and distinguished poets.
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