Books by Paul Auster

City of Glass: The Graphic Novel (New York Trilogy, 1)

by Paul Auster

The highly acclaimed graphic novel adaptation of Paul Auster's classic City of Glass, featuring a new introduction by Art Spiegelman.

Quinn writes mysteries. The Washington Post has described him as a "post-existentialist private eye." An unknown voice on the telephone is now begging for his help, drawing him into a world and a mystery far stranger than any he ever created in print.

Adapted by Paul Karasik and David Mazzucchelli, with graphics by David Mazzucchelli, Paul Auster's groundbreaking, Edgar Award-nominated masterwork, the first in the New York Trilogy, has been astonishingly transformed into a new visual language.

"[This graphic novel] is, surprisingly, not just a worthy supplement to the novel, but a work of art that fully justifies its existence on its own terms."--The Guardian

Oracle Night: A Novel

by Paul Auster

Several months into his recovery from a near-fatal illness, thirty-four-year-old novelist Sidney Orr enters a stationary shop in the Cobble Hill section of Brooklyn and buys a blue notebook. It is September 18, 1982, and for the next nine days Orr will live under the spell of this blank book, trapped inside a world of eerie premonitions and bewildering events that threaten to destroy his marriage and undermine his faith in reality. A novel that expands to fill volumes in the reader's mind, Oracle Night is a beautifully constructed meditation on time, love, storytelling and the imagination by one of America's boldest and most original writers.

Collected Prose: Autobiographical Writings, True Stories, Critical Essays, Prefaces, and Collaborations with Artists

by Paul Auster

An essential collection from one of the finest thinkers and stylists in contemporary letters.

The celebrated author of The New York Trilogy, The Book of Illusions, and Oracle Night presents here a highly personal collection of essays, prefaces, true stories, autobiographical writings, and collaborations with artists, as well as occasional pieces written for magazines and newspapers, including The Invention of Solitude his "breathtaking memoir." (Financial Times Magazine London)

Ranging in subject from Sir Walter Raleigh to Kafka, Nathaniel Hawthorne to the high-wire artist Philippe Petit, conceptual artist Sophie Calle to Auster's own typewriter, the World Trade Center catastrophe to his beloved New York City itself, Collected Prose records the passions and insights of a writer who "will be remembered as one of the great writers of our time" (San Francisco Chronicle).

The Brooklyn Follies: A Novel

by Paul Auster

From the bestselling author of Oracle Night and The Book of Illusions, an exhilarating, whirlwind tale of one man's accidental redemption

Nathan Glass has come to Brooklyn to die. Divorced, estranged from his only daughter, the retired life insurance salesman seeks only solitude and anonymity. Then Nathan finds his long-lost nephew, Tom Wood, working in a local bookstore--a far cry from the brilliant academic career he'd begun when Nathan saw him last. Tom's boss is the charismatic Harry Brightman, whom fate has also brought to the "ancient kingdom of Brooklyn, New York." Through Tom and Harry, Nathan's world gradually broadens to include a new set of acquaintances--not to mention a stray relative or two--and leads him to a reckoning with his past.
Among the many twists in the delicious plot are a scam involving a forgery of the first page of The Scarlet Letter, a disturbing revelation that takes place in a sperm bank, and an impossible, utopian dream of a rural refuge. Meanwhile, the wry and acerbic Nathan has undertaken something he calls The Book of Human Folly, in which he proposes "to set down in the simplest, clearest language possible an account of every blunder, every pratfall, every embarrassment, every idiocy, every foible, and every inane act I had committed during my long and checkered career as a man." But life takes over instead, and Nathan's despair is swept away as he finds himself more and more implicated in the joys and sorrows of others.
The Brooklyn Follies is Paul Auster's warmest, most exuberant novel, a moving and unforgettable hymn to the glories and mysteries of ordinary human life.

The Brooklyn Follies: A Novel

by Paul Auster

From the critically acclaimed and bestselling author of Oracle Night and 4 3 2 1, an exhilarating, whirlwind tale of one man's accidental redemption.

Nathan Glass has come to Brooklyn to die. Divorced, estranged from his only daughter, the retired life insurance salesman seeks only solitude and anonymity. Then Nathan finds his long-lost nephew, Tom Wood, working in a local bookstore―a far cry from the brilliant academic career he'd begun when Nathan saw him last. Tom's boss is the charismatic Harry Brightman, whom fate has also brought to the "ancient kingdom of Brooklyn, New York." Through Tom and Harry, Nathan's world gradually broadens to include a new set of acquaintances―not to mention a stray relative or two―and leads him to a reckoning with his past.

Among the many twists in the delicious plot are a scam involving a forgery of the first page of The Scarlet Letter, a disturbing revelation that takes place in a sperm bank, and an impossible, utopian dream of a rural refuge. Meanwhile, the wry and acerbic Nathan has undertaken something he calls The Book of Human Folly, in which he proposes "to set down in the simplest, clearest language possible an account of every blunder, every pratfall, every embarrassment, every idiocy, every foible, and every inane act I had committed during my long and checkered career as a man." But life takes over instead, and Nathan's despair is swept away as he finds himself more and more implicated in the joys and sorrows of others.

The Brooklyn Follies is Paul Auster's warmest, most exuberant novel, a moving and unforgettable hymn to the glories and mysteries of ordinary human life.

The Brooklyn Follies: A Novel

by Paul Auster

National Bestseller

A New York Times Book Review Editors' Choice

Nathan Glass has come to Brooklyn to die. Divorced, retired, estranged from his only daughter, the former life insurance salesman seeks only solitude and anonymity. Then Glass encounters his long-lost nephew, Tom Wood, who is working in a local bookstore--a far cry from the brilliant academic career Tom had begun when Nathan saw him last. Tom's boss is the colorful and charismatic Harry Brightman--a.k.a. Harry Dunkel--once the owner of a Chicago art gallery, whom fate has also brought to the "ancient kingdom of Brooklyn, New York." Through Tom and Harry, Nathan's world gradually broadens to include a new circle of acquaintances. He soon finds himself drawn into a scam involving a forged page of The Scarlet Letter, and begins to undertake his own literary venture, The Book of Human Folly, an account of "every blunder, every pratfall, every embarrassment, every idiocy, every foible, and every inane act I have committed during my long and checkered career as a man."

The Brooklyn Follies is Paul Auster's warmest, most exuberant novel, a moving, unforgettable hymn to the glories and mysteries of ordinary human life.

A Tomb for Anatole

by Paul Auster, Stephane Mallarme

An immensely moving poetic work addressing inconsolable sorrow: a father's pain over the death of his child. Bilingual. "One of the most moving accounts of a man trying to come to grips with modern death that is to say, death without God, death without hope of salvation and it reveals the secret meaning of Mallarme's whole aesthetic: the elevation of art to the stature of religion." Paul Auster, from the Introduction The great French Symbolist poet Stephane Mallarme (1842-1898), who changed the course of modern French literature (and influenced writers from James Joyce to T.S. Eliot to Wallace Stevens), suffered many tragedies. His mother died when he was just five years old, but in 1879 the cruelest blow of all struck when his beloved son Anatole died at the age of eight. A Tomb for Anatole presents the 202 fragments of Mallarme's projected long poem in four parts. By far the poet's most personal work, he could never bring himself to complete it. To speak publicly of his immense sorrow, Mallarme concluded, "for me, it's not possible." Unpublished in France until 1961, these works are very far from the oblique, cool "pure poetry" Mallarme is famous for, poetry that sought to capturepainstakingly"l'absente de tous bouquets" (the ideal flower absent from all bouquets). Paul Auster, who first published A Tomb for Anatole with the North Point Press in 1983 (a volume long out of print), notes in his excellent introduction that facing "the ultimate horror of every parent," these fragments "have a startling unmediated quality." As Mallarme writes, it is "a vision / endlessly purified / by my tears."

The Invention of Solitude

by Paul Auster

In his debut memoir, renowned author Paul Auster shares heartfelt and personal meditations on fatherhood that “integrates heart and intellect, sensation and speculation . . . as it relentlessly tries to make sense of the shocks of living” (Newsday)

“Moving, delicately perceived portraits of lives and relationships.”—The New York Times Book Review

“One day there is life. . . . And then, suddenly, it happens there is death.”

The Invention of Solitude, split into two stylistically separate sections, established Paul Auster’s reputation as a major voice in American literature. The first section, “Portrait of an Invisible Man,” explores Auster’s memories and feelings after the death of his father, a distant, undemonstrative, almost cold man. As he attends to his father’s business affairs and sifts through his effects, Auster uncovers a sixty-year-old family murder mystery that sheds light on his father’s elusive character. In “The Book of Memory,” the perspective shifts from Auster’s identity as a son to his role as a father. Through a mosaic of images, coincidences, and associations, the narrator, “A,” contemplates his separation from his son, his dying grandfather, and the solitary nature of storytelling and writing.

Here and Now: Letters 2008-2011

by J. M. Coetzee, Paul Auster

“[A] civilized discourse between two cultivated and sophisticated men. . . . It’s a pleasure to be in their company.”—Michael Dirda, The Washington Post

“An extended meditation on the processes of friendship, [Here and Now] has something substantive to offer.”—The New York Times Book Review

After a meeting at an Australian literary festival brought them together in 2008, novelists Paul Auster and J. M. Coetzee began exchanging letters on a regular basis with the hope they might “strike sparks off each other." Here and Now is the result: a three-year epistolary dialogue that touches on nearly every subject from sports to fatherhood, literature to film, philosophy to politics, from the financial crisis to art, death, marriage, friendship, and love. Their high-spirited and luminous correspondence offers an intimate and often amusing portrait of these two men as they explore the complexities of the here and now and reveal their delight in each other’s friendship on every page.

Moon Palace (Contemporary American Fiction)

by Paul Auster

A “beautiful and haunting” (San Francisco Chronicle) novel of an orphan’s search for love, for his unknown father, and for the key to the elusive riddle of his fate, from New York Times bestselling author Paul Auster

“Auster is a master storyteller . . . Moon Palace shimmers with mysteries.”—The Washington Post Book World

Marco Stanley Fogg is an orphan, a child of the sixties, a quester tirelessly seeking the key to his past, the answers to the ultimate riddle of his fate. As Marco journeys from the canyons of Manhattan to the deserts of Utah, he encounters a gallery of characters and a series of events as rich and surprising as any in modern fiction.

Beginning during the summer that men first walked on the moon, and from there moving backward and forward in time to span three generations, Moon Palace is propelled by coincidence and memory, illuminated by marvelous flights of lyricism and wit. Here is an entertaining and moving novel from an author well known for his breathtaking imagination.

City of Glass (New York Trilogy, 1)

by Paul Auster

EDGAR AWARD NOMINEE • In this stunning debut novel, the first volume in Paul Auster’s acclaimed The New York Trilogy, an author determined to solve a mystery begins to descend into madness.

“Remarkable . . . The book is a pleasure to read, full of suspense and action. . . . [A] strange and powerful adventure.”—The New York Times Book Review

After a strange phone call in the middle of the night, Quinn, an author of detective stories, becomes enmeshed in a case more puzzling than any he might have written. Composed with hallucinatory clarity, City of Glass combines dark humor with Hitchcock-like suspense.

City of Glass inaugurates the intriguing New York Trilogy of novels that The Washington Post Book World has classified as “post-existential private eye. . . . It’s as if Kafka has gotten hooked on the gumshoe game and penned his own ever-spiraling version.”

The brilliant installments of Paul Auster’s The New York Trilogy include:
CITY OF GLASS • GHOSTS • THE LOCKED ROOM

Leviathan

by Paul Auster

NATIONAL BESTSELLER • A “compelling” (Los Angeles Times) novel of friendship, betrayal, estrangement, and the unpredictable intrusions of violence in the everyday—from “a literary original who is perfecting a genre of his own” (The Wall Street Journal)

“Rich and complex . . . with fully fleshed characters, a fast-paced plot, thematic sophistication, and narrative cunning.”—The Boston Globe

“Six days ago, a man blew himself up by the side of a road in northern Wisconsin.”

So begins Peter Aaron’s story about his best friend, Benjamin Sachs. Sachs had a marriage Aaron envied, an intelligence he admired, a world he shared. And then suddenly, after a near-fatal fall that might or might not have been intentional, Sachs disappeared. Now Aaron must piece together the life that led to Sach’s death. His sole aim is to tell the truth and preserve it—before those who are investigating the case invent an account of their own.

Leviathan is a daring and immensely moving story by an author whom The Times Literary Supplement has called “one of America’s most spectacularly inventive writers.”

The New York Trilogy: City of Glass; Ghosts; The Locked Room (Contemporary American Fiction Series)

by Paul Auster

The remarkable, acclaimed series of interconnected detective novels City of Glass, Ghosts, and The Locked Room, from New York Times bestselling author Paul Auster

“Exhilarating . . . a brilliant investigation of the storyteller’s art guided by a writer-detective who’s never satisfied with just the facts.”—The Philadelphia Inquirer

City of Glass: As a result of a strange phone call in the middle of the night, Quinn, a writer of detective stories, becomes enmeshed in a case more puzzling than any he might have written.

Ghosts: Blue, a student of Brown, has been hired by White to spy on Black. From a window of a rented room on Orange Street, Blue keeps watch on his subject, who is across the street, staring out of his own window.

The Locked Room: Fanshawe has disappeared, leaving behind his wife and baby and a cache of extraordinary novels, plays, and poems. What happened to him and why is the narrator, Fanshawe’s boyhood friend, lured obsessively into his life?

Moving at the breathless pace of a thriller, this is a uniquely stylized trilogy of detective novels that The Washington Post Book World has classified as “post-existential private eye. . . . It’s as if Kafka has gotten hooked on the gumshoe game and penned his own ever-spiraling version.”

Mr. Vertigo

by Paul Auster

“Nobody—nobody—has produced a better parable about the condition of the national consciousness at century’s end.”—The Boston Globe

An enduringly brilliant novel of trial and triumph set in America in the 1920s, from New York Times bestselling author Paul Auster

“A charmer pure and simple . . . Nothing less than the story of America itself.”—Jonathan Yardley, The Washington Post

Paul Auster’s dazzling, picaresque novel is the story of Walter Claireborne Rawley, renowned nationwide as “Walt the Wonder Boy.” It is the late 1920s, the era of Babe Ruth, Charles Lindbergh, and Al Capone, and Walt is a Saint Louis orphan rescued from the streets by the mysterious Hungarian Master Yehudi, who teaches Walt to walk on air. The vaudeville act that results from Walt’s marvelous new ability takes them across a vast and vibrant country, where they meet and fall prey to sinners, thieves, and villains, from the Kansas Klu Klux Klan to the Chicago mob. Walt’s rise to fame and fortune mirrors America’s own coming of age, and his resilience, like that of the nation, is challenged over and again.

Moon Palace: A Novel (Penguin Ink)

by Paul Auster

The “beautiful and haunting” (San Francisco Chronicle) tale of an orphan’s search for love, for his unknown father, and for the key to the elusive riddle of his fate, from the author of the forthcoming 4 3 2 1: A Novel

Marco Stanley Fogg is an orphan, a child of the sixties, a quester tirelessly seeking the key to his past, the answers to the ultimate riddle of his fate. As Marco journeys from the canyons of Manhattan to the deserts of Utah, he encounters a gallery of characters and a series of events as rich and surprising as any in modern fiction.

Beginning during the summer that men first walked on the moon, and moving backward and forward in time to span three generations, Moon Palace is propelled by coincidence and memory, and illuminated by marvelous flights of lyricism and wit. Here is the most entertaining and moving novel yet from an author well known for his breathtaking imagination.

From New York Times-bestselling author Paul Auster (The New York Trilogy).

The New York Trilogy (Penguin Classics Deluxe Edition)

by Paul Auster

The remarkable, acclaimed series of interconnected detective novels City of Glass, Ghosts, and The Locked Room, from New York Times bestselling author Paul Auster.

This Penguin Classics Deluxe Edition includes an introduction from author and professor Lucy Sante, as well as a pulp novel-inspired cover from Art Spiegelman, Pulitzer Prize-winning graphic artist of Maus and In the Shadow of No Towers.

“Exhilarating . . . a brilliant investigation of the storyteller’s art guided by a writer-detective who’s never satisfied with just the facts.”—The Philadelphia Inquirer

City of Glass: As a result of a strange phone call in the middle of the night, Quinn, a writer of detective stories, becomes enmeshed in a case more puzzling than any he might have written.

Ghosts: Blue, a student of Brown, has been hired by White to spy on Black. From a window of a rented room on Orange Street, Blue keeps watch on his subject, who is across the street, staring out of his own window.

The Locked Room: Fanshawe has disappeared, leaving behind his wife and baby and a cache of extraordinary novels, plays, and poems. What happened to him and why is the narrator, Fanshawe’s boyhood friend, lured obsessively into his life?

Moving at the breathless pace of a thriller, this is a uniquely stylized trilogy of detective novels that The Washington Post Book World has classified as “post-existential private eye. . . . It’s as if Kafka has gotten hooked on the gumshoe game and penned his own ever-spiraling version.”

Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Timbuktu: A Novel

by Paul Auster

Mr. Bones, the canine hero of Paul Auster's astonishing new book, is the sidekick and confidant of Willy G. Christmas, a brilliant and troubled homeless man from Brooklyn. As Willy's body slowly expires, he sets off with Mr. Bones for Baltimore in search of his high school English teacher and a new home for his companion. Mr. Bones is our witness during their journey, and out of his thoughts, Paul Auster has spun one of the richest, most compelling tales in American fiction.

Timbuktu: A Novel

by Paul Auster

Meet Mr. Bones, the canine hero of Paul Auster's (“One of America's most spectacularly inventive writers” ―The TLS) remarkable novel, Timbuktu.

Mr. Bones is the sidekick and confidant of Willy G. Christmas, the brilliant, troubled, and altogether original poet-saint from Brooklyn. Like Don Quixote and Sancho Panza before them, they sally forth on a last great adventure, heading for Baltimore, Maryland in search of Willy's high school teacher, Bea Swanson. Years have passed since Willy last saw his beloved mentor, who knew him in his previous incarnation as William Gurevitch, the son of Polish war refugees. But is Mrs. Swanson still alive? And if she isn't, what will prevent Willy from vanishing into that other world known as Timbuktu?

Mr. Bones is our witness. Although he walks on four legs and cannot speak, he can think, and out of his thoughts Auster has spun one of the richest, most compelling tales in recent American fiction. By turns comic, poignant, and tragic, Timbuktu is above all a love story. Written with a scintillating verbal energy, it takes us into the heart of a singularly pure and passionate character, an unforgettable dog who has much to teach us about our own humanity.

Man in the Dark: A Novel

by Paul Auster

A Washington Post Best Book of the Year

"Man in the Dark is an undoubted pleasure to read. Auster really does possess the wand of the enchanter."--Michael Dirda, The New York Review of Books
From a "literary original" (The Wall Street Journal) comes a book that forces us to confront the blackness of night even as it celebrates the existence of ordinary joys in a world capable of the most grotesque violence. Seventy-two-year-old August Brill is recovering from a car accident at his daughter's house in Vermont. When sleep refuses to come, he lies in bed and tells himself stories, struggling to push back thoughts about things he would prefer to forget: his wife's recent death and the horrific murder of his granddaughter's boyfriend, Titus. The retired book critic imagines a parallel world in which America is not at war with Iraq but with itself. In this other America the twin towers did not fall and the 2000 election results led to secession, as state after state pulled away from the union and a bloody civil war ensued. As the night progresses, Brill's story grows increasingly intense, and what he is desperately trying to avoid insists on being told.

Paul Auster is the bestselling author of The Book of Illusions, and The New York Trilogy, among many other works. In 2006 he was awarded The Prince of Asturias Prize for Literature and inducted into the American Academy of Arts and Letters. Among his other honors are the Independent Spirit Award for the screenplay of Smoke and the Prix Médicis étranger for Leviathan. He has also been short-listed for the International IMPAC Dublin Literary Award (The Book of Illusions), the PEN/Faulkner Award for Fiction (The Music of Chance), and the Edgar Award (City of Glass). His work has been translated into thirty-five languages. He lives in Brooklyn, New York. Longlisted for the International IMPAC Literary Award

A work of fiction with a dark political twist, Paul Auster's Man in the Dark speaks to the realities that America inhabits as wars flame around the world. Seventy-two-year-old August Brill is recovering from a car accident in his daughter’s house in Vermont. When sleep refuses to come, he lies in bed and tells himself stories, struggling to push back thoughts about things he would prefer to forget—his wife’s recent death and the horrific murder of his granddaughter’s boyfriend, Titus. The retired book critic imagines a parallel world in which America is not at war with Iraq but with itself. In this other America the twin towers did not fall and the 2000 election results led to secession, as state after state pulled away from the union and a bloody civil war ensued. As the night progresses, Brill’s story grows increasingly intense, and what he is so desperately trying to avoid insists on being told. Joined in the early hours by his granddaughter, he gradually opens up to her and recounts the story of his marriage. After she falls asleep, he at last finds the courage to revisit the trauma of Titus’s death.

I Thought My Father Was God: And Other True Tales from NPR's National Story Project

by Paul Auster

One of America's foremost writers collects the best stories submitted to NPR's popular monthly show--and illuminates the powerful role storytelling plays in all our lives.

When Paul Auster and NPR's Weekend All Things Considered introduced The National Story Project, the response was overwhelming. Not only was the monthly show a critical success, but the volume of submissions was astounding. Letters, emails, faxes poured in on a daily basis- more than 4,000 of them by the time the project celebrated its first birthday. Everyone, it seemed, had a story to tell.

I Thought My Father Was God gathers 180 of these personal, true-life accounts in a single, powerful volume. They come from people of all ages, backgrounds, and walks of life. Half of the contributors are men; half are women. They live in cities, suburbs, and rural areas, and they come from 42 different states. Most of the stories are short, vivid bits of narrative, combining the ordinary and the extraordinary, and most describe a single incident in the writer's life. Some are funny, some are mysterious, like the story of a woman who watched a white chicken walk purposefully down a street in Portland, Oregon, hop up some porch steps, knock on the door―and calmly enter the house. Many involve the closing of a loop, like the one about the woman who lost her mother's ashes in a burglary and recovered them five years later from the mortuary of a local church.

Hilarious blunders, wrenching coincidences, brushes with death, miraculous encounters, improbable ironies, premonitions, sorrows, pains, dreams-this singular collection encompasses an extraordinary range of settings, time periods, and subjects. A testament to the important role storytelling plays in all our lives, I Thought My Father Was God offers a rare glimpse into the American soul.

Invisible: A Novel

by Paul Auster

Sinuously constructed in four interlocking parts, Paul Auster's fifteenth novel opens in New York City in the spring of 1967, when twenty-year-old Adam Walker, an aspiring poet and student at Columbia University, meets the enigmatic Frenchman Rudolf Born and his silent and seductive girfriend, Margot. Before long, Walker finds himself caught in a perverse triangle that leads to a sudden, shocking act of violence that will alter the course of his life.

Three different narrators tell the story of Invisible, a novel that travels in time from 1967 to 2007 and moves from Morningside Heights to the Left Bank of Paris to a remote island in the Caribbean. It is a book of youthful rage, unbridled sexual hunger, and a relentless quest for justice. With uncompromising insight, Auster takes us into the shadowy borderland between truth and memory, between authorship and identity, to produce a work of unforgettable power that confirms his reputation as "one of America's most spectacularly inventive writers."

The Inner Life of Martin Frost: A Film

by Paul Auster

A Picador Paperback Original

Written and directed by Paul Auster, the screenplay for The Inner Life of Martin Frost, starring David Thewlis, Irene Jacob, Michael Imperioli, and Sophie Auster.

From The New York Trilogy to The Book of Illusions and 4 3 2 1, Paul Auster, one of America's most spectacularly inventive novelists, established him as an award-winning filmmaker as well, with Smoke, Blue in the Face, and Lulu on the Bridge. Here, The Inner Life of Martin Frost brings together his talents as a novelist and filmmaker with a work that is tender, moving, and funny.

Searching for solitude, the writer Martin Frost borrows a friend's country house. Waking up one morning, he is shocked to find a nearly naked young woman beside him in bed. She also has a key to the house and claims to be the owner's niece. Martin's initial annoyance at Claire's intrusion is rapidly forgotten as he falls passionately in love with her. Even when it is revealed that Claire is not who she claims to be, their idyllic passion continues―until she suddenly falls ill.

The Inner Life of Martin Frost is based on an imaginary film that appears in the author's novel The Book of Illusions. Unlike the fictional Hector Spelling's "lost" 1946 black and white film of the same title, Auster's luminous celebration of the mysteries of love, art, and the imagination was released in 2007.

Travels in the Scriptorium: A Novel

by Paul Auster

A man pieces together clues to his past―and the identity of his captors―in this fantastic, labyrinthine novel from beloved author Paul Auster.

An old man awakens, disoriented, in an unfamiliar chamber. With no memory of who he is or how he has arrived there, he pores over the relics on the desk, examining the circumstances of his confinement and searching his own hazy mind for clues.

Determining that he is locked in, the man―identified only as Mr. Blank―begins reading a manuscript he finds on the desk, the story of another prisoner, set in an alternate world the man doesn't recognize. Nevertheless, the pages seem to have been left for him, along with a haunting set of photographs. As the day passes, various characters call on the man in his cell―vaguely familiar people, some who seem to resent him for crimes he can't remember―and each brings frustrating hints of his identity and his past. All the while an overhead camera clicks and clicks, recording his movements, and a microphone records every sound in the room. Someone is watching.

Both chilling and poignant, Travels in the Scriptorium is vintage Auster: mysterious texts, fluid identities, a hidden past, and, somewhere, an obscure tormentor. And yet, as we discover during one day in the life of Mr. Blank, his world is not so different from our own.

Sunset Park: A Novel

by Paul Auster

From the bestselling author of 4 3 2 1 and The New York Trilogy comes Paul Auster's luminous, tour de force
novel set during the 2008 economic collapse.

"Auster fans and newcomers will find in Sunset Park his usual beautifully nuanced prose.... [and] a tremendous crash bang of an ending.” ― NPR

Sunset Park opens with twenty-eight-year-old Miles Heller trashing out foreclosed houses in Florida, the latest stop in his flight across the country. When Miles falls in love with Pilar Sanchez, he finds himself fleeing once again, going back to New York, where his family still lives, and into an abandoned house of young squatters in Sunset Park, Brooklyn.

Woven together from various points of view―that of Miles's father, an independent book publisher trying to stay afloat, Miles's mother, a celebrated actress preparing her return to the New York stage, and the various men and women who live in the house―"Auster seems to carry all of humanity inside him" (The Boston Globe).

Paul Auster's The New York Trilogy: City of Glass, Ghosts, The Locked Room

by Paul Auster

From award-winning novelist Paul Auster comes the graphic adaptation of his deeply beloved series, The New York Trilogy, a postmodern take on detective and noir fiction.

In 1994, Paul Auster's City of Glass was adapted into a graphic novel and became an immediate cult classic, published in over 30 editions worldwide, excerpted in The Norton Anthology of Postmodern Fiction. But City of Glass was only the first novel in a series of books, Auster's acclaimed New York Trilogy, and graphic novel readers have been waiting for years for the other two tales to be translated into comics.

Now the wait is over.

The New York Trilogy is post-modern literature disguised as Noir fiction where language is the prime suspect. An interpration of detective and mystery fiction, each book explores various philosophical themes. In City of Glass, an author of detective fiction investigates a murder and descends into madness. Ghosts features a private eye named Blue, trailing a man named Black, for a client called White. This too ends with the protagonist’s downfall. And in The Locked Room, another author is experiencing writer’s block, and hopes to brake it by solving the disappearance of his childhood friend. The second two parts of this trilogy will be appearing in this volume for the very first time as a graphic novel.

Paul Karasik, the mastermind behind the three adaptations, art directed all three books. City of Glass is illustrated by the award-winning cartoonist David Mazzucchielli, the second volume, Ghosts, is illustrated by New Yorker cover artist, Lorenzo Mattotti, and The Locked Room is adapted and drawn by Karasik himself. These adaptations take Auster’s sophisticated wordplay and translate it into comicsplay: both highbrow and lowbrow and immensely fun reading.

Here and Now: Letters (2008-2011)

by J. M. Coetzee, Paul Auster

The high-spirited correspondence between New York Times bestselling author Paul Auster and Nobel laureate J. M. Coetzee

Although Paul Auster and J. M. Coetzee had been reading each other’s books for years, the two writers did not meet until February 2008. Not long after, Auster received a letter from Coetzee, suggesting they begin exchanging letters on a regular basis and, “God willing, strike sparks off each other.”

Here and Now is the result of that proposal: the epistolary dialogue between two great writers who became great friends. Over three years their letters touched on nearly every subject, from sports to fatherhood, film festivals to incest, philosophy to politics, from the financial crisis to art, death, family, marriage, friendship, and love.

Their correspondence offers an intimate and often amusing portrait of these two men as they explore the complexities of the here and now and is a reflection of two sharp intellects whose pleasure in each other’s friendship is apparent on every page.

Bloodbath Nation

by Paul Auster

An intimate and powerful rumination on American gun violence by Paul Auster, one of our greatest living writers and “genuine American original” (The Boston Globe), in an unforgettable collaboration with photographer Spencer Ostrander
Like most American boys of his generation, Paul Auster grew up playing with toy six-shooters and mimicking the gun-slinging cowboys in B Westerns. A skilled marksman by the age of ten, he also lived through the traumatic aftermath of the murder of his grandfather by his grandmother when his father was a child and knows, through firsthand experience, how families can be wrecked by a single act of gun violence.
In this short, searing book, Auster traces centuries of America’s use and abuse of guns, from the violent displacement of the native population to the forced enslavement of millions, to the bitter divide between embattled gun control and anti-gun control camps that has developed over the past 50 years and the mass shootings that dominate the news today. Since 1968, more than one and a half million Americans have been killed by guns. The numbers are so large, so catastrophic, so disproportionate to what goes on elsewhere, that one must ask why. Why is America so different—and why are we the most violent country in the Western world?
Interwoven with Spencer Ostrander’s haunting photographs of the sites of more than thirty mass shootings in all parts of the country, Bloodbath Nation presents a succinct but thorough examination of America at a crossroads, and asks the central, burning question of our moment: What kind of society do we want to live in?
A portion of proceeds from this book will be donated to the Violence Policy Center, a nonprofit organization working to stop gun death and injury through research, education, and advocacy.

Bloodbath Nation

by Paul Auster

An intimate and powerful rumination on American gun violence by Paul Auster, one of our greatest living writers and "genuine American original" (The Boston Globe), in an unforgettable collaboration with photographer Spencer Ostrander

Like most American boys of his generation, Paul Auster grew up playing with toy six-shooters and mimicking the gun-slinging cowboys in B Westerns. A skilled marksman by the age of ten, he also lived through the traumatic aftermath of the murder of his grandfather by his grandmother when his father was a child and knows, through firsthand experience, how families can be wrecked by a single act of gun violence.

In this short, searing book, Auster traces centuries of America's use and abuse of guns, from the violent displacement of the native population to the forced enslavement of millions, to the bitter divide between embattled gun control and anti-gun control camps that has developed over the past 50 years and the mass shootings that dominate the news today. Since 1968, more than one and a half million Americans have been killed by guns. The numbers are so large, so catastrophic, so disproportionate to what goes on elsewhere, that one must ask why. Why is America so different--and why are we the most violent country in the Western world?

Interwoven with Spencer Ostrander's haunting photographs of the sites of more than thirty mass shootings in all parts of the country, Bloodbath Nation presents a succinct but thorough examination of America at a crossroads, and asks the central, burning question of our moment: What kind of society do we want to live in?

A portion of proceeds from this book will be donated to the Violence Policy Center, a nonprofit organization working to stop gun death and injury through research, education, and advocacy.

Baumgartner

by Paul Auster, Auster Paul

A taut yet expansive novel of love, memory, and grief from Paul Auster, best-selling, award-winning author and “one of the great American prose stylists of our time" – New York Times
Paul Auster’s brilliant eighteenth novel opens with a scorched pot of water, which Sy Baumgartner -- phenomenologist, noted author, and soon-to-be retired philosophy professor – has just forgotten on the stove.
Baumgartner’s life had been defined by his deep, abiding love for his wife, Anna, who was killed in a swimming accident nine years earlier. Now 71, Baumgartner continues to struggle to live in her absence as the novel sinuously unfolds into spirals of memory and reminiscence, delineated in episodes spanning from 1968, when Sy and Anna meet as broke students working and writing in New York, through their passionate relationship over the next forty years, and back to Baumgartner’s youth in Newark and his Polish-born father’s life as a dress-shop owner and failed revolutionary.
Rich with compassion, wit, and Auster’s keen eye for beauty in the smallest, most transient moments of ordinary life, Baumgartner asks: Why do we remember certain moments, and forget others? In one of his most luminous works and his first novel since the Booker-shortlisted tour-de-force 4 3 2 1, Paul Auster captures several lifetimes.

Baumgartner

by Paul Auster, Auster Paul

A taut yet expansive novel of love, memory, and grief from Paul Auster, best-selling, award-winning author and “one of the great American prose stylists of our time" – New York Times
Paul Auster’s brilliant eighteenth novel opens with a scorched pot of water, which Sy Baumgartner -- phenomenologist, noted author, and soon-to-be retired philosophy professor – has just forgotten on the stove.
Baumgartner’s life had been defined by his deep, abiding love for his wife, Anna, who was killed in a swimming accident nine years earlier. Now 71, Baumgartner continues to struggle to live in her absence as the novel sinuously unfolds into spirals of memory and reminiscence, delineated in episodes spanning from 1968, when Sy and Anna meet as broke students working and writing in New York, through their passionate relationship over the next forty years, and back to Baumgartner’s youth in Newark and his Polish-born father’s life as a dress-shop owner and failed revolutionary.
Rich with compassion, wit, and Auster’s keen eye for beauty in the smallest, most transient moments of ordinary life, Baumgartner asks: Why do we remember certain moments, and forget others? In one of his most luminous works and his first novel since the Booker-shortlisted tour-de-force 4 3 2 1, Paul Auster captures several lifetimes.

Invisible (Rough Cut)

by Paul Auster

“One of America’s greatest novelists” dazzlingly reinvents the coming-of-age story in his most passionate and surprising book to date
Sinuously constructed in four interlocking parts, Paul Auster’s fifteenth novel opens in New York City in the spring of 1967, when twenty-year-old Adam Walker, an aspiring poet and student at Columbia University, meets the enigmatic Frenchman Rudolf Born and his silent and seductive girfriend, Margot. Before long, Walker finds himself caught in a perverse triangle that leads to a sudden, shocking act of violence that will alter the course of his life.
Three different narrators tell the story of Invisible, a novel that travels in time from 1967 to 2007 and moves from Morningside Heights, to the Left Bank of Paris, to a remote island in the Caribbean. It is a book of youthful rage, unbridled sexual hunger, and a relentless quest for justice. With uncompromising insight, Auster takes us into the shadowy borderland between truth and memory, between authorship and identity, to produce a work of unforgettable power that confirms his reputation as “one of America’s most spectacularly inventive writers.”

Winter Journal

by Paul Auster

From the bestselling novelist and author of The Invention of Solitude, a moving and highly personal meditation on the body, time, and language itself
"That is where the story begins, in your body, and everything will end in the body as well.
Facing his sixty-third winter, internationally acclaimed novelist Paul Auster sits down to write a history of his body and its sensations―both pleasurable and painful.
Thirty years after the publication of The Invention of Solitude, in which he wrote so movingly about fatherhood, Auster gives us a second unconventional memoir in which he writes about his mother's life and death. Winter Journal is a highly personal meditation on the body, time, and memory, by one of our most intellectually elegant writers.

Winter Journal

by Paul Auster

"That is where the story begins, in your body and everything will end in the body as well."
On January 3, 2011, exactly one month before his sixty-fourth birthday, internationally acclaimed novelist Paul Auster sat down and wrote the first entry of Winter Journal, his unorthodox, beautifully wrought examination of his own life, as seen through the history of his body. Auster takes us from childhood to the brink of old age as he summons forth a universe of physical sensation, of pleasures and pains, moving from the awakening of sexual desire as an adolescent to the ever deepening bonds of married love, from meditations on eating and sleeping to the "scalding, epiphanic moment of clarity" in 1978 that set him on a new course as a writer.

Sunset Park

by Paul Auster

Luminous, passionate, expansive, an emotional tour de force Sunset Park follows the hopes and fears of a cast of unforgettable characters brought together by the mysterious Miles Heller during the dark months of the 2008 economic collapse.An enigmatic young man employed as a trash-out worker in southern Florida obsessively photographing thousands of abandoned objects left behind by the evicted families.A group of young people squatting in an apartment in Sunset Park, Brooklyn.The Hospital for Broken Things, which specializes in repairing the artifacts of a vanished world.William Wyler's 1946 classic The Best Years of Our Lives.A celebrated actress preparing to return to Broadway.An independent publisher desperately trying to save his business and his marriage.These are just some of the elements Auster magically weaves together in this immensely moving novel about contemporary America and its ghosts. Suns

Report from the Interior

by Paul Auster

Paul Auster's most intimate autobiographical work to date
In the beginning, everything was alive. The smallest objects were endowed with beating hearts . . .
Having recalled his life through the story of his physical self in Winter Journal, internationally acclaimed novelist Paul Auster now remembers the experience of his development from within through the encounters of his interior self with the outer world in Report from the Interior.
From his baby's-eye view of the man in the moon, to his childhood worship of the movie cowboy Buster Crabbe, to the composition of his first poem at the age of nine, to his dawning awareness of the injustices of American life, Report from the Interior charts Auster's moral, political, and intellectual journey as he inches his way toward adulthood through the postwar 1950s and into the turbulent 1960s.
Auster evokes the sounds, smells, and tactile sensations that marked his early life―and the many images that came at him, including moving images (he adored cartoons, he was in love with films), until, at its unique climax, the book breaks away from prose into pure imagery: The final section of Report from the Interior recapitulates the first three parts, told in an album of pictures. At once a story of the times―which makes it everyone's story―and the story of the emerging consciousness of a renowned literary artist, this four-part work answers the challenge of autobiography in ways rarely, if ever, seen before.
A Kirkus Reviews Best Nonfiction Book of 2013

Report from the Interior

by Paul Auster

Having recalled his life through the story of his physical self in Winter Journal, internationally acclaimed novelist Paul Auster remembers the experience of his development from within through the encounters of his interior self with the outer world in Report from the Interior.

In the beginning, everything was alive. The smallest objects were endowed with beating hearts . . .

From his baby's-eye view of the man in the moon, to his childhood worship of the movie cowboy Buster Crabbe, to the composition of his first poem at the age of nine, to his dawning awareness of the injustices of American life, Report from the Interior charts Auster's moral, political, and intellectual journey as he inches his way toward adulthood through the postwar 1950s and into the turbulent 1960s.

Auster evokes the sounds, smells, and tactile sensations that marked his early life—and the many images that came at him, including moving images (he adored cartoons, he was in love with films), until, at its unique climax, the book breaks away from prose into pure imagery: The final section of Report from the Interior recapitulates the first three parts, told in an album of pictures. At once a story of the times—which makes it everyone's story—and the story of the emerging consciousness of a renowned literary artist, this four-part work answers the challenge of autobiography in ways rarely, if ever, seen before.

The Red Notebook: True Stories

by Paul Auster

The Red Notebook brings together in one volume all of Paul Auster's short, true-life stories―a remarkable collection of tales that documents the curious, miraculous, and sometimes catastrophic turns of everyday reality. Paul Auster has earned international praise for the imaginative power of his many novels, including The New York Trilogy, Moon Palace, The Music of Chance, Mr. Vertigo, and Timbuktu. He has also published a number of highly original non-fiction works: The Invention of Solitude, Hand to Mouth, and The Art of Hunger. In The Red Notebook, Auster again explores events from the real world large and small, tragic and comic―that reveal the unpredictable, shifting nature of human experience. A burnt onion pie, a wrong number, a young boy struck by lightning, a man falling off a roof, a scrap of paper discovered in a Paris hotel room―all these form the context for a singular kind of ars poetica, a literary manifesto without theory, cast in the irreducible forms of pure story telling.

The Red Notebook (A New Directions Pearl)

by Paul Auster

Truth is stranger than fiction, and The Red Notebook chronicles Auster’s own strange“true stories” The Red Notebook stories, pulled from Auster’s own life or from the lives of those close to him, are explorations of unexpected coincidences. A wrong number becomes the genesis for a famous novel; a hero appears at an inopportune moment; a lightning storm harries a group of campers; a daughter plunges from a terrifying height only to land improbably safely; a Paul Auster imposter materializes. Like a magic show, The Red Notebook demonstrates that “there is much to life that is special and serendipitous ― if only we allow ourselves to perceive it this way” (The Washington Post).

4 3 2 1: A Novel

by Paul Auster

* * * Shortlisted for the Man Booker Prize * * *

Named a Best Book of the Year by The Washington Post, The New York Times Book Review,
NPR, The Globe and Mail, Kirkus Reviews, Huffington Post, and The Spectator UK

“An epic bildungsroman . . . . Original and complex . . . . A monumental assemblage of competing and complementary fictions, a novel that contains multitudes.”―Tom Perrotta, The New York Times Book Review

“A stunningly ambitious novel, and a pleasure to read. . . . An incredibly moving, true journey.”―NPR

New York Times Bestseller,Los Angeles Times Bestseller,Boston Globe Bestseller, National Indiebound Bestseller

Paul Auster’s greatest, most heartbreaking and satisfying novel―a sweeping and surprising story of birthright and possibility, of love and of life itself.

Nearly two weeks early, on March 3, 1947, in the maternity ward of Beth Israel Hospital in Newark, New Jersey, Archibald Isaac Ferguson, the one and only child of Rose and Stanley Ferguson, is born. From that single beginning, Ferguson’s life will take four simultaneous and independent fictional paths. Four identical Fergusons made of the same DNA, four boys who are the same boy, go on to lead four parallel and entirely different lives. Family fortunes diverge. Athletic skills and sex lives and friendships and intellectual passions contrast. Each Ferguson falls under the spell of the magnificent Amy Schneiderman, yet each Amy and each Ferguson have a relationship like no other. Meanwhile, readers will take in each Ferguson’s pleasures and ache from each Ferguson’s pains, as the mortal plot of each Ferguson’s life rushes on.

As inventive and dexterously constructed as anything Paul Auster has ever written, yet with a passion for realism and a great tenderness and fierce attachment to history and to life itself that readers have never seen from Auster before. 4 3 2 1 is a marvelous and unforgettably affecting tour de force.

4 3 2 1: A Novel

by Paul Auster

* * * Shortlisted for the Man Booker Prize * * *

New York Times Bestseller,Los Angeles Times Bestseller,Boston Globe Bestseller, National Indiebound Bestseller

The Millions’s “Most Anticipated”; Vulture’s “Most Exciting Book Releases for 2017”; The Washington Post’s Books to Read in 2017; Chicago Tribune’s “Books We’re Excited About in 2017”;
Town & Country's "5 Books to Start Off 2017 the Right Way"; Read it Forward, Favorite Reads of January 2017

“An epic bildungsroman . . . . Original and complex . . . . A monumental assemblage of competing and complementary fictions, a novel that contains multitudes.”―Tom Perrotta, The New York Times Book Review

“A stunningly ambitious novel, and a pleasure to read. . . . An incredibly moving, true journey.”―NPR

Paul Auster’s greatest, most heartbreaking and satisfying novel―a sweeping and surprising story of birthright and possibility, of love and of life itself.

Nearly two weeks early, on March 3, 1947, in the maternity ward of Beth Israel Hospital in Newark, New Jersey, Archibald Isaac Ferguson, the one and only child of Rose and Stanley Ferguson, is born. From that single beginning, Ferguson’s life will take four simultaneous and independent fictional paths. Four identical Fergusons made of the same DNA, four boys who are the same boy, go on to lead four parallel and entirely different lives. Family fortunes diverge. Athletic skills and sex lives and friendships and intellectual passions contrast. Each Ferguson falls under the spell of the magnificent Amy Schneiderman, yet each Amy and each Ferguson have a relationship like no other. Meanwhile, readers will take in each Ferguson’s pleasures and ache from each Ferguson’s pains, as the mortal plot of each Ferguson’s life rushes on.

As inventive and dexterously constructed as anything Paul Auster has ever written, yet with a passion for realism and a great tenderness and fierce attachment to history and to life itself that readers have never seen from Auster before. 4 3 2 1 is a marvelous and unforgettably affecting tour de force.

Day/Night: Travels in the Scriptorium and Man in the Dark

by Paul Auster

For the first time in one volume, two existential classics by internationally bestselling novelist Paul Auster.

Day/Night brings together two metaphysical novels that mirror each other and are meant to be read in tandem: two men, each confined to a room, one suddenly alert to his existence, the other desperate to escape into sleep.

In Travels in the Scriptorium, elderly Mr. Blank wakes in an unfamiliar cell, with no memory of who he is or how he got there. He must use the few objects he finds and the information imparted by the day's string of visitors to cobble together an idea of his identity. In Man in the Dark, another old man, August Brill, suffering from insomnia, struggles to push away thoughts of painful personal losses by imagining what might have been.

Who are we? What is real and not real? How does the political intersect with the personal? After great loss, why are some of us unable to go on? "One of America's greats" (Time Out – Chicago) and "a descendant of Kafka and Borges," (Booklist) Auster explores in these two small masterpieces some of our most pressing philosophical concerns.

Talking to Strangers: Selected Essays, Prefaces, and Other Writings, 1967-2017

by Paul Auster

Talking to Strangers is a freshly curated collection of prose, spanning fifty years of work and including famous as well as never-before-published early writings, from Man Booker Prize–finalist Paul Auster.

Beginning with a short philosophical meditation written when he was twenty and concluding with nine political pieces that take on such issues as homelessness, 9/11, and the link between soccer and war, the 44 pieces gathered in this volume offer a wide-ranging view of celebrated novelist Paul Auster’s thoughts on a multitude of classic and contemporary writers, the high-wire exploits of Philippe Petit, how to improve life in New York City (in collaboration with visual artist Sophie Calle), and the long road he has traveled with his beloved manual typewriter.

While writing for the New York Review of Books and other publications in the mid-1970s, young poet Auster gained recognition as an astute literary critic with essays on Laura Riding, John Ashbery, Samuel Beckett, Franz Kafka, Paul Celan, and others. By the late seventies and early eighties, as the poet was transforming himself into a novelist, he maintained an active double life by continuing his work as a translator and editing the groundbreaking anthology, The Random House Book of Twentieth-Century Poetry. His prefaces to some of these books are included in Talking to Strangers, among them a heart-wrenching account of Stéphane Mallarmé’s response to the death of his eight-year-old son, Anatole.

Auster pushed on with explorations into the work of American artists spanning various periods and disciplines: the notebooks of Nathaniel Hawthorne, the films of Jim Jarmusch, the writings of painter-collagist-illustrator Joe Brainard, and the three-hit shutout thrown by journeyman right-hander Terry Leach of the Mets. Also included here are several rediscovered works that were originally delivered in public: a 1982 lecture on Edgar Allan Poe, a 1999 blast against New York mayor Rudolph Giuliani, and one of the funniest introductions a poetry reading ever heard in the state of New Jersey.

A collection of soaring intelligence and deepest humanity, Talking to Strangers is an essential book by “the most distinguished American writer of [his] generation . . . indeed its only author . . . with any claim to greatness.” (The Spectator)

Burning Boy: The Life and Work of Stephen Crane

by Paul Auster

A LOS ANGELES TIMES Book Prize Winner

Booker Prize-shortlisted and New York Times bestselling author Paul Auster's comprehensive, landmark biography of the great American writer Stephen Crane.

With Burning Boy, celebrated novelist Paul Auster tells the extraordinary story of Stephen Crane, best known as the author of The Red Badge of Courage, who transformed American literature through an avalanche of original short stories, novellas, poems, journalism, and war reportage before his life was cut short by tuberculosis at age twenty-eight.

Auster’s probing account of this singular life tracks Crane as he rebounds from one perilous situation to the next: A controversial article written at twenty disrupts the course of the 1892 presidential campaign, a public battle with the New York police department over the false arrest of a prostitute effectively exiles him from the city, a star-crossed love affair with an unhappily married uptown girl tortures him, a common-law marriage to the proprietress of Jacksonville’s most elegant bawdyhouse endures, a shipwreck results in his near drowning, he withstands enemy fire to send dispatches from the Spanish-American War, and then he relocates to England, where Joseph Conrad becomes his closest friend and Henry James weeps over his tragic, early death.

In Burning Boy, Auster not only puts forth an immersive read about an unforgettable life but also, casting a dazzled eye on Crane’s astonishing originality and productivity, provides uniquely knowing insight into Crane’s creative processes to produce the rarest of reading experiences―the dramatic biography of a brilliant writer as only another literary master could tell it.

Burning Boy: The Life and Work of Stephen Crane

by Paul Auster

A LOS ANGELES TIMES Book Prize Winner

Booker Prize-shortlisted and New York Times bestselling author Paul Auster's comprehensive, landmark biography of the great American writer Stephen Crane.

With Burning Boy, celebrated novelist Paul Auster tells the extraordinary story of Stephen Crane, best known as the author of The Red Badge of Courage, who transformed American literature through an avalanche of original short stories, novellas, poems, journalism, and war reportage before his life was cut short by tuberculosis at age twenty-eight.

Auster’s probing account of this singular life tracks Crane as he rebounds from one perilous situation to the next: A controversial article written at twenty disrupts the course of the 1892 presidential campaign, a public battle with the New York police department over the false arrest of a prostitute effectively exiles him from the city, a star-crossed love affair with an unhappily married uptown girl tortures him, a common-law marriage to the proprietress of Jacksonville’s most elegant bawdyhouse endures, a shipwreck results in his near drowning, he withstands enemy fire to send dispatches from the Spanish-American War, and then he relocates to England, where Joseph Conrad becomes his closest friend and Henry James weeps over his tragic, early death.

In Burning Boy, Auster not only puts forth an immersive read about an unforgettable life but also, casting a dazzled eye on Crane’s astonishing originality and productivity, provides uniquely knowing insight into Crane’s creative processes to produce the rarest of reading experiences―the dramatic biography of a brilliant writer as only another literary master could tell it.

Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

All the poems of a great 20th-century poet.

From the astonishing debut Hawk in the Rain (1957) to Birthday Letters (1998), Ted Hughes was one of postwar literature's truly prodigious poets. This remarkable volume gathers all of his work, from his earliest poems (published only in journals) through the ground-breaking volumes Crow (1970), Gaudete(1977), and Tales from Ovid (1997). It includes poems Hughes composed for fine-press printers, poems he wrote as England's Poet Laureate, and those children's poems that he meant for adults as well. This omnium-gatherum of Hughes's work is animated throughout by a voice that, as Seamus Heaney remarked, was simply "longer and deeper and rougher" than those of his contemporaries.

Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

“Careful, attentive, sometimes consoling, heartbreaking or plangent where no consolation can be found.” ―Stephanie Burt, New York Times Book Review

A monumental celebration of “one of the most significant poets writing today” (David Baker, Los Angeles Review of Books).
In eight extraordinary volumes spanning five decades, Ellen Bryant Voigt has created a body of work distinguished by its formal precision, rigorous intelligence, and meticulous observation of nature, history, and domestic life. From the subtly evocative images of Claiming Kin (1976) to the mosaic of sonnets and voices conjuring a prescient narrative of the 1918 influenza pandemic in Kyrie (1995) to fierce encounters with mortality in the National Book Award finalist Shadow of Heaven (2002) and the propulsive inventions of Headwaters (2013), the evolution of Voigt’s astonishing creative and technical mastery is on full display. This definitive collection showcases the brilliant career of “a quintessential American elegist” (Katy Didden, Kenyon Review). From “Apple Tree”

O my soul,
it is not a small thing,
to have made from three,
this one, this one life.

Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

“One of the greatest American poets of her time.”—New York Times
Collected Poems features Edna St. Vincent Millay’s incisive and impassioned poetry and sonnets, as well as the poet’s last volume, Mine the Harvest, compiled and published in 1956 by her sister Norma Millay. Alongside Robert Frost, T.S. Eliot, Marianne Moore, and E. E. Cummings, Millay remains among the most celebrated poets of the early twentieth century for her uniquely lyrical explorations of love, individuality, and artistic expression.
Millay, winner in 1923 of the second annual Pulitzer Prize for Poetry, was a daring, versatile writer whose work includes plays, essays, short stories, and songs. She infused new life into traditional poetic forms, bringing hope to a generation of youth disillusioned by the political and social upheaval of the First World War. She ventured fearlessly beyond familiar poetic subjects to tackle political injustice, social discrimination, and women’s sexuality in her poems and prose.
Yet Millay’s poetry is still decisively modern in its message, and it continues to resonate with readers facing personal and moral issues that defy the test of time: romantic love, loss, betrayal, compassion for one another, social equality, patriotism, and the stewardship of the natural world.
This invaluable compendium of her work is not only an essential addition to any collection of the world’s most moving and memorable poetry but an unprecedented look into the life of Millay.
My candle burns at both ends;
It will not last the night;
But ah, my foes, and oh, my friends—
It gives a lovely light!
“First Fig” from A Few Figs from Thistles (1920)

Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

Gathered in this volume readers will find more than fifty years of poems by the incomparable Jack Gilbert, from his Yale Younger Poets prize-winning volume to glorious late poems, including a section of previously uncollected work.

There is no one quite like Jack Gilbert in postwar American poetry. After garnering early acclaim with Views of Jeopardy (1962), he escaped to Europe and lived apart from the literary establishment, honing his uniquely fierce, declarative style, with its surprising abundance of feeling. He reappeared in our midst with Monolithos (1982) and then went underground again until The Great Fires (1994), which was eventually followed by Refusing Heaven (2005), a prizewinning volume of surpassing joy and sorrow, and the elegiac The Dance Most of All (2009). Whether his subject is his boyhood in working-class Pittsburgh, the women he has loved throughout his life, or the bittersweet losses we all face, Gilbert is by turns subtle and majestic: he steals up on the odd moment of grace; he rises to crescendos of emotion. At every turn, he illuminates the basic joys of everyday experience.

Now, for the first time, we have all of Jack Gilbert’s work in one essential volume: testament to a stunning career and to his place at the forefront of poetic achievement in our time.

Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

One of the best-known and best-loved poets of the English-speaking world, Philip Larkin had only a small number of poems published during his lifetime. Collected Poems brings together not only all his books--The North Ship, The Less Deceived, The Whitsun Weddings, and High Windows--but also his uncollected poems from 1940 to 1984.

This new edition reflects Larkin's own ordering for his poems and is the first collection to present the body of his work with the organization he preferred. Preserving everything he published in his lifetime, the new Collected Poems is an indispensable contribution to the legacy of an icon of twentieth-century poetry.

Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

Frank Bidart and David Gewanter have compiled the definitive edition of Robert Lowell's work, from his first, impossible-to-find collection, Land of Unlikeness; to the early triumph of Lord Weary's Castle, winner of the 1946 Pulitzer Prize; to the brilliant willfulness of his versions of poems by Sappho, Baudelaire, Rilke, Montale, and other masters in Imitations; to the late spontaneity of The Dolphin, winner of another Pulitzer Prize; to his last, most searching book, Day by Day. This volume also includes poems and translations never previously collected, and a selection of drafts that demonstrate the poet's constant drive to reimagine his work. Collected Poems at last offers readers the opportunity to take in, in its entirety, one of the great careers in twentieth-century poetry.

Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

The publication of James Merrill's Collected Poems is a landmark in the history of modern American literature. His First Poems—its sophistication and virtuosity were recognized at once—appeared half a century ago. Over the next five decades, Merrill's range broadened and his voice took on its characteristic richness. In book after book, his urbanity and wit, his intriguing images and paradoxes, shone with a rare brilliance. As he once told an interviewer, he "looked for English in its billiard-table sense—words that have been set spinning against their own gravity." But beneath their surface glamour, his poems were driven by an audacious imagination that continually sought to deepen and refine our perspectives on experience. Among other roles, he was one of the supreme love poets of the twentieth century. In delicate lyric or complex narrative, this book abounds with what he once called his "chronicles of love and loss." Like Wallace Stevens and W. H. Auden before him, Merrill sought to quicken the pulse of a poem in surprising and compelling ways—ways, indeed, that changed how we came to see our own lives. Years ago, the critic Helen Vendler spoke for others when she wrote of Merrill, "The time eventually comes, in a good poet's career, when readers actively wait for his books: to know that someone out there is writing down your century, your generation, your language, your life . . . He has become one of our indispensable poets."

This book brings together a remarkable body of work in an authoritative edition. From Merrill's privately printed book, The Black Swan, published in 1946, to his posthumous collection, A Scattering of Salts, which appeared in 1995, all of the poems he published are included, except for juvenalia and his epic, The Changing Light at Sandover. In addition, twenty-one of his translations (from Apollinaire, Montale, and Cavafy, among others) and forty-four of his previously uncollected poems (including those written in the last year of his life) are gathered here for the first time.

Collected Poems in the first volume in a series that will present all of James Merrill's work—his novels and plays, and his collected prose. Together, these volumes will testify to a monumental career that distinguished American literature in the late twentieth century and will continue to inspire readers and writers for years to come.

From the Hardcover edition.

Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

Longlisted for the 2014 National Book Award

Gathered here is a half century’s magnificent work by the former poet laureate of the United States and Pulitzer Prize winner whose haunting and exemplary style has influenced an entire generation of American poets.

Beginning with the limited-edition volume Sleeping with One Eye Open, published in 1964, Mark Strand was hailed as a poet of piercing originality and elegance, and in the ensuing decades he has not swerved from his vision of how a poem should be shaped and what it should deliver. As he entered the middle period of his career, with volumes such as The Continuous Life (1990), Strand was already well-known for his ability to capture the subtle music of consciousness, and for creating painterly physical landscapes that could answer to the inner self: “And here the dark infinitive to feel, / Which would endure and have the earth be still / And the star-strewn night pour down the mountains / Into the hissing fields and silent towns.” In his later work, from Blizzard of One (1998) which won the Pulitzer Prize, through the sly, provocative riddles of his recent Almost Invisible (2012), Strand has delighted in reminding us that there is no poet quite like him for a dose of dark wit that turns out to be deep wisdom and self-deprecation. He has given voice to our collective imagination with a grandeur and comic honesty worthy of his great Knopf forebear Wallace Stevens. With this volume, we celebrate his canonical work.

Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

William Blake is a poet without parallel, who remains a source of wisdom and inspiration to countless individuals throughout the world.
This selection was commissioned in 1905 by the firm of George Routledge from W.B. Yeats, who had previously been one of the pioneer editors of Blake's prophetic books. Yeats, one of the few poets whose work could be compared with that of Blake, prepared a unique selection of his poetic and prose writings. There is no better way to encounter the work of one poetic genius than as it is presented by another, and Yeats understood Blake in a way few others did.

Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

A compelling anthology of poetry, translations, and composition notes by the author of The Book of Illusions features selections from Spokes, Wall Writing, Disappearances, Effigies, White Spaces, and other works, along with biographical details and the author's own thoughts on his writing.

Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

None

Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

The definitive collection of poems from Pulitzer Prize winner, MacArthur Fellow, and National Book Award winner Galway Kinnell.

“It’s the poet’s job to figure out what’s happening within oneself, to figure out the connection between the self and the world, and to get it down in words that have a certain shape, that have a chance of lasting.” —Galway Kinnell
This long-awaited volume brings together for the first time the life’s work of a major American voice.

In a remarkable generation of poets, Galway Kinnell was an acknowledged, true master. From the book-length poem memorializing the grit, beauty, and swarming assertion of immigrant life along a lower Manhattan avenue, to searing poems of human conflict and war, to incandescent reflections on love, family, and the natural world—including "Blackberry Eating,” "St. Francis and the Sow," and “After Making Love We Hear Footsteps”—to the unflinchingly introspective poems of his later life, Kinnell’s work lastingly shaped the consciousness of his age.

Spanning 65 years of intense, inspired creativity, this volume, with its inclusion of previously uncollected poems, is the essential collection for old and new devotees of a “poet of the rarest ability . . . who can flesh out music, raise the spirits, and break the heart.” (Boston Globe)

Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

The life’s work of “one of the true master poets of his generation,”* whose poetry helped shape the consciousness of an age

For Galway Kinnell, it was “the poet’s job to figure out what’s happening within oneself, to figure out the connection between the self and the world, and to get it down in words that have a lasting shape, that have a chance of lasting.” This comprehensive volume includes “The Avenue Bearing the Initial of Christ into the New World,” Kinnell’s stunning poem of immigrant life on the Lower East Side of New York, the incantatory book-length poem The Book of Nightmares, the searing evocation of Hiroshima in “The Fundamental Project of Technology,” the iconic themes of his middle years—eros, family, the natural world (“After Making Love We Hear Footsteps,” “The Bear,” “Saint Francis and the Sow,” “Blackberry Eating”)—and the unflinchingly introspective work of his later years. Spanning six decades, this is the essential collection for old and new devotees of “a poet of the rarest ability . . . who can flesh out music, raise the spirits, and break the heart.”**

*New York Times
**Boston Globe

Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

Jane Kenyon is considered one of America's best contemporary poets. Her previous collection, Otherwise: New & Selected Poems, published just after her death in 1995, has been a favorite among readers, with over 60,000 copies in print, and is a contemporary classic.
Now at the ten-year anniversary of her death, Kenyon's Collected Poems assembles all of her published poetry in one book. Included here are the complete poems found in her four previous volumes--From Room to Room, The Boat of Quiet Hours, Let Evening Come, and Constance--as well as the poems that appear in her posthumous volumes Otherwise and A Hundred White Daffodils, four poems never before published in book form, and her translations in Twenty Poems of Anna Akhmatova.

Collected Poems

by Ellen Bryant Voigt, Paul Auster, Robert Lowell, Ted Hughes, Edna St. Vincent Millay, Mark Strand, William Blake, Jack Gilbert, Jane Kenyon, James Merrill, Philip Larkin, Galway Kinnell, W. H. Davies

All of Jane Kenyon's published poems gathered in one definitive collection, now in paperback

Yes, long shadows go out
from the bales; and yes, the soul
must part from the body:
what else could it do?
―from "Twilight: After Haying"

Jane Kenyon is one of America's most prized contemporary poets. Her previous collection, Otherwise: New and Selected Poems, published just after her death in 1995, has been a favorite among readers, with more than 80,000 copies in print, and is a contemporary classic.

Collected Poems assembles all of Kenyon's published poetry in one book. Included here are the complete poems found in her four previous volumes―From Room to Room, The Boat of Quiet Hours, Let Evening Come, and Constance―as well as the poems that appear in her posthumous volumes Otherwise and A Hundred White Daffodils, four poems never before published in book form, and her translations in Twenty Poems of Anna Akhmatova.

Collected Poems (Paul Auster)

by Paul Auster

Taut, densely lyrical, and everywhere informed by a powerful and subtle music, this collection begins with the compact fragments of Spokes and Unearth (both written when Auster was in his early twenties), continues on through the more ample meditations of "Wall Writing," "Disappearances," "Effigies," "Fragments From the Cold," "Facing the Music" and "White Spaces," then moves further back in time to include Auster's revealing translations of many of the French poets who influenced his own writing--including Paul Eluard, Andre Breton, Tristan Tzara, Philippe Soupault, Robert Desnos, and Rene Char--as well as the provocative and previously unpublished "Notes From a Composition Book" (1967). An introduction by Normal Finkelstein connects the biographical elements to a consideration of the work and takes in Auster's early literary and philosophical influences. Penetrating, lyric, and tempered with the same brooding intelligence that informs The New York Trilogy, these poems offer a unique window into postmodern consciousness.

A Life in Words: Conversations with I. B. Siegumfeldt

by Paul Auster, I. B. Siegumfeldt

Paul Auster’s A Life in Words—a wide-ranging dialogue between Auster and the Danish professor I. B. Siegumfeldt—is a remarkably candid and sharply focused investigation into one writer’s art, craft, and life. It includes many revelations that have never been shared before. This is a book that’s full of surprises, composed of spoken words that sometimes jump off the page like good drama.

The conversations between Auster and Siegumfeldt went on for three years, starting in 2011 and continuing after there was a complete draft in revisions. All twenty-one of Auster’s narrative works are covered, as well as all the themes and obsessions that drive the work, and the man.

The Story of My Typewriter

by Paul Auster, Sam Messer

This is the story of Paul Auster's typewriter. The typewriter is a manual Olympia, more than 25 years old, and has been the agent of transmission for the novels, stories, collaborations, and other writings Auster has produced since the 1970s, a body of work that stands as one of the most varied, creative, and critcally acclaimed in recent American letters. It is also the story of a relationship. A relationship between Auster, his typewriter, and the artist Sam Messer, who, as Auster writes, "has turned an inanimate object into a being with a personality and a presence in the world." This is also a collaboration: Auster's story of his typewriter, and of Messer's welcome, though somewhat unsettling, intervention into that story, illustrated with Messer's muscular, obsessive drawings and paintings of both author and machine. This is, finally, a beautiful object; one that will be irresistible to lovers of Auster's writing, Messer's painting, and fine books in general.

White Spaces: Selected Poems and Early Prose

by Paul Auster

“Magnificent poetry; dark, severe, even harsh―yet pulsating with life.” ―John Ashbery White Spaces gathers the poetry and prose of Paul Auster from various small-press books issued throughout the seventies. These early poetic works are crucial for understanding the evolution of Auster’s writing. Taut, lyrical, and always informed by a powerful and subtle music, his poems begin with basics―a swallow’s egg, stones, roots, thistle, “the glacial rose”―and push language to the breaking point. As Robert Creeley wrote, “The enduring power of these early poems is their moving address to a world all too elusive, too fragmented, and too bitterly transient.” Auster’s poems are grounded in a physical utterance that is at once an exploration of the mind and of the world. This collection begins with compact verse fragments from Spokes (originally published in Poetry, 1971) and goes through Auster’s marvelous later collections including Wall Writing (The Figures, 1976), Facing the Music (Parenthese, 1979), and White Spaces (Station Hill, 1980).

The Music of Chance

by Paul Auster

An “exceptional” (Los Angeles Times) novel of fate, loyalty, responsibility, and the real meaning of freedom with “all the suspense and pace of a bestselling thriller” (The New York Times), from renowned author Paul Auster

“A rich, dazzling performance . . . a tour de force about freedom and imprisonment, motion and stasis, order and randomness . . . its story beautifully paced and shaped, its tone powerfully ominous.”—The Wall Street Journal

FINALIST FOR THE PEN/FAULKNER AWARD

In a Pennsylvania meadow, a young fireman and an angry gambler are forced to build a wall of fifteenth-century stone. For Jim Nashe, it all started when he came into a small inheritance and left Boston in pursuit of “a life of freedom.” Careening back and forth across the United States, waiting for the money to run out, Nashe meets Jack Pozzi, a young man with a temper and a plan. With Nashe’s last funds, they enter a poker game against two rich eccentrics. But when their plans backfire, Jim and Jack are indentured by their elusive marks, who order them to erect a meaningless wall with bricks gathered from ruins of an Irish castle. Time passes, their debts mount, and anger builds as the two struggle to dig themselves out of their Kafkaesque serfdom.

In Paul Auster’s world of fiendish bargains and punitive whims, where chance is a shifting and powerful force, there is nonetheless redemption in Nashe’s resolute quest for justice and his capacity for love.

4 3 2 1 A Novel

by Paul Auster

Shortlisted for the Man Booker Prize
A New York Times , Los Angeles Times , Boston Globe , and Indiebound Bestseller

Paul Auster’s magnum opus, 4 3 2 1 presents a sweeping and surprising story of birthright and possibility, of love and of life itself.

“An epic bildungsroman . . . . Original and complex . . . . A monumental assemblage of competing and complementary fictions, a novel that contains multitudes.”—Tom Perrotta, The New York Times Book Review

Nearly two weeks early, on March 3, 1947, in the maternity ward of Beth Israel Hospital in Newark, New Jersey, Archibald Isaac Ferguson, the one and only child of Rose and Stanley Ferguson, is born. From that single beginning, Ferguson’s life will take four simultaneous and independent fictional paths. Four identical Fergusons made of the same DNA, four boys who are the same boy, go on to lead four parallel and entirely different lives. Family fortunes diverge. Athletic skills and sex lives and friendships and intellectual passions contrast. Each Ferguson falls under the spell of the magnificent Amy Schneiderman, yet each Amy and each Ferguson have a relationship like no other. Meanwhile, readers will take in each Ferguson’s pleasures and ache from each Ferguson’s pains, as the mortal plot of each Ferguson’s life rushes on.

As inventive and dexterously constructed as anything Paul Auster has ever written, yet with a passion for realism and a great tenderness and fierce attachment to history and to life itself that readers have never seen from the author before, 4 3 2 1 is a marvelous and unforgettably affecting tour de force.

“A stunningly ambitious novel, and a pleasure to read. . . . An incredibly moving, true journey.”—NPR

Groundwork Autobiographical Writings, 1979–2012

by Paul Auster

From the bestselling author of 4 3 2 1 and The New York Trilogy, an updated collection of Paul Auster’s nonfiction, including the seminal work The Invention of Solitude.

Paul Auster spent his fifty-year writing career examining what it means to be truly alive. And in Groundwork, a self-curated collection, Auster stitches together various autobiographical writings to lay bare the trajectory of both his personal life and sense of self.

From his breakout memoir, The Invention of Solitude, which solidified Auster’s reputation as a canonical voice in American letters, to excerpts from his later memoirs, Winter Journal and Report from the Interior, readers are ushered into the inner workings of Auster’s self-development. His sweeping recollection winds through the halls of Columbia University during the turbulent 1960s and into life as a young poet-turned-novelist, then dives headfirst into the realities that accompany aging today. Along the way, Auster continually challenges the notion of what autobiography can be, inverting the form through fragmentation and, ultimately, illustrating firsthand the brilliance behind “one of the great writers of our time" (San Francisco Chronicle).